Tag Archives: landscape

Dawn, New Year’s Day 2016

Dawn, New Year's Day 2016
Geese in flight above a rural San Joaquin Valley road at dawn, New Year’s Day 2016

Dawn, New Year’s Day 2016. San Joaquin Valley, California. January 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Geese in flight above a rural San Joaquin Valley road at dawn, New Year’s Day 2016

A few years back a group of friends decided to meet at dawn on New Year’s Day. We arrived at a place out in the San Joaquin Valley that is mostly populated by migratory birds this time of year, and we greeted the first sunrise of the new year with friends — a few human friends and a few tens of thousands of geese and other birds. We repeated the event the following year, and it has now become a traditions. Today we can’t think of a better way to start a new year, and once again we assembled there on New Year’s Day 2016.

We arrived to find the place strangely quiet. Typically we expect to hear thousands of birds all around us, but we figured out that they had moved off to nearby ponds. A few of us headed that way and eventually others followed, and we found a decent group of geese settled in on the shallow water. As the sun rose thousands more geese began to fly in, and before long the ponds were filled with them. Inevitably, something causes them to suddenly take to the air and before long that is exactly what happened. The flock noisily took flight, made a few loops over the pond, and then headed north over the rural roadway, silhouetted against sunrise sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Marsh, Fog, Evening Light

Marsh, Fog, Evening Light
Evening light on San Joaquin Valley marshland

Marsh, Fog, Evening Light. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on San Joaquin Valley marshland

This photograph represents the flip side of an observation I made in a separate post regarding another photograph that I made on this mid-December evening. The comment had to do with the contrast at the end of the day between events here that happen suddenly and those that unfold more slowly — a simulations slowing down and speeding up of events at the end of the day. The speeding up events include sudden departures and arrivals of large groups of birds. The slowing down part is exemplified by this photograph. (For the EXIF file data aficionados among you, the EXIF data shows an incorrect time of day for this photograph. Ah, well…)

As I photographed other subjects I had slow moments to look around and take in static elements of the scene. Late in the evening, as the light color warmed, I saw the effect this had on the brown reeds and the trees, many of which still had a few fall leaves left. While the near trees are quite clear, being lit by this beautiful side-light, the details of the further trees are muted just a bit by haze, and the more distant sky’s color is muted by this incipient fog. A few remaining geese along with some ducks sit almost completely still in the shallow water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tree, Wetlands, Morning Fog

Tree, Wetlands, Morning Fog
Thin dawn fog floats around the base of a solitary autumn tree in San Joaquin Valley wetlands

Merry Christmas 2015!

Tree, Wetlands, Morning Fog. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Thin dawn fog floats around the base of a solitary autumn tree in San Joaquin Valley wetlands

This landscape is ostensibly about the migratory birds at this time of year, from late fall through the winter months. These ponds, which are just fields during the hot Central Valley summer, typically fill with shallow water and become the winter home for uncounted numbers of geese, sandhill cranes, ibises, and more. It was, in fact, the birds that first brought me out here in the winter, and they still call me back every year.

But there is much more to this landscape than photographs of birds. In fact, my strongest sensory associations with the place are not about the visual appearance of the wildlife for the most part, but are instead about a host of other things. And this simple photograph, for me at least, evokes the sensory recall of those other elements. To a person who may not have been here at this time of year, many things familiar to me cannot be contained in the photograph. The sound of the birds, continuous and often raucous, is central — and it is the thing that most immediately gets my attention when I visit. The fog is a big part of the experience — not just its ability to mute the details of the landscape, but also the sensations of cold and damp and what it does to the quality of light, especially at dawn. In addition, this is one of those California places allow me to extend the color season for three months or more. It begins in September in highest reaches of the Sierra, works its way down (as aspens change) to the high desert (with cottonwoods), then the Sierra foothills, then to the coastal hills, and finally to the lowlands where, as in this photograph, “fall” color remains until nearly the new year.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Trees

Evening Trees
Evening trees reflected in the surface of San Joaquin Valley wetlands

Evening Trees. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening trees reflected in the surface of San Joaquin Valley wetlands

The primary attraction for me in these San Joaquin Valley wetlands is, or so I tell myself, the hordes of migratory birds that arrive here in the late fall and over-winter — geese, ibises, sandhill cranes, along with egrets and herons and more. They draw me to the Valley, just a couple of miles away from my home over the coast range, throughout the late fall through winter period. But once I get there I think I am as interested in the landscape as in the wildlife.

We had just about finished a full day of photographing (mostly) the migratory birds. Late in the day I always start to think about what my final subject will be, and then I try to extend my shooting time as late into the failing light as possible. I might continue to photograph birds in deep dusk, raising ISO and lowering shutter speed and working with the resulting motion blur. On this late-fall evening I went in a different direction, and I put the camera on the tripod and finished up with some blue-hour landscape photographs of the wetlands, the trees, and the evening clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.