A grove of oak trees in El Capitan Meadow illuminated by late afternoon light.
What Yosemite photographer hasn’t photographed these oaks, especially the four in the foreground? I know I can’t resist, and I’ve photographed them in every season and in conditions ranging from warm afternoons to winter mornings with snow on the ground. Here I photographed them during the last few minutes of direct light, just before the sun dropped behind ridges to the west, and after the light had already left the meadow, the forest and the Valley walls beyond.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Bright yellow-gold leaves of autumn Sierra Nevada aspen trees near Sabrina Lake, California.
I visited this small grove on a couple occasions during this weekend of eastern Sierra fall photography. I had primarily stopped to photograph a large nearby grove of very bright and colorful trees, but the arrangement of these tree trunks caught my attention and I spent some time shooting the subject in fading evening light and gentle rain.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Snow-dusted peaks of the eastern Sierra Nevada near Mammoth Lakes illuminated by dawn light and reflected in the surface of an Owens Valley alkali lake.
I like to stay flexible when I photograph so even though my original reason for traveling to the eastern Sierra was to photograph fall aspen color, when it seemed that other subjects might be just as interesting I switched gears and headed out into Owens Valley to photograph this high desert region and the morning views from there of the eastern escarpment of the Sierra Nevada. I first got this idea the previous morning while driving towards some prospective aspen color before dawn when I saw the outlines of fog over Crowley Lake and other areas of the valley. I ended up shooting along Hot Creek as fog rose from the water and the Sierra crest broke through in the distance. (Photos of that scene will likely appear here later on.) On my way to Hot Creek I passed this lake and decided not to stop since it looked like photography workshop participants were already crowded along one shore.
The next morning I once again thought that I’d start my day out in Owens Valley. This time I went straight to this lake – which I believe is known as “Little Alkali Lake” – and found it completely deserted and the water totally still. It remained that way as I made my way to the far shore and set up before sunrise. In this part of Owens Valley, on cold mornings there are clouds and columns of steam rising all around, coming from the many hot springs that remind one of the volcanic forces hidden just below the surface of this area. Some of the steam sources are visible across the lake in the photograph. Soon the dawn light began to touch the highest peaks and then work its way down toward the rolling hills of the valley floor, reflected in the smooth water of this small lake. This part of the Sierra includes an impressive group of peaks including Mounts Morrison, Baldwin, and Morgan along with McGee Mountain.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Groves of tightly spaced slender aspen trees with golden fall leaves at Conway Summit, California.
Conway Summit is a location well-known to many eastern Sierra photographers, especially those who photograph the autumn aspen color displays. The “Summit” is the high point on the highway 395 just north of the town of Lee Vining, and the aspens grow to the west on the slopes that gradually rise toward Dunderberg Meadow and Peak. When I’m looking for brilliant autumn color here, several factors come into play. First, you have to be there at the right time. This isn’t always easy to predict, and when the color is great in one area of these trees it may have passed or not yet arrived in others. Second, you need to come at the “right” time of day. For me this means, at least at Conway, coming in the mid- to late-afternoon when the groves are lit by backlight coming across the Sierra crest. Third, it helps a lot if you can be there for conditions that are not too ordinary. For example, on the afternoon when I made this and some others photographs that may follow, after a weekend of boring perfect cloud-free weather some puffy clouds began to form above the Sierra crest, and their shadows raced across the area and created patterns of light and dark.
This photograph is also an example of long lens landscape photography. For some reason there are those who think that landscape photography must be done with certain lenses, often those of “normal” to wide focal length ranges. Those certainly have their place, and I use them too. However, I find that longer focal lengths are also indispensable – not just for filling the frame with subjects that you otherwise might not be able to approach, but also to compress foreground and background and to narrow the depth of field, among other reasons. Here I photographed with a 100-400mm telephoto at 250mm.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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