Tag Archives: granite

Oak And Granite, Autumn

Oak And Granite, Autumn
“Oak And Granite, Autumn” — Autumn leaves on black oak trees against a background of Yosemite Valley granite cliffs.

I like oak trees and oak leaves, but they do not generally provide the most intense fall color. In normal light the leaves are a sort of tan-brown that I charitably call “golden-brown.” They aren’t typically as spectacular as other trees that turn golden, orange, and red. However, when the sun is behind the tree, the leaves are translucent enough to glow with rich, warm color.

I was at this location in Yosemite Valley to photograph large trees in an open meadow. When I arrived the shadows from cliffs across the valley were staring to move over the meadow, and trees were gradually losing that colorful glow. Standing under this tree, I looked up and saw the silhouetted branches and luminous color. I quickly set up to photograph straight into the tree and managed a few photographs before the shadows arrived.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

River And Autumn Trees

River And Autumn Trees
“River And Autumn Trees” — Autumn trees change colors along banks of the Merced River, Yosemite Valley.

While I wrote elsewhere that this end-of-October fall color visit to Yosemite focused on more intimate landscapes, this one might seem like an exception, given that the trees are across the river and there is a rather large cliff beyond. OK, it isn’t exactly “intimate by the usual standards…” but if you knew what I left out of this photograph you might forgive me! This is a spot in the Valley where you might typically photograph some of those larger, monumental subjects.

I had passed this spot without stopping earlier in the day, so when I came by again later on I was prepared to pause and photograph. This is a narrower section of the Valley, and those trees grow on the opposite bank of the Merced River. We see several of the sources of Yosemite autumn color here including the golden-brown black oak trees and the brilliant yellow big leaf maples.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Boulders, Tuolumne Meadows

“Boulders, Tuolumne Meadows” — Large granite boulders strewn across Tuolumne Meadows.

This is another of those locations that are best photographed very early or very late in the day, and preferably without the distraction s of large groups of photographers. It was evening, and I drove to Tuolumne Meadows from my camp to look for quiet light on meadows, boulders, and domes.

The Meadows are beautiful in the late-day light, which softens and can turn golden. Here a pile of large rocks, almost certainly glacial erratics, dominates the scene, and light from the setting sun comes from just outside the camera’s frame. In the distance we see peaks of the Cathedral Range.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Shoreline in Shadows

Shoreline in Shadows
“Shoreline in Shadows” — An eastern Sierra lake, surrounded by meadows and forest and reflecting talus slopes, in early morning shadows.

While we love to photograph mountain light, sometimes it can be tricky. I photographed this scene in the early morning. I had gone out well before sunrise, planning to spend some time working with the soft light before the direct sunshine arrived. The the sunlight first touched peaks high above the distant talus slope, then began to descend toward the lake. I made this photograph while the directly-lit talus field was just outside the frame, and moments later things were very bright!

This is, at least for me, the kind of scene that I don’t immediately “see” as a photograph. But when I do I intuitively work out some kind of composition, moving forward and backward, left and right, higher and lower, and adjusting focal length until it just seems to come together.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.