Tag Archives: lake

Mountains and Lake, Autumn Haze

Mountains and Lake, Autumn Haze
Hazy autumn light at dawn on Mono Lake and desert mountains

Mountains and Lake, Autumn Haze. Mono Lake, California. October 2, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Hazy autumn light at dawn on Mono Lake and desert mountains about autumn light in California.

I’ve written about the “golden” color, the muted quality, its softness, and otherwise tried to put my finger on what it is. I’ve known, for example, that something special happens to the light in the Sierra from late September onwards. But I’ve never been able to quite put my finger on the nature of the change. Is it the angle of the sun, changing weather, the colors of vegetation, or something else? It finally occurred to me — sometimes I’m slow! — after all these years that this is the wildfire season in the state and that this might be an important factor.

It surely is a factor in this early October photograph of morning light over Mono Lake. I’ve been poking around this area and making photographs for years, moving more and more towards images that are about the gigantic spaces and forms of this remarkable lake and its surroundings. On this morning I had gone to a different location, high above the lake, from which I had an overview of much of the lake and out to the east toward the rising sun as that autumn haze filled the air, muted details of the landscape, and filled the atmosphere with warm, golden light.

For decades I have recognized the obvious, that there is something different and special


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wildfire Smoke, Early Morning

Wildfire Smoke, Early Morning
layers of thick wildfire smoke obscure the morning light

Wildfire Smoke, Early Morning. Along US 395, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

layers of thick wildfire smoke obscure the morning light

This was the culmination of more than twelve hours of observation of a developing wildfire located east of the Sierra Nevada, roughly between Lee Vining and Mammoth Lakes. The previous evening I finished a hike into the Sierra backcountry not far from Tioga Pass, returning to my car well after sunset. As I drove back down Lee Vining Canyon in the near-darkness I saw a big tower of smoke to the southeast and the tell-tale glow of fire on the bottom of the cloud. The next morning I woke up and headed straight back toward Mono Lake, from which I figured I could photograph conditions related to the fire.

I began photographing Mono Lake itself, where the lake was still mostly visible with only a few thin smoke clouds floating over it. But very soon this changed as winds brought the smoke right over Mono Lake, casting a pall over the scene all the way up to Conway Summit. My goal was to head south along the eastern escarpment, but as I did so the smoke only became thicker. I made this photograph at a point closer to the fire, where the smoke was very, very thick, enough so to take away most of the sunlight and add a post-apocalyptic quality to the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dawn, Desert Mountains, Lake

Dawn, Desert Mountains, Lake
Dawn haze above Mono Lake and desert mountains

Dawn, Desert Mountains, Lake. Mono Lake, California. October 2, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Dawn haze above Mono Lake and desert mountains

Many people perhaps think first of tufa formations when they think of Mono Lake — and given their novel quality and popularity, who can blame them? But as interesting as those formations are, they are not what first comes to mind for me when I think of this place. Instead, my associations are with immense sky, profound silence, perhaps birds, and, of course, wind. Despite being so close to the Sierra, with its intimate forest and meadow landscapes and towering alpine peaks, this place seems much different.

I made this photograph from a high place early on an autumn morning, when haze that may have come from many sources including wildfires, muted and obscured the details of the landscape, leaving mostly the larger features and forms. The foreground is a bit of the lake surface, and beyond the surrounding basin rises toward a succession of high and barren ridges and peaks as the first light makes the atmosphere luminous.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shoreline Aspen Color

Shoreline Aspen Color
A variety of colorful autumn aspen trees line the rocky shoreline of an Eastern Sierra subalpine lake

Shoreline Aspen Color. Eastern Sierra Nevada. September 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A variety of colorful autumn aspen trees line the rocky shoreline of an Eastern Sierra subalpine lake

While understatement can often be a good thing, sometimes when making photographs of Sierra Nevada autumn aspen trees one simply has to go with the colors. This was one of those times. I was fortunate to arrive at this spot on close to the ideal color day for this section of the lake. Not only were nearly all the trees showing their fall color, but quite a few trees showed the less common shades of red and orange, along with the more typical golden-yellow. These are not big trees, but what they lack in stature they make up for in color.

This photograph is also an example of one good kind of light for photographing this subject. I began photographing a bit earlier in  the soft, shaded light. This sort of light can be very “friendly” to intensely colorful subjects and to subjects that include lots of shadows. But it can also be quite blue — except here I photographed just before the sun reached this spot, and much of the ambient light was acquiring a warmer quality. The soft light doesn’t push the intensity of the colors so far that they may blow out — it tends to make the colors more vibrant, but gives a bit more control.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.