Tag Archives: haze

Desert Wash and Mountains

Desert Wash and Mountains
A desert wash cuts though golden layers toward mountains and Death Valley

Desert Wash and Mountains. Death Valley National Park, California. March 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A desert wash cuts though golden layers toward mountains and Death Valley

I made this in another area of Death Valley where, despite its popularity, I have never really quite felt comfortable making photographs. The area is along a loop road that ascends the alluvial fan along the valley edge and then passed across and along some very beautiful washes, giving access to areas of strikingly colored rock formations. The formations are intriguing, but they don’t move be photographically. At least not yet — I won’t rule out the possibility that I’ll someday find a way to “see” them.

However, at one of the most popular stops, when I look the opposite direction, I see this absolutely lovely wash curving gracefully back and forth as it descends through golden rock and toward darker hills before taking a turn and heading down the giant alluvial fan toward the great basin of Death Valley. Late in the day, just before the sun drops beyond tall mountains in the west, there is a brief window of warm, golden light, even on a day like this one with distant clouds in the sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Desert Light and Shadow

Desert Light and Shadow
Morning light illuminates dust filled air above desert mountains and valley

Desert Light and Shadow. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light illuminates dust filled air above desert mountains and valley


Please indulge me as I continue to engage in my obsession with a series of photographs of this scene made on a special morning earlier this spring, when dark clouds gave way to light across the valley from my position high on a desert mountain ridge in Death Valley National Park.

If nothing else, sharing the series of somewhat similar photographs (this one, others posted previously, and possibly one or two more still to come) might illuminate the process of refining the way of seeing a particular subject. (Of course, to do that more completely you would also have to see photographs of the same location from previous visits over a period of years.) While I was there and the light was evolving I was very aware that the I could “see” the scene in multiple ways: Did I want to focus on the sky with its spectacular clouds? Did I want to minimize their presence to allow the luminous glow of backlit haze below them to take precedence? How much presence did I want to give to the strongly contrasting shaded mountains below me. How do the color and monochromatic interpretations compare? I still do not have final answers to those questions, but this portrait orientation view gives the luminous mountains across the valley a larger place the overall image and may more clearly present series of parallel and contrary lines in the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains, Clouds

Desert Mountains, Clouds
Clouds from a passing weather front and the beginning of a dust storm above desert mountains and valley

Desert Mountains, Clouds. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Clouds from a passing weather front and the beginning of a dust storm above desert mountains and valley

The light and atmospheric effects in the desert can be quite varied, though we are perhaps most familiar with the least interesting conditions, the heat and clarity of midday. (Even that has an appeal, but for me it often isn’t photographic.) But go there often enough and at different times of year, and you will witness an astonishing diversity of conditions. I’ve been at this location in extreme heat, gale force winds, snow, light rain, quite evening light, and more. The conditions on this morning were not unprecedented in my experience, but the combination was marvelous.

We arrived at this ridgeline location just before sunrise and, as is often the case, there were clouds above the ridges far to the east that would block the light of the rising sun. Such clouds can be a photographic blessing (when the light up the right way) or a curse (when they simply block the light and leave everything gray). After a very brief bit of color along the distant horizon it looked like this was going to be a gray morning. Fortunately, we stuck around! Since the light on the grand landscape was “challenging,” we turned out attention to closer and smaller things, and while we were thus distracted the landscape and sky were transformed. A weather front was passing by, and beautiful clouds began to stack up above us and to the east. A milky haze across the valley gave the first hints of a monumental dust storm that would arrive by the afternoon. The light everywhere was a luminescent blue and it illuminated the stark forms of the dry wash running up into the desert mountains beneath us.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains, Morning Haze

Desert Mountains, Morning Haze
“Desert Mountains, Morning Haze” — Desert mountains and morning light illuminating haze that is the first sign of a developing dust storm

This is another “take” on roughly the same scene I shared in another recent photograph, also in black and white. When I made the photograph I was already thinking of it as a black and white image, and it obviously has ended up that way, more or less as planned. I was already familiar with the rugged foreground mountains from previous visits, but the light and atmospheric conditions on this visit were unique. The sky was fairly cloudy, though the ceiling was breaking up a bit, allowing light beams to break through. The atmosphere was extremely hazy. The positive aspect of this is that the light shining through it almost glowed. (In fact, that was probably what first attracted me to the scene.) The somewhat negative aspect is that the haze was the harbinger of a tremendous dust storm that would arrive later in the day.

The black and white rendition represents the result of a sort of pre-visualization. To my way of thinking, “pre-visualization” can mean a range of things. At one end of the spectrum it could mean almost literally “seeing” the finished photograph before making the exposure. In this case I knew I wanted the hazy light beams to glow, that I wanted to retain the dark mass of the foreground mountains, and that the final result would be black and white. But I don’t want to imply more certainty than I actually had. Despite my decent idea of where I was going, I did not know for sure what the exact best outcome would be and, in fact, I made some varied compositions and exposures. On a side note, although we didn’t quite realize it just yet, the haze that made the light so beautiful came from the first dust from dust storms that were building all around the area.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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