Tag Archives: islands

Photographs: Central California, Photographs: Nature

Reeds, Sky, Reflecting Pond

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“Reeds, Sky, Reflecting Pond” — The sky above reed-covered wetlands islands is reflected in the surface of a pond.

On the right day, in the right conditions, these wetlands can sometimes feel like they are all about the sky. Standing next to a large pond that extends into the distance, the sky above and its inverse reflective twin stretch out in front of you. They meet at the horizon, with may be defined by a thick line of vegetation, as here, or the water and the sky may merge into a single thing.

It may not be immediately apparent, but a conjunction of atmospheric effects is behind this photograph. Above, the sky is filled with thin blue-gray clouds. Lower down in the distance, a rather thick fog bank still lurks. The foreground reeds are catching a beam of direct sunlight, almost appearing stark against the background of clouds and fog ad their reflection in the pond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

Islands, Clearing Fog

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“Islands, Clearing Fog” — Morning sun on reed-covered islands and wetland pond.

Sometimes landscape photography is slow and contemplative — the landscape stands almost still and there is time to pause and consider. But sometimes the landscape changes as quickly as any other subject, and transient conditions only last a moment. This was one of the latter moments. Thick tule fog had blanketed my position, but it quickly cleared above this pond, and brilliant light struck the little grass-covered islands.

Fog can fundamentally alter a landscape. Sometimes it simply mutes more distant subjects and allows foreground elements to stand out. It can also lend a sense of quiet mystery to otherwise mundane scenes. It may just sit there, changing little for long periods of time. And then, suddenly, the sunlight begins to break through and all kinds of beautiful effects of light may appear.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSky | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Wetlands Pond, Morning Light

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“Wetlands Pond, Morning Light” — Morning sun on a wetlands pond as winter tule fog clears.

The experience of photographing these Central Valley winter landscapes is full of magical instants — combinations of scene, atmosphere, and light that appear and disappear so quickly that they are easily missed. In one direction thick fog might obliterate the view, while in another direction the sunlight may be emerging and bathing the scene in warm light. This was one of those moments — a distant fog bank almost obscures trees, while the reed-covered islands are bathed in direct morning sunlight.

From what I hear, the residents of California’s Great Central Valley are not exactly thrilled by tule fog. When the conditions are right it can last for days or even weeks, holding temperatures to the 30s and 40s and remaining gray and damp. But I love those conditions for photography, and a forecast of fog is often enough to persuade me to drive four hours round-trip to be there.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSky | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Mono Lake Basin, Photographs: Nature

Mono Lake, Morning

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Mono Lake, Morning
“Mono Lake, Morning” — Pahoa and Negit islands silhouetted against early morning lake reflections with desert mountains in the distance.

I have shared a few other Mono Lake photos made at this elevated location some distance from the lake. This camera position gives a different and broader sense of the lake and its surroundings. It is a huge body of water — there’s far more water on the far side of the islands than between them and the near shore. The desert mountains are many miles beyond the far edge of the lake. All in all, Mono Basin is a place of immense space and great distances.

I photographed very early in the morning. I had gone to this location to photograph something else, but by turning my camera 180 degrees the lake was in the frame. It was a generally clear morning with some high clouds, but the great distances still turned the atmosphere a bit blue with haze, and that haze mutes the details of the distant basin and mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.