A fern drapes across a redwood log littered with leaves and needles at Muir Woods National Monument.
I’m always a sucker for the interesting forms of the ferns in the redwood forest, here at Muir Woods National Monument and elsewhere. This curving example was lying across the surface of an old, dead fallen redwood trunk, and was accompanied by some brown ferns, a few odd redwood needles, and what I think may be a brown bay leaf.
Although this was shot near the very end of fall, the atmosphere at Muir Woods was very much that of winter. There was just a bit of thin fog floating around here and there, and on the forest floor beneath the giant trees it was very damp and quiet and dark. (If you want evidence of the low light… note that this was a 15 second exposure!)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Winter mushrooms grow on a redwood log at Muir Woods National Monument.
Yesterday I decided to squeeze in a quick shoot in the Muir Woods area on a relatively nice day before what promises to be a week of substantial rain. So I was on the road early, stopping at the north end of the Golden Gate Bridge to photograph the San Francisco Bay at sunrise before continuing on to Muir Woods. I arrived pretty early – I know I’m there early when I get the very first parking space closest to the entrance!
This is a beautiful time of year in the redwood forest, but there seems to be a smaller number of visitors. I suppose the wetness may keep them away – there is mud and water everywhere – and not everyone is willing to deal with the cold. The main grove at Muir Woods sits in the bottom of a canyon that doesn’t get a whole lot of sun this time of year, especially very early and late in the day. Combine wet with cold and low light… and you can understand why it was a fairly quiet morning there, with only a few other people wandering about.
I know that winter is the mushroom season in places like this, but I was very surprised by the number of mushrooms growing there yesterday and my the astonishing variety of types. There were the large curving brown ones (sorry, I’m not a mushroom ID expert, to say the least!) clustered in the upper area of this shot, the brightly colored yellow ones, tiny white ones, and many other shapes and colors and textures. I wish that I could have stayed longer to photograph more of them, but I think I’ll try to return after the current cycle of storms ends.
I’ll add a couple of photographic observations here, too. First, this is another shot that demonstrates, I think, the usefulness of the 70-200mm zoom lens. Working here at close to minimum focus distance, the longer focal length gave me a bit of working room and still provided a nice background blur. Second, the redwood forest is a very dark place! I don’t know how you could shoot these subjects handheld – this shot used a 6 second exposure!
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A dense grove of thick and twisy aspens growing along Dunderberg Road in the eastern Sierra Nevada.
This just may be my final new aspen photograph from the 2010 season in the eastern Sierra. (Then again, I do go through all of my raw files during the final couple of weeks of the year, and who knows what might turn up!)
The photograph was made late in the day along the dirt track of Dunderberg Road in a grove of trees that I have visited in the past. Aspen trees can assume a seemingly infinite variety of forms, ranging from the groves of tall and slender trees growing in near perfect symmetry to stunted and twisted specimens that seem more like shrubs than trees. In this grove the trees seem to have endured some real stress – they have thick and strong trunks, but the trees are not tall and the trunks are gnarled and twisted in all sorts of crazy directions. Often when you see a trunk as thick as this one you would expect the tree to be quite tall… but not here.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Colorful autumn aspen colors surround the shores of North Lake with the Sierra Crest beyond.
I should probably hand out sunglasses and an Official Icon Alert warning with this one. Yes, it is that North Lake.
Later on this morning, after shooting elsewhere around the lake in the early hours, and after the workshop shooters had mostly moved on (after all, the good light was gone… ;-), I decided to cross the outlet stream and see about climbing up a hill above that lake that I had been thinking about. I found an easy trail along the side of the lake, but then had to more or less bushwhack my way up the slope to get above the tops of the very red lakeside aspens, which is no easy task when carrying a large photo pack and a good size tripod. (Once up there, I discovered a very easy trail going straight to my position. Sigh.)
Although it was no longer the “golden hour” and the morning was well along, there were scattered clouds. These shadows from these clouds moved rapidly across the landscape, sometimes producing almost uniform shade and sometimes lighting up some features while leaving others less visible. When I see conditions like this I often imagine the perfect positioning of the clouds and the light effects they produce – some primary feature caught in the spot light of a beam of sun, others in sunlight muted by thin clouds, and any spots that happen to be a bit too bright and distracting miraculously muted by a perfectly placed shadow. Yeah, right. But if I watch and wait long enough, something interesting almost always happens, and sometimes the moving clouds do momentarily solve composition and exposure problems. Here, the light on the bright red trees in the foreground is momentarily diminished by a passing cloud shadow and the shoreline trees are in sunlight… and the big cloud at upper left is reflecting on the surface of the water just beyond the foreground trees.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
