Tag Archives: lake

Fractured Granite, Reflections

Fractured Granite, Reflection, Sequoia-Kings Canyon National Parks
“Fractured Granite, Reflection” — The base of a rugged granite wall reflected in the still surface of a sub-alpine Sierra Nevada lake

A few days ago I returned from a 9-day trip into the back-country of Kings Canyon National Park. I was one of a group of four photographers who traveled to a remote location at about 11,000′, where we remained for more than five days, photographing the surrounding terrain morning and evening. We followed the common routine of such work – up before dawn and off to investigate and photograph some valley or lake, back by mid or late morning for breakfast, generally hanging out and doing camp chores during the midday period when the light is often less exciting, then back out in the late afternoon for a few more hours of exploration and photography before returning to camp for a post-sunset dinner. Unlike a typical backpack trip, where one rarely stays in the same place for long, we remained in the same camp for six nights, allowing us to really get to know the surrounding area very well.

With so much time, we were frequently able to return to places that we had already visited – perhaps coming back in the evening after a morning visit, returning to try again to catch a subject that didn’t have the right light the first time, or shooting the subject in various conditions ranging from clear skies to rain. This bit of interesting rock was next to a lake that I walked to on a number of occasions, and on this morning I arrived when the lake was still in shadow but illuminated by light reflected from nearby rock faces. Because it was so early the air was very still, allowing me to photograph this very sharp reflection of the fractured granite cliff where it entered the water. A bit of vegetation just above the waterline has taken on early fall colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Paoha Island, Mono Lake, Evening

Paoha Island, Mono Lake, Evening
Paoha Island, Mono Lake, Evening

Paoha Island, Mono Lake, Evening. Eastern Sierra Nevada, California. August 6, 2013.© Copyright 2013 G Dan Mitchell – all rights reserved.

Pastel colors in evening clouds above Paoha Island reflect on the surface of Mono Lake

On this evening I ended up at Mono Lake on more or less a hunch about the clouds – thunder clouds had built to the east out over the basin and range country and even a bit over the Sierra, and I had heard a report of thunder and lightning a bit north of here, so I decided to chance an evening visit to the south shore of the lake. Mono Lake evening light can be very special, but it can also be a bit tricky. Because the tall peaks of the Sierra Nevada crest lie directly to the west, the light leaves the lake itself well before actual sunset, so you often might end up relying on the clouds themselves to provide most of the interest. Smoke from a wildfire to the south near Mammoth Lakes had also been affecting the atmosphere, creating a lot of haze and some unusual colors.

In any case, I drove out to a point along the south shore of the lake – not the well-known South Tufa site, though visible from there – and watched the mostly uninspiring light of this very hazy evening. But there I was, and there wasn’t time before the end of the light to get from Mono Lake to other places that might be interesting, so I stayed and photographed and thought about how I might be able to work with the light and conditions that were available to me. There were beautifully shaped clouds, and they rose high enough above the lower atmosphere to gain some clarity. The haze muted the shapes and colors of the far hills and the darker shape of the island. So I composed the scene to just barely hold the island and a bit of the lake at the bottom, and used that to anchor a scene that was mostly sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Sky, Negit Island

Desert Sky, Negit Island
Desert Sky, Negit Island

Desert Sky, Negit Island. Mono Lake, California. August 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Mono Lake and dark Negit Island beneath a vast and cloud-filled summer sky

Mono Lake still seems like a somewhat mysterious place to me. Although I’m familiar with parts of it, having gone by and to it for many years on Sierra trips and having photographed there many times, I find it hard to quite get my mind around it in the same way that I can with many other places. There are probably several factors that contribute to this. First, it is obviously an absolutely huge place. While I can see the far side of the lake and the mountains beyond, they are a great distance away, as I’ve realized when traveling just part way around it – so I have looked at much of it but I have not directly experienced that much of it close up. Second, we feel that we know the chief features of this lake very well – they are, I suppose, the lowering water level of this close-off basin lake, its tremendous size, the mineral-filled water, and the famous tufa formations. But a bit more time, even only that time that I’ve spent there that is mostly secondary to “Sierra time,” and it starts to be clear that these things are not the whole story.

Some years ago, when photographing the tufas around dawn, mostly when almost no one else was around, I began to catch on to the fact that things like the sounds of flocks of birds, the immense distances on land and – especially – in the huge sky, the wind, and the deep quiet of the place have more to do with its character than the tufas. Often when I stop there now I do not go to the tufas at all, instead perhaps expanding my knowledge of other areas of the lake and surrounding country. This photograph was made from above the lake, in a location where I could look slightly down on the water, which better shows its expanse, and on the dark shape of volcanic Negit Island. But I chose to include them primarily not for their own value but rather to anchor that vast sky with its building afternoon clouds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mono Lake Sky

Mono Lake Sky
Mono Lake Sky

Mono Lake Sky. Mono Lake, California. August 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Afternoon thunderstorms develop over the eastern Sierra Nevada and Mono Lake

I think that many people are initially drawn to Mono Lake by the famous and often photographed tufa tower formations, and I have certainly sought out and photographed that subject quite a few times. But the more I go there the less I’m interested primarily in the tufas, and the more I find myself drawn to and thinking about other things. These include the immense space and deep quite surrounding the lake, broken by the cries of birds, especially when you visit at the quietest time around dawn. I also am drawn to the sky above this lake – which is often, frankly, rather barren, but when filled with the right kind of clouds can almost be the subject itself.

But only almost, so in this photograph I decided to include a thin strip of the reflecting water of the lake along with the darker formation of Black Point and the hills rising beyond in order to anchor that sky to something solid. This was one of those afternoons when thunder storms were trying to develop, but couldn’t quite build sufficiently before sundown. But this still left some very spectacular clouds, especially where updrafts pushed their tops high into the light. I suppose that there are several reasons that I chose to make this a black and white photograph, but one very practical reason was that the lower reaches of the atmosphere were a bit brown from a nearby wildfire, and I could better adapt to that in monochrome.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.