Tag Archives: intersection

Underpass Intersection, London

Underpass Intersection, London
“Underpass Intersection, London” — Two roads come together beneath bridges, London.

I photograph when we travel, typically using quite different equipment and techniques than for my landscape photography. While the latter usually uses relatively large and heavy equipment, I downsize in a major way for travel. This is partly due to the realities of travel — we go light and I don’t want or need a big bag of cumbersome gear. (That would actually decrease the overall quality of my photography, which is something I’ll write about at some point.) But it isn’t just the gear — it is also the whole approach. I shoot handheld with a small camera, and I often approach the subjects as a street photographer.

The decision to render this as a monochrome photograph was a bit of a surprise to me. Those round shapes on the wall above the sidewalk are blue lights, and when I made the exposure I thought that they might be a key element. But when I finally got to this image in post, I much preferred the mood of the image in black and white, so I had to let go of that preconception about the lights and color. (As much as pre-visualization is a crucial skill, sometimes post-visualization wins the day!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Orvieto House

This Orvieto house caught my attention during one of our walks around this lovely Italian hill town last summer. The town is on a high tableland surrounded by green hills and valleys. It is bounded by steep inclines, so steep that most visitors take a funicular from the railroad station. Because of the town’s geography, a walk of any distance involves some up and down. Here the road two splits around this house, with one route rising and the other descending.

Orvieto is a day trip from Rome, though we arrived from the opposite direction and stayed for a couple of nights. This meant that we got to enjoy diminished crowds in the evening and morning, and we saw few people on this walk away from the town center toward a spot with a view of the surrounding countryside.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Nassau Crosses Ann Street!

Nassau Crosses Ann Street!
The corner of Nassau and Ann Streets, Manhattan. (Charles Ives fans may get the reference.)

Nassau Crosses Ann Stree! © Copyright 2019 G Dan Mitchell – all rights reserved.

The corner of Nassau and Ann Streets, Manhattan. (Charles Ives fans may get the reference.)

Anne Street

Quaint name Ann street.
Width of same, ten feet.
Barnum’s mob Ann street,
Far from ob-solete.

Narrow, yes, Ann street,
But business, both feet.
(Nassau crosses Ann Street)
Sun just hits Ann street,
Then it quits–some greet!
Rather short, Ann Street.

– Maurice Morris

Fans of the work of American composer Charles Ives may “get” this. Not long ago I finally worked out the location of theManhattan street that gives the song its name, found it, and looked for the parenthetical cross street. Located on the fringes of the financial district it still has connections to this rather old poetic description. (Those who are inclined to find and listen to the song should look for some wonderful musical puns in Ives’ treatment.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Walking Woman, Intersection

Walking Woman, Intersection
A woman walks past the intersection of two narrow streets in Le Marais, Paris

Walking Woman, Intersection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman walks past the intersection of two narrow streets in Le Marais, Paris

This photograph has many of the features that I often look for in street photography. There is a figure, and the figure is in motion, quickly transiting the scene and providing only a very brief interval to make a photograph. In this case there is only one figure, and by some miracle other people aren’t “cluttering” the composition. The buildings are tall and the streets are narrow, so all of the light is reflected down from above, bouncing back and forth between the buildings to produce a soft effect. (The closest thing to this may be the canyon light of America’s Southwest.) There are interesting little architectural touches that may not be obvious until you spend a bit of time with the image — the lamp at upper left, a bit of graffiti on a wall, etc.

I made the photograph in the Le Marais section of Paris, where older buildings and their narrow streets are preserved — they were not knocked down during earlier modernization projects in the city. It is also an area that is (largely) devoid of big commercial signs like those found on bigger and busier streets. There are signs, but they are often quiet and unobtrusive.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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