The experience of photographing these Central Valley winter landscapes is full of magical instants — combinations of scene, atmosphere, and light that appear and disappear so quickly that they are easily missed. In one direction thick fog might obliterate the view, while in another direction the sunlight may be emerging and bathing the scene in warm light. This was one of those moments — a distant fog bank almost obscures trees, while the reed-covered islands are bathed in direct morning sunlight.
From what I hear, the residents of California’s Great Central Valley are not exactly thrilled by tule fog. When the conditions are right it can last for days or even weeks, holding temperatures to the 30s and 40s and remaining gray and damp. But I love those conditions for photography, and a forecast of fog is often enough to persuade me to drive four hours round-trip to be there.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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