Tag Archives: landscape

Geese, Tule Fog, Autumn Trees

Geese, Tule Fog, Autumn Trees
Migratory snow geese and Ross’s geese in a pond on a foggy San Joaquin Valley morning

Geese, Tule Fog, Autumn Trees. San Joaquin Valley, California. December 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Migratory snow geese and Ross’s geese in a pond on a foggy San Joaquin Valley morning

Since it was December 1, it seemed like time to start my annual series of visits to California’s Great Central Valley to photograph migratory birds and the landscape of the place. (Actually, I had made one preliminary and very quick visit about a month earlier, but too early for the birds shown in this photograph.) There is a ritual about these visits which, for me, are typically one-day affairs that start very early and end rather late, with a fair amount of driving involved. Up well before dawn, I drive a couple of hours in darkness and often fog, arriving perhaps a half hour before dawn to the stirring sound of many thousands of birds, already awake at morning twilight. I photograph intensively for at least a few hours before taking, at last on most days, a midday break. By mid-afternoon I’m back at work again, photographing through the peak of the visual crescendo just before sunset and then continuing for perhaps another half hour or so until the light is gone. I pack, get into my vehicle, and retrace my two-hour drive back home. (At least the shorter daylight hours of this season allow me to get up a little bit “later” — if you consider 3:45 or 4:00 AM later — and return home in time for a late dinner.)

On this first day of December it was incredibly foggy when I arrived — so much so that it was really hard to make photographs. I usually enjoy photographing in the fog, but this was so thick that almost no sunrise light managed to color the gloom. But before long the light began to come through the fog and eventually I found a moderately large group of white geese settled in on a pond. Among them I saw Ross’s and snow geese, and beyond them there were trees with fall foliage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Desert Hills, Evening Shadows

Desert Hills, Evening Shadows
Evening light and shadows on desert hills and Death Valley salt flats

Desert Hills, Evening Shadows. Death Valley National Park, California. April 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light and shadows on desert hills and Death Valley salt flats

My first visit to the park was in the late 1990s, but I’ve been a regular since then. I visit Death Valley for about a week at least once each year, and have photographed all over the park. In a way, this first surprised me a bit, since when I was younger I was not attracted to the desert at all, having been brought up on the notion of the “desert wasteland,” and having been a huge fan of the high Sierra since I was young. So even though the desert was nearby I didn’t visit before a chance encounter that came about when I was one of the adult chaperones on a trip introducing high school and middle school kids to the place. Literally from my first view of the place (after crawling out of a tent in a high place at dawn to look across the valley), I was entranced.

The photographic subjects in this national park (and similar desert locations) range from intimate to immense, and several things always draw my attention. Because of the hot and dry environment, the landscape is laid bare in ways that are uncommon in other mountains. (Unless you go above tree line, into another of my favorite worlds.) The land-forming effects of uplift, mountain-building, water (!) and wind are easy to see. And this naked landscape is often painted and colored by the light in beautiful ways. This photograph, at least as I see it, offers several contrasts: between the low hills and the flatness of their surroundings, between the shadow and light, and between the small and the large.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mud Hills, Evening Light

Mud Hills, Evening Light
Mud hills near the mouth of a Death Valley canyon

Mud Hills, Evening Light. Death Valley National Park, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Mud hills near the mouth of a Death Valley canyon

On this evening I had taken a “random” walk into a canyon that I hadn’t visited before. It isn’t a tremendously popular place, so I had its narrow confines almost completely to myself, even though I wasn’t all that far from some rather popular Death Valley locations. The canyon itself was not the most visually striking Death Valley location I have visited, though its narrow dimensions and solitude were notable. I reached a blockage some distance up the canyon, and since the hour was getting late I decided to reverse course and head back out for early evening light.

As is so often the case with these canyons, I emerged from the dark and narrow canyon onto a broad wash that expanded onto an alluvial fan littered with boulders, cut by water courses, and open to more distant views. Golden hour light was beginning, so there was a lot to photograph, and it took me quite a while to work my way down from here toward the trailhead. As I walked, the surrounding hills became lower and more rounded as they gradually merged with the alluvial slopes that tend to line the valley. As the light faded with the already behind hills to the west, I made a final stop to photograph these folded forms, glowing in the filtered and soft light of early evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fractured Granite

Fractured Granite
A fractured granite cliff in the Eastern Sierra Nevada

Fractured Granite. Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A fractured granite cliff in the Eastern Sierra Nevada

I made this photograph on a morning when I was in the eastern Sierra to photograph autumn subject, particularly the annual color change of the aspen trees. Being in a place where I have photographed many times, I quickly dispensed with the familiar (and even iconic) subjects in the area and then, as I like to do, simply wandered slowly with my eyes open, looking for little elements of the larger landscape that caught my eye. Although I have walked past this granite quite a few times, it may be the first time I have photographed it.

Granite (along with, as geologist friends might remind me, rocks informally referred to as granite) is ubiquitous in the Sierra, and is one of the most characteristic features of the Sierra Nevada experience. Not only is there a lot of it, but it has been laid bare by (mostly) glacial action, and it appears in its original locations and in places where the rocks have been moved by water and ice. As a person who has hiked here for decades and who spent a few years as a rock climber, I developed an intimate familiarity with this rock. It can be smooth or rough, uniform in color and texture or interspersed with veins and crystals. It can be freezing cold in winter or benignly warm on a summer day. It may be nearly white, gray, or incorporate a host of color variations. It seems to be solid and unchanging, but there is evidence everywhere that it has been moved and broken and shaped.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.