Tag Archives: golden hour

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Mountains and Dunes, Sunset

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Mountains and Dunes, Sunset
“Mountains and Dunes, Sunset” — Evening light on desert mountains with sand dunes in shadow, Death Valley.

Until you spend time there, it is possible to imagine that the terrain of Death Valley corresponds to traditional notions of “desert” — vast open and flat areas largely filled with sand. There are sand dunes, of course, but they cover a very tiny fraction of the entire park. There are open, flat areas that are not dunes, but they also are arguably not the area’s main feature. But everywhere there are mountains, and the arid landscape lays bare their forms.

I was in what are perhaps the best-known Death Valley dunes on this evening. I arrived in the late afternoon when the light was still strong, planning to be in an interesting location when the shadows of the Cottonwood Range would sweep across the flatlands before sunset. I made this photograph just after that happened, and while the dunes are in shadow there is strong and warmly-colored side light on the more distant mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Narrow Street and Steps, Porto

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Narrow Street and Steps, Porto
A woman stands below steps ascending a narrow street in Porto, Portugal

Narrow Street and Steps, Porto. © Copyright 2023 G Dan Mitchell.

A woman stands below steps ascending a narrow street in Porto, Portugal

On our first walk in Porto we headed straight for the historic Ribeira district. This neighborhood rises steeply from the banks of the Duoro River and is filled with extremely narrow and twisty streets on the impressively inclined hillside. Yes, it is a popular tourist destination, but with good reason. In places the streets are so narrow that I was reminded of wandering Utah slot canyons, with soft light filtering down from above.

Later on our visit we branched out a bit more — though to be honest we barely scratched the surface of the place during our stay. We love to walk when we visit cities, and there were plenty of opportunities for that in Porto. On this day we took a long and semi-random looping walk that took us past busy downtown areas, to hilltop views of the Duoro, and through more neighborhoods — like this one where we stopped to photograph the steep and narrow walkways near the end of the day.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Two Trees, Golden Hour

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Two Trees, Golden Hour
Two lake-side trees in evening light along the Sierra Nevada crest near the Yosemite boundary

Two Trees, Golden Hour. Hoover Wilderness Area, California. August 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two lake-side trees in evening light along the Sierra Nevada crest near the Yosemite boundary

After a day of challenging weather it was a relief to watch the skies clear above this High Sierra lake, leading to an absolutely lovely and benign evening. (The previous evening all of us had been trapped inside tents during a three-hour rain storm.) Our camp was set up, we had eaten dinner, it was quiet and calm, and it was one of those peaceful and quiet Sierra Nevada evenings.

After dinner, eaten on the rocky bench near the bottom of this photograph, I got my equipment and climbed a bit higher, to a point from which all of the lake and its surroundings were visible. To my right was the Sierra crest, and beyond the mountains and valleys of the Yosemite backcountry. Across the lake the trees of a low saddle were picking up the late evening light coming across the tops of those Yosemite ridges.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: Central California, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Building 237, Early Evening

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Building 237, Early Evening
Building 237, Early Evening

Building 237, Early Evening. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Early evening light on the face of Building 237, Mare Island Naval Shipyard, Vallejo, California

This is one of the rarest of photographs from me—a daytime photo from Mare Island! Although I have photographed here for quite a few years, virtually all of my photographs from this location have been made at night, when the industrial environment of the place is transferred by darkness and artificial light into something mysterious.

By day, many of the subjects that I find so interesting and even colorful at night are often quite bland and boring. Building 237 is the subject of one of my favorite photographs from Mare Island, “Yellow Buildings, Shadows, Moving Clouds.” In that photograph, these buildings glow with an intensely yellow light from nearby artificial lightning, and the motion of clouds during the long exposure creates an aura in the dark sky above them. But during the daytime, the color of the buildings is a somewhat faded and drab sort of yellow-tan shade, and this is even more washed out in typical daytime light. On this visit, largely because the sun sets later by the clock during daylight savings time, we found ourselves ready to photograph well before it was dare, so I decided to go out and look for golden hour light as the day ended. Here that light subtly colors the front face of building 237, whose color contrasts with the cold, blue tones of the next-door building that is already in full shadow.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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