Tag Archives: haze

Tenaya Lake, First Light

Tenaya Lake, First Light
Early morning light shines on granite cliffs above Tenaya Lake, Yosemite National Park

Tenaya Lake, First Light. Yosemite National Park, California. July 15 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Early morning light shines on granite cliffs above Tenaya Lake, Yosemite National Park

I have long been intrigued by a certain patch of sunlight that descends the granite slopes above this Yosemite lake in the mornings, and I planned to photograph it again on this trip to the park. I was up early on the first morning and off to this location, but I quickly got distracted by low fog floating in a very large nearby meadow. Somewhere I have heard an old saying about not ignoring the photograph in front of you for the possibility of another photograph that [i]might[/i] (or might not) happen, and I followed that “rule” and stopped and photographed the fog as the sun rose. By the time I finished this it was well past dawn, and although I continued on to the location of this photograph, when I got there the early light had transitioned into something much less interesting.

A couple of mornings later I thought I would try again. This time I was up even earlier and resolved to not stop for any but the most astonishing distractions, and I made it here before the first light was on the granite slopes. In this case, since I had a specific photograph in mind (and a few others that I might also try afterwards), I went to the exact spot where I wanted to be, pulled out the lens I knew I would need, set up and waited for the light. My location is not exactly an isolated or inaccessible one, and later on this day (and every summer day!) there would be lots of people and vehicles here. But at dawn even a place like this provides almost complete silence and the sense of deep stillness and huge space that I love in these mountains. I marvel that so many go to the Sierra yet so few seek out this quiet stillness. Soon the first tough of light appeared high on the dome to the left above the lake as beams of light began to pass between the peaks to the right, and I photographed as the light gradually worked its way down toward the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dust Storm, Desert Mountains

Dust Storm, Desert Mountains
Dust from a desert sand storm fills the air and obscures mountains

Dust Storm, Desert Mountains. Death Valley National Park, California. April 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dust from a desert sand storm fills the air and obscures mountains

You’ll have to look closely to make sense of this one. Made on April 1st, there is a certain sense about this photograph of a minor April Fools joke played at my expense. I had experienced several days of very dusty conditions in Death Valley. On the first day I was way up in the Panamint Mountains at dawn, only to discover that I was still within a cloud of dusty air the extended up to well above 8000′ of elevation. I never did figure out where it was coming from, as the Valley itself certainly wasn’t producing it. That night the winds came to the Valley and blew a decent sand storm through my camp. The next day I figured that I would try to find a way to evade the blowing dust.

I got up very early — as always — and headed out of Death Valley and to the east toward Nevada. I then took a long back road route back into the park. This route took me on back-country gravel roads through the Amargosa Range, eventually dropping down into a deep canyon before heading back to Death Valley. Driving in these mountains and down this canyon, I forgot about the dusty conditions — here there wasn’t more than a bit of hazy atmosphere and the wind didn’t work its way into this canyon either. At the bottom of the canyon the route finally emerged from a narrow canyon and arrived at the top of a huge gravel fan stretching down toward the Valley. And here I saw the extent of the dust and wind, as the entire Valley was full of dust that was well-distributed yet thick enough to almost completely obscure the mountain range on the other side. My day of clear weather came to an abrupt end as I descended into the dust and wind and headed back to my camp.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Photograph Exposed: “San Francisco Skyline, Winter Fog and Haze”

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

San Francisco Skyline, Winter Fog and Haze
San Francisco Skyline, Winter Fog and Haze

San Francisco Skyline, Winter Fog and Haze. San Francisco, California. December 18, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

Fog and haze obscure the winter skyline of downtown San Francisco, California.

It is unlikely that any view of San Francisco will be entirely unique, but I haven’t seen many other photographs of the City’s skyline that look quite like this one. It isn’t unusual for people who see the photograph (especially as a print) to ask, “Is that real?” It is as real as a photograph gets, and the conditions actually occurred — the only time I have seen them quite like this, with quite this soft and subtle atmosphere and light. (The post-processing on this photograph was relatively minimal, and a lot of it was about controlling the brightness of that bright cloud high in the sky.)

Living in the San Francisco Bay Area, I frequently drive north over the Golden Gate Bridge to photograph in the redwoods, along the coast, or at Point Reyes National Seashore. This usually means leaving home well before the sun rises, and depending on where I’m headed, I usually cross the bridge right around dawn. The plan is to pause and look at the scene in the early light and decide if something really interesting might happen — and it that seems probable I’ll photograph here for a while before moving on.

The light and atmosphere on this winter morning were special enough to get me to pause. Continue reading A Photograph Exposed: “San Francisco Skyline, Winter Fog and Haze” →

Death Valley, Evening

Death Valley, Evening
Evening light on the playa of Death Valley, with lower slopes of the Panamint Mountains rising beyond

Death Valley, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on the playa of Death Valley, with lower slopes of the Panamint Mountains rising beyond

Since I’ve been traveling to and around Death Valley National Park for more than 15 years now, I’ve seen a lot of the park — but I most certainly have not see all of it, nor have I completely learned how to see everything in it. This is a huge place, varying greatly by location, terrain, season, weather and more. Frankly, the experience of coming to know such a place over time is one of the things I value most about such locations. While I love to “discover” a place that is completely new to me (and Death Valley was that place in the late 1990s for me), the longer process of learning the place and its rhythms more deeply is also, I think, more rewarding. It is wonderful to see a desert gully in evening light for the first time, but it may be even more beautiful to come back to it and recognize an old and familiar friend.

Along these lines, a few years ago, as I continued to push out my own boundaries of experience and knowledge in Death Valley, I began to think more about how to make photographs of things that I might have not thought worthy of a photograph before. I realized that many of these things that don’t scream “photograph me!” are otherwise a core part of the experience of this place: a vast and quiet “empty” landscape, midday sun, haze obscuring great distances, the edge between the last vegetation and a barren playa, a beam of light slanting across an alluvial fan. And if they are central to the sense of the place, it seems that there must be a way to photograph them. And that is a new challenge for me in my Death Valley photography.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.