Tag Archives: landscape

Fog, Tree, And Pond

Fog, Tree, And Pond
“Fog, Tree, And Pond” — A tree reflected in a wetland pond in dawn tule fog, San Joaquin Valley

I love fog, and I especially love the thick and mysterious tule fog of California’s Central Valley — comprised of the northern Sacramento Valley and the southern San Joaquin Valley, and draining to the Pacific Ocean via San Francisco Bay. This fog is mostly a winter thing, when the moisture rises from the ground, farmland, and ponds as the temperature drops at night. It often reaches its peak in the early morning, just after dawn. (It also creates some very challenging driving conditions — so bad that lots of people simply try to avoid them.)

If you stop and get out of your car, the world of tule fog is quiet and mysterious and still. Your universe closes down to a radius of perhaps a couple hundred feet or less, and you can sense as much about your surroundings by sound as you can by vision — you might hear but not see a flock of crane passing overhead. Surprising to some who are new to these conditions, while the tule fog is incredibly dense, it is often astonishingly shallow. On occasion I have seen conditions so bad that it was almost impossible to drive… but I could look up and see clouds in the sky overhead. The tops of trees and utility poles might poke out of the top of the fog layer. This, of course, can produce some very special light, since this thick fog may also be intensely illuminated by that overhead sky and sun, to the point that at times it can almost hurt to look into the brightness. Those were not the conditions when I made this photograph, but the astonishing blue color (which I actually had to tone down a bit in post) is the result of the glowing fog picking up the color of the blue morning sky.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Into Evening Light

Into Evening Light
A small group of geese takes flight in evening light

Into Evening Light. © Copyright 2017 G Dan Mitchell – all rights reserved.

A small group of geese takes flight in evening light

There are many ways to photograph birds: sharp images of birds filling the frame that reveal the details of color and shape and feathers, landscape photographs that show them in the worlds they inhabit, shots that capture them social groups ranging form groups of a few individuals up to flocks of many thousands, captures of them engaging in particular behaviors, and much more. (I’m occasionally amused by discussions of “the way” to photograph birds of or “the right” equipment to do this.)

This flock of geese suddenly took to the air as the very last golden hour light shone across this hazy landscape, and the birds were partially illuminated by the colors of the warm sunset light, but against the less vibrant colors of the local surroundings. A sharp-edged photograph was a possibility, but here I think the abstracting blur of camera motion and fast-flying birds may better suggest the feeling of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Central Park, Winter

Central Park, Winter
Bare trees and an empty plaza on a cold winter day in Central Park

Central Park, Winter. G Dan Mitchell – all rights reserved.

Bare trees and an empty plaza on a cold winter day in Central Park

It was an utterly frigid day in New York City when I made this photograph. This Californian is not really used to such weather, but we gave it a good try, heading out each day on long walks that sometimes lasted many hour despite temperatures around and sometimes lower than 20 degrees. (Some of you are used to that, but a “cold” midday temperature here in near-the-coast Northern California would be in the upper-forties.) Our morning began with an aborted attempt to visit the Guggenheim Museum — we made it there, got in line, stood there gradually getting colder and colder, finally figured out that the line wasn’t actually moving, gave up, and found a warm and cozy place to go eat and drink.

Afterwards we headed out on foot once again, eventually ending up back at Central Park. I’ve been there at different times of the year. In summer there are often many thousands of people in the park — walking, cycling, skating, sitting around, eating, lounging on lawns, and more. There are expansive green lawns and big, leafy trees. In winter those lawns die and the trees lose their leaves. There are people in the park, but only a tiny fraction of the number seen in summer, and most seem to be on their way somewhere else — probably somewhere else warm. But I like the park this time of year. The gray solitude of the place appeals, and the leafless trees permit more of the surrounding urban world to be seen. This little plaza, nearly empty, was along the east side of the park as we gradually worked our way to the lower end of the park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tree, Winter Light

Tree, Winter Light
A bare winter tree and clearing tule fog.

Tree, Winter Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

A bare winter tree and clearing tule fog.

On Sunday there was ground fog all over the San Francisco Bay Area, and I had a few free hours, so I headed out to see what I could find. I went to a place that is very familiar to me, a local haunt where I have hiked and photographed for decades. I had not been there in perhaps a year, so it was good to reestablish my relationship with the location and note a few changes. The little trip also reminded me that it isn’t necessary to travel long distances to find photographic subjects — quite often a closer look at nearby places will reveal worthy subjects.

The idea here was to arrive before the fog cleared, photograph in the thick fog for a while, and then be ready to photograph the brief transition period as it thinned, a time when brilliant and stunning but ephemeral light may appear. During my short drive to this location the fog remained thick, but just before reaching my destination it began to clear, likely because ground fog doesn’t stick around as long in the hills. As I parked and loaded up a light load (my lightweight trail photography setup) there were still some pockets of fog clinging to the hillsides, but in most places there was instead a sort of haze that glowed when I photographed in the direction of the sun. I’m very fond of this kind of light, so I quickly looked for subjects that I could use to advantage, and I soon found this tree standing on a grassy hillside and silhouetted against the glowing atmosphere beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.