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The Cranes Return, Evening

The Cranes Return, Evening
The Cranes Return, Evening

The Cranes Return, Evening. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The sandhill cranes return to the marshes of the San Joaquin Valley at dusk on a mid-winter evening.

For reasons I can’t quite put my finger on, the evening return of the sandhill cranes is one of the magical things among a host of magical things about central California’s winter migratory bird population. I think I was primed to regard these birds this way by reading about them many years ago, though I never quite new what sandhill cranes actually were and I presumed that they were only found in far-off places. Then when I first began to photograph birds seriously – which was only a few years ago – one of my first encounters with the winter bird popular involved finding sandhill cranes in fields south of Sacramento. Then, perhaps last winter, there was an evening at a wildlife refuge in the Central Valley when I was photographing geese with a small group of friends. There had been many, many Ross’s geese around that evening and as dusk approached the goose photography gradually came to an end as the geese departed. After the intense focus of shooting those birds, once they were gone we sort of looked up and realized that the sun was gone and that the world was quieting down. It seemed like the show was over. And then I heard a sound from over the trees to the southeast, a sound I now immediately recognize as the distinctive call of the cranes, and within moments huge flocks of these birds began to coast overhead and look for landing spots.

That is now how I expect to see them – at some point during the dusk period when most everything else has started to quiet down, the cranes appear. Their sound is a distinct contrast with the wild and raucous cackling of the geese, an altogether calmer and quieter call. And their mode of flight is also different. While the geese often launch loudly into the sky in huge, flapping clouds, the cranes coast in slowly and rather quietly, often in long lines, and their motion is slower and smoother. On this evening, at a point when there was barely enough light left to make photographs, they appeared to my left and crossed in front of me with the western dusk sky as a backdrop.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two Trumpeter Swans in Flight

Two Trumpeter Swans in Flight
Two Trumpeter Swans in Flight

Two Trumpeter Swans in Flight. Skagit Valley, Washington. December 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A pair of trumpeter swans in flight above Skagit Valley farmland on a cloudy and rainy day, Washington

I had about four or five hours in the Skagit Valley area of Washington in the beginning of December, after the tasks I had gone to Washington for were completed early. I drove up from the Seattle area in the rain, and it was still cloudy, windy, and rainy when I arrived – just what one might expect in December in the Pacific Northwest! The last time I had been there, a year ago, I had encountered amazing flocks of snow geese in a field near the road not far from where it rises to cross the river, and my first thought was that I’d see if this was a regular event or if I had just been lucky the previous year. I must have been lucky! This time there was not a goose to be seen, at least at first, at this location.

Given this development, I decided to poke around on some back roads in the area and see if I could get close enough to trumpeter swans to photograph them with my meager little 200mm focal length lens – about half the length of what I would usually use for this sort of subject. By moving carefully, using my car as a blind, and sitting quietly and waiting, I was able to get a few close shots of the swans in a field. I soon figured out that they would occasionally lift off and fly to another nearby field where there were other swans, so I positioned myself (in the car) between the two flocks and settled in to see what would happen. Sure enough, before long groups of two or more swans started to fly my direction and pass close to the car, usually rising a bit as they passed over. This pair made a bit of a turn around me, so I photographed them against the cloud-filled sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cranes and Geese, Morning Fog

Cranes and Geese, Morning Fog
Cranes and Geese, Morning Fog

Cranes and Geese, Morning Fog. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sandhill cranes and Ross’s Geese in flight through clearing morning fog, San Joaquin Valley

While I still cannot resist the challenge of trying to get a good, sharp photograph of a bird filling the frame, more and more I’m interested less in individual birds and more in their environment and their place in it, along with trying to evoke a sense of what these places are like. I think these photographs are meant more to be suggestive than descriptive, and I’m happy if not everything is quite clear to see. (I can tell you that being in these places, not everything is clear either!)

The fog was playing interesting games with us on this morning. This location often seems to be foggy, even when nearby areas are clear, probably because it is low and very wet. Compared to some mornings, it was not as foggy as it can be when we arrived, and it was possible to see some distance as we drove the gravel road that circles the marsh. We found a likely area to stop and photograph birds, including cranes, geese, pelicans, ducks, and more. Close to sunrise, it suddenly became more foggy, to the point that many nearby objects were obscured – even though the fog was so shallow that birds flying just above it were illuminated by weak dawn light. This photograph is one of a series I made as small groups of sandhill cranes came towards us from across a pond. Handholding the camera I tracked them as they approached, trying to make exposures as they moved into position against any sort of interesting background. Here that background turned out to be a few other birds – mostly geese – and some clumps of reeds barely visible in the fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese, Dusk Sky

Ross's Geese, Dusk Sky
Ross’s Geese, Dusk Sky

Ross’s Geese, Dusk Sky. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A row of Ross’s geese stretches into a line as they fly in front of dusk sky on a winter evening above California’s San Joaquin Valley.

The post-sunset twilight period is one of the most special of the day in these Central Valley wildlife refuges. There is a transformation at this point that fascinates me, even after seeing it a number of times. During the day, it often seems that not much is going on. The larger flocks of birds are mostly settled in somewhere, with only small numbers flying from place to place, albeit with an occasional momentary eruption of geese. As sunset approaches, the geese become more active, taking flight and moving from location to location. On this evening, the process was mostly one of leaving rather than arriving, as the flock nearest to us gradually left the pond where they had been settled and then flew off to more distant points. As the sun sets the wildlife seems like it is going to settle down. But then, as darkness comes on, special things happen. In this particular location, just as things quiet, the cranes return. Unlike the geese, who flap and squawk, the cranes have a distinctive and less raucous cry and then float in with much less flapping of wings. And at close to this same time, I often begin to notice that geese are flying in smaller groups all throughout the sky. At this San Joaquin Valley location, it can seem that they stretch all the way to the Diablo Range to the west. Simultaneous with this, if there are clouds in the sky, they take on the rich post-sunset colors that can perhaps be seen better by the camera than the eye.

The idea of this photograph was simple. I wanted to find and photograph a line of geese in front of a colorful section of the dusk sky. To make this work, I have to become aware of cloud patterns and where the most colorful portions of the sky are, and both clouds and colors are in a constant state of change. As groups of birds fly into view I try to guess which of them might follow a path across these areas of the sky, at which point I pick up a group in the viewfinder and follow it as it crosses into the scene. I am probably less attentive to the birds than to the non-bird portions of the scene that slide across my viewfinder, and I wait until the birds appear against a particular pattern or color of sky and clouds to make exposures. Obviously, little of this is in my control beyond the timing of my attempts to take advantage of whatever the sky and the birds happen to provide to me! In some ways, it still amazes me that it is possible to capture a simple scene like this one. Both technique and equipment play an important role here. In order to work with birds that may be a good distance away and in order to constrain my field of view to small sections of the sky, I work with a 400mm focal length. I must hand hold the camera rather than using the tripod, adding an additional challenge. By this time the light is so low that I find myself shooting at ISO 3200, something that would have been darned near impossible even a few years ago. And somehow, in light that is rapidly fading toward darkness, it is possible to photograph a moving flock of birds against a dusk sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.