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Gaylor Basin and the Cathedral Range, Evening

Gaylor Basin and the Cathedral Range, Evening
Gaylor Basin and the Cathedral Range, Evening

Gaylor Basin and the Cathedral Range, Evening. Yosemite National Park, California. July 26, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Evening shadows stretch across the boulder-filled meadows and forests of Gaylor Basin with the peaks of the Cathedral Range on the skyline, Yosemite National Park.

On the first evening of my late-July four-day visit to Yosemite’s high country along Tioga Pass Road I decided to visit this favorite location of mine. It is a short (but steep!) hike from near Tioga Pass over a nearby ridge to reach this quiet basin with its many lakes, long distance views of the Cathedral Range, and the treeline terrain of rocks and trees that I believe is my very favorite in the Sierra.

I started out after my mid-afternoon “dinner” and the drive to the trailhead from my camp at Porcupine Flat. Probably because it was so late in the day, I met a fair number of people hiking back out but only saw two others in the entire basin once I arrived. I suppose this is one of the advantages of keeping odd “photographer’s hours” – while most people are heading back to camp to fix dinner, I’m heading out to catch the evening light.

In the end, I didn’t make many photographs on this evening. I mostly wandered, something I love to do in these high open basins. I walked around the first lake, passing over some still-unmelted snow, and crossed the very full outlet stream, trying to skirt the wettest portions of the meadow by looking for rocky terrain. I finally settled on an area just below the lake and made a few photographs of trees and rocks and the long, shallow valley leading toward the main trunk of the Tuolumne River and the mountains beyond. I finished just after dusk, climbed back up the ridge as darkness came on, and finished the hike back to my car with the help of the light from my headlamp.

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Alpenglow, Trees, and Granite

Alpenglow, Trees, and Granite
“Alpenglow, Trees, and Granite” — Alpenglow light on trees among granite boulders below glacially-carved Yosemite cliffs..

This is one of my favorite locations in the Yosemite back-country and, in fact, in the entire Sierra Nevada range. This beautiful sub-alpine basis contains three lovely lakes and is surrounded by varied terrain that includes distant views, peaks and ridges towering above, lodgepole pine forests, meadows small and large, and an open view to the west that often provides stunning light late in the day.

As is usually the case, I was camped at the of the three lakes – this time for several days of photography – and I had headed to the upper lake late in the day to do some evening photography. I have photographed there quite a few times, but I still haven’t come close to exhausting the photographic potential of the place. On this evening I knew that I wanted to be ready to photograph the golden hour light, but I was also interested in the smaller groups of trees that grow among the granite boulders and I wanted to see what might develop as alpenglow struck the glacial slopes above the lake.

There is a small, fun twist to the story of this visit. I took a semi-cross-country route to the upper lake from my camp at the lower lake, and because I knew that I’d be returning alone in deep twilight or after dark, on the hike up I was concentrating intensely on fixing a series of landmarks in my mind for the return hike. I was so single-minded about this that I made it all the way to the lake and my first intended subject (a small shoreline tree) without looking around much. It was only a moment after arriving that I got out of focus-on-the-route mode and looked around. I had walked right past the campsite of a couple of photographers without even seeing them, much less saying “hi.” Turns out that the photographers were John Sexton and Anne Larsen. After exchanging greetings and conversation, I went about my business of shooting along the edge of the lake. (If I recall correctly, John was shooting nearby as I made this exposure.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trees in Silhouette, Olmsted Point, Sunset

Trees in Silhouette, Olmsted Point, Sunset
Trees in Silhouette, Olmsted Point, Sunset

Trees in Silhouette, Olmsted Point, Sunset. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

Trees at Olmsted Point are silhouetted against a brilliantly colorful spring sunset sky, Yosemite National Park.

I think everyone should occasionally get to post a just plain gaudy color sunset – and this is mine. While photographing Mount Conness from Olmsted Point was my primary goal on this evening, I also had some opportunities to swing the tripod around and point at other things from time to time. This is about as close as I can come to capturing the nearly hallucinogenic color of the sky as the brightest cloud illumination was centered directly overhead and beginning to move off to the west.

The color saturation was so intense that I had to under expose this by at least a stop in order to avoid blowing out the red channel and in order to retain some differentiation among the various shadings of color as they transitioned from very pink/red through orange and purple and on towards blue.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Redwood Trunk, Detail

Redwood Trunk, Detail
Redwood Trunk, Detail

Redwood Trunk, Detail. Muir Woods National Monument, California. April 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Detail view of the convoluted textures of the bark of a coast redwood tree, Muir Woods National Monument.

I’m fascinated by the patterns of tree trunks and bark, and I often try to find ways to make photographs of the thick and rugged bark of coastal redwoods – but not always with a lot of success! The subject is trickier than it seems at first. Even during the daytime these forests can be quite dark – and occasional beams of direct light pose their own problems along the lines of harsh shadows. When shooting close up, relatively small apertures are needed since some amount of DOF is required to get the closest parts of the thick bar, and the deeper parts along the frame edges decently in focus. Low light and small apertures means long exposures, and even a bit of air movement will move leaves, bits of grass, or (in the case of this photo) spider webs. And when a bit of interesting filtered light does make it down through the forest canopy, it is often there and gone within a few seconds. (On this same day I came across a beautiful shadow on the side of one redwood that included the shapes of some nearby alder trees. It was wonderful! It was also gone 10-15 seconds later when I got my camera into position!)

I photographed this bit of bark shape and texture along the main trail at Muir Woods on this late-April morning. As is my usual plan, I had arrived very early – before the park actually opens – and was able to wander around without the typical crowds that appear once the post-breakfast tour buses arrive from nearby San Francisco. In this spot it was quite dark, but there was just a bit of filtered and reflected light to bring out the textures and colors of the redwood bark.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.