Tag Archives: hills

Eastern Sierra Ridges, Rain

Eastern Sierra Ridges, Rain
A passing squall drops rain on hills at the base of the Eastern Sierra

Eastern Sierra Ridges, Rain. Round Valley, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A passing squall drops rain on hills at the base of the Eastern Sierra

I first stopped here with a very different sort of photograph in mind. I pulled off US395 just north of Bishop in a spot where I knew I could overlook pastureland spotted with autumn color cottonwood trees and backed by the mighty eastern escarpment of the Sierra. But the weather was extremely changeable, and within minute a passing squall almost completely obliterated the view, leaving me looking mostly at a thick curtain of falling rain.

I waited a bit, hiding under the rear door of my vehicle with my tripod set up, and before long the conditions began to change again — I could see that the moisture-filled atmosphere was beginning to glow to the south where clouds were thinning and sun was illuminating the falling rain. As I watched, the distant low hills of the eastern Sierra gradually began to re-emerge. These conditions not only make the view opaque but they also desaturate the colors. Believe it or not… this minimalist landscape is a color photograph!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Receding Ridges, Rain

Receding Ridges, Rain
A squall moves across hills near the base of the eastern escarpment of the Sierra Nevada

Receding Ridges, Rain. Owens Valley, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A squall moves across hills near the base of the eastern escarpment of the Sierra Nevada

This photograph belongs to a portion of my work that I think of as minimalist landscapes. They often focus on landscapes that are largely hidden or in which some elements are obscured. Not all involve mist, clouds, fog, and rain, but quite a few do. In many of them I am trying to work with a kind of light that is very special to me, where the atmosphere itself becomes luminous, perhaps when filled with haze or fog or dust and lit from behind, producing a kind of glowing effect that can be so bright that it is hard to look into.

On this day I had, or so I thought, finished my autumn photography on this trip, and I was in my “heading home” mode. I had driven down from the mountains, where I had photographed in rain and incoming light snow earlier in the morning, stopped in a town along US 395 for coffee and something to eat, then gotten into my vehicle to hit the road. Not 15 minutes north of town I came to a familiar spot where I often stop to admire the view and sometimes photograph. I pulled over and went a ways up a side road and watched the landscape disappear behind rain and clouds as a squall moved through. I set up under the rear door of my vehicle so that I could have some shelter from the rain, and I began looking for places in the landscape where there was just enough detail to suggest its form but no more than necessary. (Trivia fact: This is a color photograph!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspens, Sagebrush Hills

Aspens, Sagebrush Hills
Backlit autumn aspen trees against a background of layered sagebrush-covered ridges

Aspens, Sagebrush Hills. Eastern Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Backlit autumn aspen trees against a background of layered sagebrush-covered ridges

This is a different view of the Sierra Nevada — rather than the high peaks, forests, meadows, rivers, and lakes we have high desert sagebrush country, but with a few aspens as well. When I think of aspens, they first bring to mind high elevation areas of the Sierra, often near rivers or other water sources, but also in some fairly rugged high areas. I don’t, at least not at first, thing of dry and austere landscapes like this one.

These aspens grow in a transitional east slope area. The elevation is high, a bit over 8000′ in this case, but the climate is dry and more closely related to the lower east side semi-desert areas. As a matter of fact, surrounding this grove is a landscape of mostly rolling sagebrush-covered hills. As the hills lead higher toward the crest, the trees become more dense and eventually intermixed with conifers. The light on the further ridges is also an interesting story. it obviously appears when the sun is at a low angle, which on the east side most likely means in the evening, and that is when I made this photograph. There is a short interval as the sun drops in the late afternoon when it is low enough to outline the edges of ridges, but before it abruptly drops behind the highest peaks of the Sierra. I made this photograph within moments of the shadow of the high peaks arriving — in fact, during the time it took me to set up a follow-up shot the beautiful light highlighting those ridges disappeared.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Eastern Escarpment

Eastern Escarpment
The eastern escarpment of the Sierra Nevada rises from desert hills to rugged aretes lit by dawn sun

Eastern Escarpment. Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The eastern escarpment of the Sierra Nevada rises from desert hills to rugged aretes lit by dawn sun

Depending on how you approach the range, the Sierra Nevada presents two quite different aspects to the visitor. For many decades, as a long time resident of the San Francisco Bay Area, I was only familiar with one of them. I always came to the range from the west, on long drives over coastal mountains and then across the Great Central Valley. As I approached the east side of the Valley I would encounter the low hills, at first almost imperceptible, that humbly mark the beginning of this might range. Because it tilts upward from the west, the western slopes are overall very gradual. Rising through these first low hills, the grass and oak covered landscape raises over a distance of many miles, and it is quite a while before the range starts to feel like “the mountains,” and many hours before the visitor arrives in the high alpine zone of rugged granite peaks. Even here, to the west of the crest there are plenty of gentle valleys and meadows.

The east side is a radically different world, as I finally began to understand two or three decades ago. The eastern base of the range is an arid near-desert place, made more so by Los Angeles’ historic draining of east side waters that once irrigated now-dry places and once filled today’s dusty playas with shallow lakes. The Sierra rises abruptly from this lower landscape, and in places you can look up nearly 10,000′ to the highest summits — you stand in desert and look at alpine peaks, and you see every zone in between. I made this photograph at dawn from one such valley location where the landscape that of sagebrush and playa and alkali lakes. From this spot I looked across low hills with the first coniferous trees toward the abrupt rise of the eastern foothills, backed by jagged and rugged slopes leading upward to high peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.