Tag Archives: hills

Road And Fence, Carrizo Plain

Road And Fence, Carrizo Plain
A gravel road passes through a barbed wire fence, Carrizo Plain National Monument

Road And Fence, Carrizo Plain. © Copyright 2019 G Dan Mitchell – all rights reserved.

A gravel road passes through a barbed wire fence, Carrizo Plain National Monument.

My inclination is to approach photography in locations like the Carrizo Plain as photography of the “natural landscape.” However, the story is a bit more complicated here and, to be honest, in quite a few places in the areas of the American West where I photograph. I’m hard pressed to think of a place I’ve visited where the “hand of man” was not present in some way. In many places this influence is not obvious. For example, in parts of the Sierra backcountry I can entertain the illusion that I’m the only visitor. But in many places around the periphery of these wildernesses and in many other locations it is clear that such an illusion is hard to maintain.

In the Carrizo this is very clear, even though there is plenty of nature to see there. We could start with the obvious fact that access is by roadways that are, even at their worst, pretty decent. More obviously, this is a place where cattle are raised and, no doubt, have been for a long time. I drove out onto the plain at this spot to see vast fields of yellow and purple wildflowers and to find a long view of surrounding mountains. When I arrived I found a pair of the ubiquitous water tanks (this time nearly destroyed), and old windmill, a few other structures, and this barbed wire fencing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Spring Bloom, Temblor Range

Spring Bloom, Temblor Range
Spring wildflowers carpet the Carrizo Plain and the Temblor Range

Spring Bloom, Temblor Range. © Copyright 2019 G Dan Mitchell – all rights reserved.

Spring wildflowers carpet the Carrizo Plain and the Temblor Range.

When I first looked out over this section of the Carrizo Plain and saw the blue coloration along the lowest area I initially thought that I might be seeing one of the shallow, seasonal lakes that forms in this playa-like terrain. The color was almost right, and the purple-blue color had the shape of a large pond. But something looked wrong about it, and when I found a higher and closer vantage point it became obvious that I was looking at a very large and very dense field of Phacelia blooms.

I was probably there just a few days before the peak of wildflower color, and it almost seemed to me that I could see the difference in the extent and intensity of the bloom from one day to the next. Some of the largest displays are in the flat terrain right down on the plain, but higher up in the surrounding mountains there were also brilliant patches of yellow flowers. Some of them are visible in the creases and folds of the Temblor Range on the far side of this valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Spring Wildflowers, Temblor Range

Spring Wildflowers, Temblor Range
Spring wildflowers in bloom at the base of the Temblor Range

Spring Wildflowers, Temblor Range. © Copyright 2019 G Dan Mitchell – all rights reserved.

Spring wildflowers in bloom at the base of the Temblor Range.

Let’s start with the “Temblor Range.” (First a confession: I’ve always thought that the word referring to earthquakes should be “tremblor,” not temblor. Don’t judge me!) The area of the Carrizo Plain National Monument is one of those locations where the monumental nature of the San Andreas earthquake fault, arguably the most consequential bit of geology in the state, lies out in the open where it is easy to see. The Temblor Range runs from northwest to southeast along the edge of the plain, and its base marks the precise location of the fault. Visitors can easily observe some very powerful evidence of fault movement where creeks have been offset to the north over many thousands of years. From what I read, the geological record shows a leap of over 20 feet in the 1800s and a prior movement of well over 40 feet!

Earthquake faults aside, during the spring this can be the site of truly stupendous wildflower displays. The area is normally very dry and very hot. Most summer or early fall visitors would be struck by how empty and arid the place looks — little vegetation, most of it appearing to be dead, evaporated lake beds, and lots of dust. But when the winter rains are exceptional – as there were during the middle and latter parts of this season — there can be an explosion of wildflowers. This year’s display is quite impressive, though it may not quite equal the “super bloom” of a couple of years ago. The wildflowers were my main reason for going this time, so I headed over towards this likely spot late in the day. Clouds blocked the light an hour or so before sunset, but I thought there might be a bit of light at the last minute when the sun dropped below the cloud’s lower edge before setting. It turned out that this happened… and I had all of about two minutes of soft, warm-colored light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Drifting Fog, Hills

Drifting Fog, Hills
Dawn fog pours across arid California hills

Drifting Fog, Hills. © Copyright 2019 G Dan Mitchell – all rights reserved.

Dawn fog pours across arid California hills.

Sometimes I end up completely throwing out my photographic plans for the day. When I awoke in the pre-dawn darkness on this day, I intended to head down from camp to a plain and lower hills where I would photograph spring wildflowers. I fixed coffee and had a bowl of cereal in the dark, loaded up my vehicle, tried to sneak out of camp without bothering the “normal” people who sleep in, and heading down the gravel road. As I drove it began to look like the valley was, to my complete surprise, completely socked in by thick fog.

Before entering the upper limit of the fog I stopped at a turn on a hillside from which there was a panoramic view. Far to the southeast I saw that the fog was even in the mountains, and that gentle morning breeze was apparently pushing it up and over a series of high ridges just as the first reddish light of dawn intensified. I quickly put my wildflower photography ideas on hold and went to work photographing the ephemeral fog and light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.