Tag Archives: haze

Autumn Aspens, Lake, Wildfire Smoke

Autumn Aspens, Lake, Wildfire Smoke
Wildfire smoke drifts over the Sierra Nevada crest above a lake surrounded by autumn aspens

Autumn Aspens, Lake, Wildfire Smoke. © Copyright 2020 G Dan Mitchell – all rights reserved.

Wildfire smoke drifts over the Sierra Nevada crest above a lake surrounded by autumn aspens

This is one of several photographs I made of this Eastern Sierra lake near the peak of autumn color this fall. I photographed it from two perspectives, both of which I had decided on ahead of time. The first was from a slightly elevated position at a somewhat different location, a spot that provided an interesting view of some iconic aspen trees. This was the second position, along a shoreline of the lake where aspens grow and there is a view toward higher peaks along the Sierra crest. Because this was a somewhat special color year, I particularly wanted to include the foreground trees with red and orange leaves.

This particular composition reveals more clearly that the others I have shared that there was wildfire smoke in the air. The distance peaks of the Sierra crest are far enough away to be somewhat muted by it and their coloration is affected by the brown smoke, too. On the previous evening, after a day of fairly good conditions, thick smoke from a fire on the west side of the range had drifted over the crest and then descended into the valleys. I was quite awful, and it wasn’t entirely gone the next morning, though the brighter light of the rising sun cut through it a bit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Autumn Aspens, Eastern Sierra Lake

Autumn Aspens, Eastern Sierra Lake
Faint wildfire smoke and fall aspen color around an Eastern Sierra Nevada lake.

Autumn Aspens, Eastern Sierra Lake. © Copyright 2020 G Dan Mitchell – all rights reserved.

Faint wildfire smoke and fall aspen color around an Eastern Sierra Nevada lake.

Along the same lines as another photograph I recently wrote about, this one is an alternate framing of a scene that I previously shared in a landscape mode photograph. (For folks unfamiliar with this terminology, “portrait” mode is taller than it is wide and “landscape” mode is wider than it is tall.) When I wrote about the decision to create two versions of such a scene I proposed two reasons for doing so. First, I cannot always say with certainty which formatting is better. Second, clients (especially in the publishing world) are often quite specific about which they need, so it makes sense to have both if possible.

There is another practical factor at work in this case, too. Before I went to this spot I had a fairly specific idea of the camera position I wanted to use and of how I wanted to incorporate the red foreground trees with the lake, the more distant colorful aspens, and the higher mountains. So I got their very early — early enough that I took a headlamp when I walked to this spot — and prepared to work from more or less the same spot as the light evolved. And it evolved a lot on this morning. Before sunrise there was abundant wildfire smoke floating around and the scene was quite muted and not what I hoped for. Initially I had decided to let the distant part of the scene go and instead focus on the closer portions less affected by the smoke, but as the sun came up it cut through some of the haze. All of this meant that as I worked from this fixed location, waiting for the right light to evolve, and I had plenty of time to try different camera orientations and other small modifications of the composition and framing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Wetlands

Autumn Wetlands
Late-autumn colors in California Central Valley wetlands.

Autumn Wetlands. © Copyright 2012 G Dan Mitchell – all rights reserved.

Late-autumn colors in California Central Valley wetlands.

As I continue my pandemic project of reviewing years of raw files — and discovering and rediscovering all sorts of interesting things — I have now arrived at the very end of 2012. I’m currently working on the final week or so of autumn and about to move into winter and then on to 2013. One silver lining behind the dark coronavirus cloud is that I have had the time and inclination to revisit these old images and relive some of the experiences I had as I made them.

Every fall migratory birds return to overwinter in California’s Central Valley. Starting in about November I turn my attention that way and start to anticipate visits to this landscape — one that I don’t tend to photograph during the warmer months of the year. But in the cooler and wetter seasons, when the birds can be abundant, this part of California calls to me. I made this photograph on a cold and foggy late-autumn morning as the tule fog was beginning to thin, casting soft light on the autumn foliage of the scattered trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandstone Landscape

Sandstone Landscape
The sandstone landscape of Arches National Park in hazy morning light.

Sandstone Landscape. © Copyright 2012 G Dan Mitchell – all rights reserved.

The sandstone landscape of Arches National Park in hazy morning light.

There aren’t really any obvious landscape icons in this photograph, but it felt to me like it captured something characteristic of the broader landscape of Arches National Park. Made on a hazy October morning, there were some rather impressive towers behind me as I made the photograph, but much of what was in front was muted by the haze. There is one of the ubiquitous fins, some sunlit foreground dry grass and brush, a plateau covered with rounded sandstone formations, and in the distance a landscape that includes the canyon of the Colorado River.

I am particularly intrigued by landscapes such as that seen just beyond the fin, where low, rounded sandstone formations cover the ground. From a distance they are not very imposing, but up close such places are full of things to sustain the interest if you can take the time to wander in such intimate landscapes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.