Tag Archives: green

Oaks, Spring

Oaks, Spring
Spring green comes to the oak-covered hills of Northern California

Oaks, Spring. Santa Clara County, California. March 12, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Spring green comes to the oak-covered hills of Northern California

After all of these years, I’m still amazed by the arrival of California’s season of “impossible green,” when in late winter the grasses that are so dry and brown for much of the year erupt into a lush green that blankets the hills. When summer visitors express surprise at California’s dry summers, I always want to say, “Come back in March!”

I headed out on this morning for several reasons. First and foremost, I wanted to hike a bit. But I also wanted to do a bit of wildflower reconnaissance. (The quick report: In the place I visited the biggest wildflower show is yet to come.) In addition, I wanted to see what this year’s rainy winter has done to a landscape that has been very, very dry for half of a decade. For the first time in years, there was water everywhere. Water was flowing out of every little valley and alluvial hillsides were sponge-full of water that is leaking out the bottom. After so many dry springs, I think I actually enjoyed having to work my way around ponds of muddy water and occasionally slog right through the mud!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sandstone and Singleleaf Ash

Sandstone and Singleleaf Ash
A singleleaf ash tree stretches across red sandstone wall, Utah

Sandstone and Singleleaf Ash. Grand Staircase-Escalante National Monument. October 28, 2010. © Copyright 2017 G Dan Mitchell – all rights reserved.

A singleleaf ash tree stretches across red sandstone wall, Utah

I love the stunning sandstone landscapes of Southern Utah — a world of canyons intimate or huge, smooth red sandstone walls, the force of water, juniper trees, flatlands and mountains, and the thought-provoking presence of people who lived here before we came. When I return to my California landscapes from Utah they always seem a bit… gray. I made this photograph on a visit a bit more than four years ago, when I joined several photographer friends to explore places from Zion National Park to Capitol Reef National Park, spending time in some of the stunning national monument lands in between. I made this photograph in the Grand Staircase-Escalante National Monument, a place that surely is deserving of national park status.

Back in 2012 during this visit, I thought about how my country had the foresight to protect such quintessential American landscapes and hold them in trust for all Americans today and long into the future. It did not even cross my mind that they might soon again be in danger. But they are, including this very place, now described by self-serving politicians intent on taking the land that we own and giving it away to private interests as being “places where no one goes” or places that are just empty desert. This is, of course, nonsense and only a liar or worse could make such a claim with a straight face. Once again, it appears that it will be time to have to try to re-save these places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Large Cottonwood Tree, Side Canyon

Large Cottonwood Tree, Side Canyon
“Large Cottonwood Tree, Side Canyon” — A large cottonwood tree with fall colors in front of sandstone walls and a side canyon

During a bit of hard drive housekeeping this week I found a folder full of files from a Utah visit in 2012. Because I have a hard drive that is about to fill, I’ve been looking for unused and unneeded files that invariably get left behind after work on various projects — you know, the files that I “just might want to keep around, just in case.” I think that the batch in this folder were transferred from my laptop, and they are most likely files that I worked on quickly in the field and planned to update on my desktop computer later. My first thought was that I’d just delete the folder, but then I looked more closely and found several files that I want to keep.

This is one of the keepers. Although I hadn’t thought if it for quite a while, I now recall this little canyon junction quite distinctly, a place were a smaller side canyon dropped down into the larger canyon through which we walked. Scale is hard to judge against this landscape, but the old cottonwood is very large, especially for one in the base of a narrow canyon. This photograph reminds me of something else, too — I need to get back to these canyons!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Signore Verdi Sings the Blues

Signore Verdi Sings the Blues
Street art, modeled after a painting of Giuseppe Verdi

Signore Verdi Sings the Blues. Florence, Italy. August 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Street art, modeled after a painting of Giuseppe Verdi

There was street art everywhere we went in Europe and the UK this past summer. In some places, such as Heidelberg, a lot of it was overtly political and it relied a lot on text. In other places there was more that was purely visual or almost so, like this example and some that we saw in Paris. In other places, such as some parts of Bologna,  much of it reminded me of simple tagging, similar to what we see in the US.

This example caught my attention for several reasons. Because of my musical background I recognized it as a riff on a famous picture of Italian opera composer Giuseppe Verdi. (At the time of this posting you can see it at the Wikipedia entry on the composer.) The intense blue color and its juxtaposition with the green (think “Verdi”) plants also seemed interesting. I don’t know what it “means” or why it was here, but I couldn’t help photographing it!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.