Tag Archives: lake

Lake Shore, Autumn Bilberry

Lake Shore, Autumn Bilberry
Lake Shore, Autumn Bilberry

Lake Shore, Autumn Bilberry. Yosemite National Park, California. September 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A harbinger of Sierra Nevada autumn, red bilberry plants carpet the shoreline of a sub-alpine lake

This photograph evokes, for me, that special feeling of the end of summer in the high country, when the awareness of the changing seasons is heightened and there is an odd combination of relaxation as the pace of mountain life slows and a feeling that the time of year when access to such places is easy is rapidly coming to an end — and that in a matter of weeks places like this one will be snow-covered and largely inaccessible for another year. It is also a time, perhaps for these very reasons, when the recognition of the natural cycles of seasons and lives becomes more acute.

The red carpet on the close ground along the shoreline consists of small bilberry plants. This small plant is normally easy to overlook. It stands perhaps an inch tall, often in clusters in clear areas along lakes and among trees. During the summer it is, frankly, just another little green thing among many. But in September it transforms into something that you cannot help noticing, especially if you look across a patch into the sun — backlit bilberry suddenly becomes flaming red. Beyond the near shore, trees scattered along a rocky peninsula and small islands catch the last warm and soft light of an “almost-autumn” evening.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Late Season Shoreline

Late Season Shoreline
“Late Season Shoreline” — Brilliant late-season red bilberry carpets shoreline meadows around a Sierra Nevada lake, Yosemite National Park

As I have written elsewhere on more than one occasion, every August I begin to pay attention to hints that summer will end and that autumn is on its way. Early in the high country summer everything is in a state of rapid change — plants are in a hurry to take advantage of a short growing season and the availability of runoff water, and that water itself flows everywhere. After the explosion of early season growth and the production of flowers and cones things slow down, and at some point in August a feeling of quiet and stability begins to take hold.

The hints of change that I look for range from almost immaterial — a feeling about the sound of wind or the angle of light — to quite objective. In the latter category are changes that occur in the cycles of plant life. Corn lily plants change from green to yellow and gold and then to brown, and topple over. A few yellow leaves begin to appear on willows and even the aspens. But one of the strongest signs for me is the appearance of the red bilberry leaves in clear areas in the forest and near the edges of lakes. While the autumn bilberry leaves do not appear to be all that colorful in regular light, when backlit they turn the ground a gaudy range of colors from yellow and gold to bright red.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Shoreline Boulder and Meadow, Subalpine Lake

Shoreline Boulder and Meadow, Subalpine Lake
“Shoreline Boulder and Meadow, Subalpine Lake” — Boulders, grasses, and trees along the shoreline of a subalpine lake, Yosemite National Park

Some aspects of landscape photography remind me, perhaps in a strange way, of spring skiing. In the spring there is still often plenty of snow, but the temperature swings between sub-freezing nights and warm days have some big effects on the snow. In the morning the re-frozen snow can be so hard that it is almost like trying to ski on a tilting ice rink, and you can easily find yourself skittering across the surface out of control. By late afternoon the warm temperatures melt the snow and can turn it into a slippery slush, and it can be like skiing on oatmeal. But at just the right moment, as the surface of the snow begins to soften but the lower layers are still firm, some of the best skiing possible can occur for a short period each day.

When photography in early or late light, I encounter something very similar — though with a bit of creativity it is possible to stretch things just a bit. Let’s take the afternoon, the time of day when I made this photograph of a simple scene near the outlet stream of a subalpine lake. I began my work a couple of hours before sunset, when the light was still clearly “daytime light.” The sun’s angle is higher, the shadows are more start, the light has a blue quality. As the evening approaches, there is a point at which the light seems to mellow and warm, the shadows lengthen and fill with a bit of reflected light… and almost everything begins to look beautiful. But at this point things change very quickly. I might find myself spotting a bit of light on a branch or a rock, and by the time I’m set up it has moved. While this time seems conducive to looking and contemplating, it is actually a time when I often have to work quickly before the “good light” is gone. This little scene, which is nothing all that special in objective term, was such a scene — a brief moment of warm light slanting through shoreline trees and across meadow grasses, and a few moments later the day ended.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Lake, Ridges, Evening Light

Lake, Ridges, Evening Light
Lake, Ridges, Evening Light

Lake, Ridges, Evening Light. Yosemite National Park, California. September 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Mountaintop trees stand above a sub-alpine lake, dome, and ridge in evening light, Yosemite National Park

In early September — before the big fire not far from here — I was among a group of photographers who spent a bit more than a week in the Yosemite back-country chasing late summer subjects in the Range of Light. The rough outline of the adventure was that the group packed in to a remote lake with expansive views, stayed there for about five days, then adjourned to a nearby area at a lower elevation for a few more days before heading back out. The “Meadow Fire” between Clouds Rest and Mount Starr King started late in our trip, but this photograph was made a few days earlier when skies were still beautifully clear.

Days on this kind of trip revolve almost completely around photographic opportunities. By staying on one place for a few days we are able to explore our surroundings more extensively and get a better idea of the prospects for photographs and the best times to make them. A typical day begins very early in the morning, when we arise quietly before sunrise and head out in various directions, goals in mind. After a few hours of photography the light becomes a bit less interesting and we reassemble in camp for breakfast. After that we have a few hours of mostly non-photographic time — for lunch, for camp chores, reading, and even a nap. Dinner comes early, with preparations starting around 3:00, and a few hours before sunset we head out once again. On this evening I chose to climb a nearby ridge of granite slabs and glacial erratics where stubborn trees find a living in cracks in the rock overlooking a nearby lake and one of the main ridges of the Yosemite back-country.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.