Tag Archives: land

Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada

Frozen Pond and Sierra Nevada Range, Owens Valley

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Frozen Pond and Sierra Nevada Range, Owens Valley
Frozen Pond and Sierra Nevada Range, Owens Valley

Frozen Pond and Sierra Nevada Range, Owens Valley. Long Valley Area, California. October 9, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

The snow-dusted eastern escarpment of the Sierra Nevada reflected in the surface of a frozen pond on the high desert of Owens Valley, California.

On a very cold early October morning this year I ended up driving out into Owens Valley toward the Owens River after I spotted some interesting morning fog while driving out of Mammoth Lakes on highway 395. Although I had started out with the intention of photographing aspens, when I saw the fog I changed my plans and decided to leave the aspen photography for later. I first drove to a small lake where I have photographed several times in the past, a lake that provides very still water at sunrise and great reflections of the peaks of the Sierra crest which were covered with the snow from a series of early season storms.

After sunrise I decided that I was finished at that lake, so I got back in the vehicle and went exploring on some gravel roads that wander around in the general area of Hot Creek and Owens River. At first I aimed for some ground fog-covered areas that I had spotted earlier, and for a section of creek where the warm water seems to frequently create interesting fog on cold mornings. I arrived at this creek, took a look around, and decided that it wasn’t quite what I wanted to photograph, so I kept driving, ending up on some roads I had not visited before. As I crossed one long flat area of rangeland I passed this mall frozen pond, drove a bit further, and then turned around to come back and photograph it with the early morning – but no longer dawn – like on the snow-covered peaks just south of Mammoth.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Owens Valley

Ranch and Morning Fog, Owens Valley

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Ranch and Morning Fog, Owens Valley
Ranch and Morning Fog, Owens Valley

Ranch and Morning Fog, Owens Valley. Owens Valley, California. October 9, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

As is often the case, there is a story behind this photograph – an image that I think is fairly atypical of my work, at least as to the subject.

A year ago, almost to the day, I was also in the eastern Sierra to photograph aspens. And on that day I got up very early at my lodging in Mammoth and headed out before sunrise, which it was still dark actually, without a fixed idea of where or what I was going to photograph. I reached highway 395 and headed south, with a vague idea of heading up one of the promising canyons such as that of McGee or perhaps Rock Creek. But very soon I saw fog out in Owens Valley above Crowley Lake and I started thinking of instead heading away from the Sierra and out into that Valley. I ended up at a small pond from which I photographed the light from the rising sun as it hit the eastern slopes of the Sierra.

That show was over fairly quickly, so I decided to explore a bit. I had noticed mist and fog in various places in the surrounding area. Some of it seemed to come from small hot springs while in other places it seemed to extensive for that. I picked, more or less randomly, some gravel roads that headed toward the foggy areas and ended up on Hot Creek, where I made several photographs of and through the fog rising from the water.

Fast forward to this year. The first day of aspen shooting was productive, but the colors were overall not really as spectacular as I had hoped. If the intended subject “isn’t happening,” I’ll often change course and look for something else. So, once again I woke up without an aspen photography plan, but with two other vague ideas in mind. One was to go up to Minaret Summit and photograph the first light on the Minarets and Ritter and Banner Peaks. The other was to drive south again on 395 to see what would happen. When I got in my car to head out I still literally did not know where I would go. I sat in the car a moment and then, for reasons that I can’t recall, picked the 395 option. (Later I realized that the other option could have been productive, too.) I headed south on 395 and was astonished to see – again! – the fog over Crowley and the mist rising out in Owens Valley. So I went to my little lake to shoot there first and then headed out to where I had shot Hot Creek last year, but this time I kept going. At one point I passed this small range while heading out but couldn’t see a shot. Later on my return trip I passed it again, and this time I saw the stock grazing in the frozen meadow next to this small creek, with mist and fog rising everywhere. I stopped.

(By the way, this is a color photograph…)

G Dan Mitchell Photography
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Ideas, Reviews, Technique

Review: “Light & Land” by Michael Frye

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Over the past few weeks I have had the chance to go through Michael Frye’s new ebook, “Light and Land: Landscapes in the Digital Darkroom.” Many are no doubt already aware of Michael’s reputation from his photography, his workshops, and his other publications including his “Photographer’s Guide to Yosemite” and “Digital Landscape Photography: In The Footsteps of Ansel Adams and the Masters.” I have the .pdf version of “Light and Land”, and I understand that an iPad app version may also be available.

Light and Land - Michael Frye
Light and Land - Michael Frye

It is typical for photographic “how to” books to focus on specific techniques, and to be organized around a presentation of these techniques – perhaps with a section on curves, a section on black and white conversion, and so forth. This approach has its place, especially for certain types of learners and at certain points in the learning process. It is important to understand the basic techniques and operations that are available in the “digital darkroom” of such programs as Photoshop, Lightroom and so forth. That said, the bigger and more important issue is how to call upon these techniques creatively and effectively and appropriately in order to make photographs. Not all “how to” books do an effective job of illustrating this.

Michael’s “Light & Land” takes a different approach, and one that more accurately and realistically reflects the thought process of a photographer who is calling upon this arsenal of techniques in the service of creating beautiful photographs.  He writes:

“The digital darkroom gives us tremendous control over our images. We can make them lighter, darker, add contrast, change the color balance, increase saturation, turn a color photograph into black and white, remove telephone poles, blend exposures with HDR, combine ten images to capture infinite depth of field, or put a winged elephant in the sky.

But what do we do with these choices?” Continue reading Review: “Light & Land” by Michael Frye →

Photographs: Nature, Photographs: Northern California

Winter Branches and Sky

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Winter Branches and Sky
Winter Branches and Sky

Winter Branches and Sky. January 23, 2011. © Copyright G Dan Mitchell – all rights reserved.

Bare branches of dormant trees against a cloud-dappled winter sky over the Central Valley of California.

This was a bit of a “grab shot,” made almost as an afterthought once I finished with another photograph and was taking down the tripod and putting gear away – hence it is a hand held photograph. I was somewhat aware of these clouds, since I had been photographing the sky (and other things) in a different direction, though those photographs included more distant subjects and a lot of intervening haze and clearing fog. Here, as is often the case during foggy conditions in the Central Valley, the shallow tule fog was in the process of clearing and leaving a very clear view of the sky straight overhead, even while a horizontal views were still obstructed by remaining haze.

The trees are from a more or less random grouping that happened to be next to the road where I had stopped. I cannot say what kind of trees they are. It was my good luck that these wispy (mares tail?) clouds happened to float over at the moment when I was here and looking up. After making this photograph, I got concluded my photography for the day and headed home.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.