Tag Archives: landscape

Lone Tree, Morning

Lone Tree, Morning
“Lone Tree, Morning” — A solitary tree silhouetted against dawn sky on a foggy morning.

I traveled to California’s Central Valley back in late December, when I saw a weather report calling for thick fog. Now normal people would specifically NOT choose to go there on one of its infamous fog days, when the tule fog can make driving nearly impossible. But I wanted to photograph in those conditions, so I headed over a few hours before sunrise. The fog was extremely thick along the way, and I was looking forward to even “worse” conditions at my destination. But a mile before I got there the fog thinned, dawn light shone through, and high clouds were visible in the soft light.

At first I was disappointed. I had gone to a lot of trouble to be there for fog, and now the fog was dissipating! But it didn’t take long to notice the compensatory visual appeal of the thinner haze and how it glowed in the early light. I found a slightly higher view point, located a lonely tree on the horizon, and made a few photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Sky

Autumn Sky
“Autumn Sky” — November morning sky and clouds above California’s Central Valley.

The pre-dawn light on this autumn morning in California’s Central Valley did not look all that promising. It was one of those, “OK, but nothing remarkable” days — lovely, but not with quite the magic I hoped for. As I recall, the earliest light of sunrise was muted by clouds to the east over the Sierra Nevada. But before long things began to improve, and I had a few moments of quite intense light shortly after sunrise.

This is an example of a phenomenon that I’ve learned to watch for. It is a circumstance that increases the potential for brilliant dawn or sunset color, though it is far from a guarantee. On a cloudy morning or evening when the cloud layer ends far to the east (at dawn) or west (at sunset), there is a chance that the sun will briefly shine under the clouds as it touches the horizon, lighting the clouds with intensely colorful light from underneath.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Breaking Wave

Breaking Wave
“Breaking Wave” — Breaking winter storm wave, Northern California Coast.

Winter surf on California’s coast was so impressive between Christmas and New Year’s Day that it made national news. As happens this time of year, a powerful Pacific storm far offshore produced a huge swell. The biggest waves were upwards of 30 feet tall, and they created real danger to those who live at the coast and to visitors who ventured too close. Naturally, we headed straight over there to view (carefully) the power of nature!

The weather was pretty gray when we arrived, but the storm (which was less impressive than the waves) began to clear and rays of sunlight moved across the surface of the ocean. I went to a peninsula extending into the ocean, and from there I had close-up views of the action. I made this photograph as a huge wave rolled through one of those sunlit patches and began to break.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Breaking Wave, Reflected Sun

Breaking Wave, Reflected Sun
“Breaking Wave, Reflected Sun” — Winter sunlight reflects on the water beyond a breaking wave during a Pacific storm.

Between Christmas and New Year’s Day, California had several days of extraordinarily high surf, produced by storms far out in the Pacific Ocean. Media reports consistently warned citizens to “stay away from coastal areas.” Consequently, many of us high-tailed it straight to the nearest coastal areas to watch the show! (In all seriousness, this kind of surf really is dangerous. If you go, please observe from a very safe distance.) We visited the section between Santa Cruz and Half Moon Bay, and the surf was as big as I’ve ever seen it.

It was cloudy most of the time, but occasionally the sun managed to break through a bit, creating beautiful reflections on the waves and the distant ocean. This photograph is one of a series I made from a high (and safe) observation point on a peninsula that juts out into the ocean. From here I could watch the waveS break and continue on toward the shore to my left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.