A shattered glass window and a spray-painted brick wall
This is another small and complex street vignette, found on a wall along a street in Brooklyn, New York while walking around making photographs and looking for a place to eat. This section of wall was covered with a lot of street art, layers of contributions from a large group of people over some period of time, no doubt.
There’s not a whole lot for me to write about this one, except that the juxtaposition of broken glass, a single clean vertical line, and the abstract shapes and colors on the right caught my attention. There appears to be some piece of paper behind the fractured glass, and it looks like it may hold some message, but the meaning remains unclear.
A small portion of a colorful graffiti covered wall, Brooklyn
I used to have a firm policy of virtually never photographing graffiti, and when I couldn’t avoid it I would remove or modify it in post so as to not be part of the sharing that might encourage the sort of graffiti that is really simple vandalism. I still avoid photographing simple “tags” in most cases, especially when they offer little more than the evidence that some anonymous person wrote on a wall. I also have this nagging feeling that photographing graffiti-ridden cityscapes can too easily become a street photography cliché.
However, I’ve become more open to the idea of finding and photographing the accumulative juxtapositions of layers of drawing, painting, posters, and weathering that show up on some urban walls. That’s my way of explaining why I stopped to photograph this Brooklyn wall, moving in close to find compositions among the colors, lines, and shapes that have built up over time and which have been revealed as time has weathered away later layers.
A man descends the Peter Macchiarini steps past worn and dilapidated buildings in downtown San Francisco.
I photographed this rather bleak scene on a side street in San Francisco last summer. I first walked up this street to photograph the “Peter Macchiarini Steps” that ascend steeply here in place of a normal sidewalk. Then I saw the opposing shapes of the large square ductwork and the smaller round pipes against the weathered and dilapidated exterior of the buildings. Finally, I found that the occasional person descending the steps might add a point of interest, so I waited…
When I look at a photograph like this one I see layers of different things – but maybe that’s just me! :-) At one level it is just a slightly gritty little street scene, presented in a pretty unvarnished manner. (I did some work to straighten angles and so forth in post – I generally don’t get to use tilt/shift lenses when I shoot street!) Then I see several interesting-to-me geometries in the scene. I mentioned above the opposing bends of the pipes and ducts and their relative positions on the wall. I also see a collection of rectangular shapes throughout the frame: the lighter area of wall behind the figure, the doors in the lower center, the small window above the doors, the three upper windows, and the sections of wall between them. Then there are a bunch of horizontal components: the large lighter band across the upper center, the very small patterns of the siding, the sequence of upper story windows against siding, the lower edge of the siding. And within these separate layers of order there are things that don’t quite fit. The man of course, wearing black and in motion with one foot suspended in mid-step, but also the trash can in front of him – also black, the bits of conduit running in odd directions, the small section of pipe in front of the door, and the concrete sidewalk steps.
Of course, you are free to see a picture of some guy walking down the steps…
Painted bricks and painted-over graffiti on a suburban wall.
Somehow this little bit of painted surface caught my eye while I was out walking with my camera the other day. I follow a general rule of not photographing graffiti, especially the low-class street tagging sort of stuff, but I will photograph the interesting and varied ways that folks cover it up. Somehow it looks like the person who painted out this tag may have been in a bit of a hurry! I also find those painted bricks on the left side interesting and a bit strange.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
