Tag Archives: landscape

Breaker

Breaker
“Breaker” — Waves generated by a big Pacific Ocean storm break near the California coastline.

It is quite an experience to get up close and personal with huge storm surf like this — though having a very long lens and finding the right shooting location helps makes it safe. We headed to the coast south of San Francisco during California’s bout of giant waves between Christmas and New Year’s Day. At this location a peninsula juts out into the ocean between a beach and a bay. At the tip of this peninsula one is very close to the waves as they break and roll into that bay.

In a way, photographing these waves is more or less like photographing moving landscapes. They have slopes, peaks, and cliffs, and the effects of wind and light are part of the scene. The main difference is that everything is ephemeral. The landscape stands still, but when photographing waves the landscape photographer has to think more like someone photographing active wildlife or sports, making instantaneous, intuitive decisions about timing and composition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Gull, Breaking Wave

Gull, Breaking Wave
“Gull, Breaking Wave” — A seagull flies about a breaking winter wave along the California coast.

Given this spectacular day of heavy winter surf along the California coast, it should be no surprise that there are more photographs coming from the event. I made this one from a promontory on a peninsula that juts out into the ocean, giving me a close-up view of the powerful breaking waves. It had been quite cloudy, but when I made this photograph the clouds were breaking up a bit and sunshine was beginning to reflect on the water and light the spray from the surf.

I’m intrigued by the different ways in which waves break, I suppose in response to underwater contours that we cannot see. This wave began to break to the right and left of the center, and the two zones of roiling water gradually merged as a single gull flew overhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Wave

Winter Wave
“Winter Wave” — A winter storm wave breaks along the California coast.

This is another photo from the California coast during the recent period of extremely high surf. We spent an afternoon along the Pacific Coast Highway between Santa Cruz and Half Moon Bay, where the surf was absolutely huge — as large as I’ve ever seen it there. The waves were so big that their spray filled the air along the coast and even spread inland.

The day started out cloudy with light rain from a passing storm system. (The waves came from a different system that was still far out at sea.) As the day wore on the skies began to clear, and I made this photograph when blue skies were beginning to dominate. While the sky was clearing, the high surf remained and the spray still filled the air and softened the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lone Tree, Morning

Lone Tree, Morning
“Lone Tree, Morning” — A solitary tree silhouetted against dawn sky on a foggy morning.

I traveled to California’s Central Valley back in late December, when I saw a weather report calling for thick fog. Now normal people would specifically NOT choose to go there on one of its infamous fog days, when the tule fog can make driving nearly impossible. But I wanted to photograph in those conditions, so I headed over a few hours before sunrise. The fog was extremely thick along the way, and I was looking forward to even “worse” conditions at my destination. But a mile before I got there the fog thinned, dawn light shone through, and high clouds were visible in the soft light.

At first I was disappointed. I had gone to a lot of trouble to be there for fog, and now the fog was dissipating! But it didn’t take long to notice the compensatory visual appeal of the thinner haze and how it glowed in the early light. I found a slightly higher view point, located a lonely tree on the horizon, and made a few photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.