Tag Archives: golden

Sunlit Gully, Zabriskie Point

Sunlit Gully, Zabriskie Point
Sunlit Gully, Zabriskie Point

Sunlit Gully, Zabriskie Point. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Photograph of a sunlit gully in afternoon light at Zabriskie Point, Death Valley National Park, California.

Zabriskie Point is a justifiably famous overlook in Death Valley National Park – arguably the iconic view of the park, with the pyramid-shaped Manley Point above amazingly folder patterns of hills and gullies and with Death Valley and the sometimes snow topped summit of the Panamint Range beyond. (OK, the dunes might compete with Zabriskie in the Icon department…)

Everyone photographs at Zabriskie, and I’m no exception. However, my approach to this location has changed over time. At first any Zabriskie sunrise seems worth photographing, and in all honesty sunrise there is an amazing experience in all but the worst conditions. Eventually, though, you become a bit more discerning and not just any sunrise will do. I’ll generally only shoot sunrise there now if I think that the conditions will be extra spectacular, usually meaning some combination of clear or otherwise interesting lower atmosphere, perhaps snow on the Panamints, and some interesting clouds overhead. But even that is starting to feel a bit overworked.

Recently I’ve been trying to figure out what (and how) to photograph here without doing “the usual thing.” Several ideas have come to mind. Earlier I posted a photograph of the Manifold formation made at night under a full moon, and I think there is still more potential there. As others have done, I’ve played around with trying to find shooting locations other than the familiar one near the overlook. This photograph is an attempt to combine two other approaches that I’m working on – detail shots of small elements of the scene made with a long lens and shots made during the day at times other than the “normal” sunrise time.

I first saw this small gully a couple years ago when I happened to stop at Zabriskie during the mid-morning period on my way back from shooting somewhere else. Initially I just thought I’d wander up the path from the parking lot, scout things out a bit, and move on. But as I looked at the scene I realized that not all parts of this spot are necessarily best lit at sunrise, and that some actually can become interesting during the less obvious times of day. This is one attempt at a further exploration of this particular twisting gully, here shot in very bright daytime sun light only slightly diffused by high thin clouds.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 400mm
ISO 100, f/16, 1/125 second

keywords: zabriskie, point, fold, gully, hill, pattern, light, shadow, ridge, brown, golden, wash, rugged, gravel, dirt, geology, landscape, nature, scenic, travel, death valley, national, park, california, usa, north america, desert, formation, afternoon, winding, stock

Sand Patterns, Death Valley Dunes

Sand Patterns, Death Valley Dunes
Sand Patterns, Death Valley Dunes

Sand Patterns, Death Valley Dunes. Death Valley National Park, California. March 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Linear and curved patterns in morning light at Death Valley Dunes, Death Valley National Park, California.

Early in the morning on the third day of my late March trip to Death Valley I wandered out to Death Valley Dunes near Stovepipe Wells, taking the easier route around the west end of the dunes and then walking toward the higher dunes and shooting more or less towards the rising sun. There are plenty of interesting subjects when approaching the dunes from this direction: the patterned mud (or so they seem) formations beneath the edge of the dunes, the many small plants coming up after recent rains, flowers everywhere, the taller dunes to the east catching the first light, and beyond them the darker peaks of the Amargosa Range.

After climbing to the top of a moderate size dune to get a better and more open view to the east I happened to look down and see this steep, sandy slope with its linear pattern apparently created as sand blew over the edge and down the side. Beyond are the more typical gentle and curving slopes – here with some footprints from the many people who had earlier wandered through this section of the dunes.

(I think that we are seeing more people walking out to the dunes now that the NPS has created a actual “official” parking lot with marked spaces, rest rooms, and interpretive signs – an update from the old practice of simply pulling off the side of the road.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 200mm
ISO 200, f/16, 1/50 second

keywords: death valley, national, park, california, usa, north america, nature, scenic, travel, landscape, dunes, lines, wind, ripple, wave, pattern, curve, shadow, light, texture, pattern, abstract, shape, morning, light, stovepipe, wells, tan, golden, stripe, foot, prints, stock, sand, hill

Winter Fog and Oak Covered Hills

Winter Fog and Oak Covered Hills
Winter Fog and Oak Covered Hills

Winter Fog and Oak Covered Hills. Calero Hills, California. January 9, 2010. © Copyright G Dan Mitchell – all rights reserved.

Winter morning fog settles over the oak covered Calero Hills landscape of central California.

On this early-January winter morning I headed to my “photographic backyard” in the Calero Hills area, knowing that I’d get to shoot my favorite hills, oak trees, and grasslands in fog, clearing fog, and perhaps even sunlight. Things didn’t pan out exactly as I expected, but it was a good morning of photography anyway.

After starting out by photographing a tree in the “lowlands” of the park, I could tell that the tule fog was starting to clear a bit along the ridges – the brighter light from above was one hint, and the occasional faint sight of blue sky and clouds through the low fog was another. So I decided to finish up my work on that tree and follow a trail that ascends to one of the many minor ridges running through the park.

Arriving at a familiar point on the ridge along a valley that drops away to the south, the fog began to clear from my location. I soon discovered that it wasn’t going to be a day for sunlit photographs – a weak weather system was approaching and high clouds muted the sunlight. In addition the fog didn’t exactly clear – it was more a case of the fog sort of washing back and forth. One moment my position and nearby ridges would clear and I’d see the overcast sky above (as in this photograph), but a few minutes later another wave of fog would expand out of the valleys and I’d be socked in again. So I set up and waited and watched and ended up with several photographs that I like.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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keywords: calero, county, park, santa clara, california, usa, hills, oak, tree, grove, grass, brown, golden, valley, fog, mist, clouds, silhouette, nature, ridge, mountain, sky, winter, season, central, grassland, emerge, clear, settle, landscape, soft, light, rock, plant, stock

Photographing Death Valley – Part 1

This material concerning Death Valley is unavailable while revisions are underway. Thanks for your understanding. In the meantime, I will respond to comments left on this page.

(Update 3/22/13: The planned update to this article has been long-delayed, and for that I apologize. It turns out that the way I want to approach the subject in the revised version is a bit more complicated than I expected. I had anticipated completing an update in early 2013, but I decided to wait until after this year’s shoot in Death Valley so that I would write with that experience fresh in my mind.)

Also, more (but not all!) of my Death Valley photography is found here: https://gdanmitchell.com/gallery/v/NaturalWorld/TheLandscape/Desert/DeathValley/

(Note: After a conversation with a friend who is a retired Yosemite ranger, in which he articulately explained why he has concerns about sharing overly specific information about sensitive and fragile places too widely, I have decided to revise this article about photographing Death Valley. The goal is to remove some of the unnecessarily specific details about places that don’t need a lot more publicity, and to let photographers who are new this wonderful park learn about it the way I did and continue to do – by slowly exploring and adding to my knowledge and experience of the place rather than looking for a quick list of the “great shots.” I hope you’ll understand.

© Copyright 2013 G Dan Mitchell – all rights reserved.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.