The full moon behind dusk clouds above and eastern Sierra Nevada meadow
This will be another short post — things are quite busy right now! The photograph is from almost a decade ago, when I accompanied my brother, his wife, and three sons on a backpack trip into a favorite area of the eastern Sierra Nevada. Our trip began with a hike to a picturesque lake between two high ridges, where we spent several days exploring… and surviving “interesting” weather. We found a beautiful campsite on a bench above a meadow and lake. In the evening I set up on this high spot and photographed the near-night darkness with the moon shining from behind the broken layer of clouds overhead.
(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)
“Shoreline Reflections, Trees and Rocks” — Silhouetted trees and boulders and their reflections lining a flooded section of the shoreline of Tenaya Lake.
This photograph is a personal favorite for a bunch of reasons related to how the photograph came about, the experience of making the photograph, associations with the place, and a print that pleases me a great deal.
I maintain the no photographer’s work is wholly original. What comes closest to being truly original is the personal vision of the artist — that particular way of seeing that the photographer develops. That vision is actually unique, but it is built from experiences and exposure to a visual world that includes the ways of seeing of other photographers and painters and more. I acknowledge and am grateful to a wide range of photographers whose work informs my way of seeing the world.
Among them is Charlie Cramer, who I’m fortunate to count not only as a photographic influence, but also as a friend. Charlie’s way of seeing light appeals to me a great deal, and among the photographs of his that stick in my mind is one of some very similar trees at this exact lake. When I’m in a place where another photographer’s photograph immediately comes to mind I often feel cautious about making a photograph that might look too much like their work — and this one may be an example of “influenced by” but “not like.”
Dawn light comes to the eastern escarpment of the Sierra Nevada and Mono Lake.
Some years back I visited Mono Lake very early one morning with my brother, Richard, who is also a dedicated landscape photographer. My recollection is that we had arrived separately in the eastern Sierra and somehow ended up meeting here near the town of Lee Vining and heading out to this familiar spot before dawn to make photographs.
I never know exactly what will turn up here. Yes, I can always photograph those tufa towers, but I’m usually often interested in special atmospheric effects: haze, clouds, broken dawn light, the glow on the peaks of the eastern Sierra, reflections in the morning-smooth water. We began by photographing fairly conventional photographs of the tufa towers before the light arrived. It was a cloudy morning, though the deck of clouds was broken, allowing some light to make it through the gaps and a momentary band of light to strike the mountains as the sun came up beneath the far edge of the clouds in the east. I must have made this photograph fairly close to that moment. Most of the scene is in shadow, but bands of light appear on the peaks, and a bit of softer light illuminates the foreground tufa.
The Bavarian Alps rise above Königsee in Berchtesgaden National Park, Germany
Over the course of a summer week in 2013 we had a lot of opportunities to gaze at these Bavarian Alps. We spent a week with family in the Berchtesgaden area, staying in a big farm-house with views across a bucolic valley and into the mountains as they rose to the summit of the Watzmann, the second-highest peak in Germany. We did the “tourist thing” and rode the electric boats up the Königsee Lake between high ridges, and on one memorable day we visited Jennerbahn, took the tram to the top, and spent the rest of the day descending alpine valleys on foot — with a mid-hike stop for snacks and a beer!
During our stay I think I got a sense of how these mountains are different from my “home range” of the Sierra Nevada — though I would need a much longer stay and more hiking to get to know them well. Because they are built from different sorts of rock, the shapes of the peaks are often quite different. The tall rugged peaks also rise almost directly from relative lowlands — for example, a short hike took us from the lake to the base of a huge cliff at Die Eiskapelle, a place that felt thoroughly alpine. In the Sierra we have kept vast stretches of the range relatively wild, isolated from human structures to the point that one can imagine that he/she is in a fully wild place. In the alps there are huts, and you can stop for a beer in the middle of an afternoon hike! The ridges and valley in this photograph rise from the shoreline of the Königsee.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
