Tag Archives: landscape

Point Sur, Horizon, Clouds

Point Sur, Horizon, Clouds
Historic Point Sur is dwarfed by clouds and the Pacific Ocean

Point Sur, Horizon, Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Historic Point Sur is dwarfed by clouds and the Pacific Ocean

By the time I got to this point on the Big Sur coast on this February winter day, it was past early morning and the light was more that of the midday hours. Often that might mean that the light had become flat and uninteresting, but some clouds close to the shoreline, some sunlight in the distance, and some high clouds further on made even this daytime light interesting.

I’m very familiar with this spot, where a historic lighthouse facility sits on top of a remarkable hill that would be separated from the land but for a low, sandy peninsula connecting it to the shoreline. Photographing from some distance away with a long lens, and aiming pretty much straight into the brightest reflected light, the hill’s details almost disappear into shadow, and it appears to float in the light and water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pacific Coastline, Winter Haze

Pacific Coastline, Winter Haze
Gentle winter haze along California’s Pacific Ocean coastline south of Monterey

Pacific Coastline, Winter Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

Gentle winter haze along California’s Pacific Ocean coastline south of Monterey

I have visited this coast for decades, since my parents moved to California from the Midwest when I was four-years-old. Back then we took lots of family “day trips,” and the Monterey Peninsula and Point Lobos areas were often our goals, and I became familiar with the Coast Highway Pacific Ocean interface at a young age. There was perhaps a gap when I was in college, but when our kids were old enough we headed down this way from time to time, too.

There are a few constants here: the headland cliffs plunging into the Pacific, the twisting and turning route of the highway, the little places to stop and grab a bite to eat, the long views over the ocean and up and down the coast. But other things are rarely the same twice. The light is constantly changing, from morning to evening, from winter to summer, from clear air to fog. I would most typically photograph early or late, but on this winter day there was interesting light and atmosphere right into the middle of the day when I made this photograph, looking south along the coastline as the haze gradually obscured distant hills and the sunlight’s reflection turned the oceans distant surface a brilliant white.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Land And Sea

Land And Sea
Big Sur coast meets the Pacific Ocean

Land And Sea. © Copyright 2018 G Dan Mitchell – all rights reserved.

Big Sur coast meets the Pacific Ocean

I live close enough to the Big Sur coastline that I can visit on day trips, and I can visit at times when it is relatively quiet and uncrowded. A winter weekday can be ideal, and right now it is even less busy since the route is still blocked by a giant landscape perhaps fifty miles or so below the Monterey Peninsula.

Most often I prefer to photograph fairly early in the morning, when the light skims down across the coastal hills, creating patterns of shadow and light, or else in the evening, when the warm light of the late-day sun colors the ocean and the hills. But on some almost perfectly clear winter days, perhaps with a few high clouds and some atmospheric haze, the air almost glows and I can photograph right through the middle of the day. This was such a day. The haze and mist, partly atmospheric and party from spray thrown up by surf, accentuated the bluffs and headlands as they dropped into the Pacific, and the brilliant sun made the water so bright that it was difficult to look at it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Island With Trees, Thinning Fog

Island With Trees, Thinning Fog
Sunlight begins to illuminate a small wetland island as San Joaquin Valley tule fog thins

Island With Trees, Thinning Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sunlight begins to illuminate a small wetland island as San Joaquin Valley tule fog thins

We all know that (apparently false) story about the number of words that Inuit people have for the myriad types of snow. I suspect that it would be possible to have a similarly diverse vocabulary of descriptions for fog, dependent upon its thickness, temperature, quality and color of light, tendency to move, effect on sound, time of day, season, persistence, and much more. Photographing in California is something of a laboratory in the nature of fog, in that we have so many types. Living in the San Francisco Bay Area I am very familiar with the type of fog created by the marine influence — often cold and gray and damp, and frequently a feature of the late-spring and summer months. Photographing Central Valley birds (and driving across the great valley while traveling to and from the Sierra Nevada) has given me ample opportunities to know the tule fog, mostly a winter phenomenon caused by cool and damp conditions over land.

On winter days when I photograph in the valley I experience transitions though many different types of fog and fog-light. I often start before dawn, when the fog and darkness can close the world down to what I can (barely) see in my headlights, or by the glow of commercial signs and streetlights as I pass through towns. Before sunrise the fog can glow in colors ranging from sky blue to the gaudy reds, oranges, yellows, and purples of first light on clouds above the fog. Eventually that color dissipates and the fog can simply become gray. Then, as it things (often from the top down), and light begins to filter down to the ground level, the colors of grasses and trees and water being to appear faintly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.