Tag Archives: graffiti

W!

W!
“W!” — Colorful painting and graffiti on metal door, New York City

Continuing my current pattern of wild back-and-forth swings among subjects, today I retreat from the foggy California wetlands and head back to New York City for some wild color. There’s nothing in the photograph to let you know this, but it was a bitterly cold winter day when I made the photograph. Almost nothing stops me from walking with my camera when I visit New York, though the 20 degree (and colder!) temperatures and biting winds did their best on this day. We started walking in Lower Manhattan, near the Staten Island Ferry Terminal (a very windy place!) and headed uptown on a somewhat random path. The route took us through some places you might not bother to visit on a tourist trip to the city, but it did turn up subjects like this intense example of street art painted on the roll-up door of a small business. If memory serves, this was the day that we finally made it to Veselka, the Ukrainian restaurant. As we walked and got colder and colder, the thought of borscht and other goodies became more and more attractive. Veselka did not disappoint.

About this photograph and its dissonance with other work I post, such as wilderness landscapes, seascapes, and migratory birds. I know that some photographers prefer to focus on a particular range of subjects. (There are fine reasons for making that choice, in fact.) But I have at least a couple of reasons for photographing a wider range of subjects. First, I come from a background in music, where the idea of performing only one style of music (say, Baroque trio sonatas) all the time seems incredibly constraining — so seeking out a wider range seems nature to me. Second, I like to think that these different subjects are still united by whatever it is that constitutes my way of seeing… and that there might be a bit of the landscape photographer in the city and a bit of the street photographer in the landscape work.

TWO


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Empty Lot, Paris

Empty Lot, Paris
An empty lot with graffiti and street art, Paris

Empty Lot, Paris. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

An empty lot with graffiti and street art, Paris

I’m pretty certain that I made this photograph on the evening of our arrival in Paris in the summer of 2016. We came from London the train, arrived in the afternoon, checked into a hotel, and headed out to explore. We were staying in Montemartre, which is a fine place to wander, with narrow streets, hills, and plenty of places to eat and drink.

A bit later, at dusk, we were walking through a residential area when we passed this empty and apparently abandoned lot. It appeared that it had been commandeered by graffiti artists, who produced everything from text to images. My sense was that this produced a sort of urban landscape, and as different as this look from, say, the Sierra Nevada, it photographed it in a similar way in the fading light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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It’s Time To Dance!

It's Time To Dance
Graffiti, street art, and a potted ivy plant, Le Marais

It’s Time To Dance! Le Marais, Paris, France. August 10, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Graffiti, street art, and a potted ivy plant, Le Marais

We wandered into Le Marais, a section of Paris that still retains the old, narrow, and sometimes twisting streets from before the improvements that brought wide boulevards and a logical (or so they tell me) street layout. It is also a sort of “artsy” area, with lots of little shops, the occasional museum, interesting people, and lots of street art. All in all, it felt like a street photographer’s paradise to me. (I made my favorite photograph of the entire five-week trip — and perhaps one of my favorites of all time — here in Le Marais, probably only feet from where I made this one.)

The street art, which includes but is certainly not limited to graffiti, is ubiquitous. Some seems light-hearted, some has a darker edge. Some is political, and the meaning of some of it was opaque to me. The combination of the French language — which I don’t speak and only some of which I can figure out — and English, some of which seems just a bit odd or “off,” gave a lot of it a kind of perplexing quality. For example, the words written around the edge of the black planter down near the sidewalk, which enthusiastically announce “It’s Time to Dance!” I saw these large female dancing figures elsewhere, another visual theme whose precise significance eluded me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Florence Building

Florence Building
A gritty looking Florence building

Florence Building. Florence/Firenze, Italy. August 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A gritty looking Florence building

It was almost the end of our five weeks of American, British, and European travel this past August — from New York City in late July to the UK at the start of August, and then through Paris, Heidelberg, and several areas in Italy. The trip was winding down. Truth be told, we were at the point where we would have been happy to continue traveling, but it was time to return to the US and get back to the so-called real world.

We went out for a morning walk in Florence, heading away from the busiest areas in the opposite direction from our hotel. We wandered up narrow streets to a large, open square, and then simply “random walked” our way back. For an American, particularly a west coast American perhaps, central Florence is a remarkably different looking place. This is not just because of the very old streets and buildings but secondarily because of the state of their exteriors. In many places things are very similar colors, in a range between brown and tan, and most buildings don’t look all that fancy from the outside. There is a striking lack of advertising signs — a shop might typically have one sign and it probably isn’t lit much if at all. This building had a practical look about it, with pipes, wires, and conduit on the outside. The light was remarkable — an unusual combination of brilliance combined with a certain softness that the Italian atmosphere provided almost the entire time we were there.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.