Tag Archives: landscape

Dawn Light, Fog, Marsh and Tree

Dawn Light, Fog, Marsh and Tree
Dawn Light, Fog, Marsh and Tree

Dawn Light, Fog, Marsh and Tree. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Early morning fog above a marsh briefly glows with pink dawn light, San Joaquin Valley

The winter season ends all too quickly here in California, and blossoms are already appearing on trees. Especially in this drought year, now is the time to enjoy the sights of the cool season – so when we had a chance to make another trip out to the San Joaquin Valley to chase migratory birds a few days ago we immediately changed our previous plans and headed out that way. We left shortly after 4:00 AM so that we could meet friends in the valley at 6:15 – well before dawn, but just in time to be ready for the potentially beautiful pre-dawn light, especially if it would turn out to be foggy.

And it did. Although the two-hour drive was mostly through clear conditions, perhaps 10 minutes from our destination we began to run into the typical Central Valley tule fog. It makes driving difficult… but it makes light wonderful! As soon as we drove into the area where we would photograph we could see that the ground-hugging fog was starting to glow in the pink pre-dawn light. Sometimes we hang out for a bit and chat before getting to work on photographing, but these conditions created a sense of urgency and we immediately moved on to look for subjects. Soon one of the members of our party stopped and headed across a bit of pasture towards the edge of a pond where the quiet water reflected the image of a solitary tree and the colorful sky. I soon joined him, and after he moved on I made a series of photographs of this scene. Photographs made a moment later in the sequence have more of a blue coloration, but for a brief moment the fog glowed pink-purple in the early light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dunes, Evening

Dunes, Evening
Dunes, Evening

Dunes, Evening. Death Valley National Park, California. December 11, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Receding layers of sand dunes in evening light, Death Valley National Park

After a very long day spent driving a lengthy backcountry gravel road through mountainous terrain, I headed back to my camp at Furnace Creek to take care of camp business and grab something to eat. As I usually do in Death Valley, I scheduled my day around a morning subject and an evening subject. Since the morning work had lasted so long, I was thinking of something closer for the evening and, besides, by the time I was ready to shoot it was probably too late to travel very far in the remaining light before the early sunset of this December day. So I decided to travel up the valley a bit to well-known dunes, where I can almost always find something interesting to photograph if I just go looking.

I stopped some distance from the “usual location,” loaded up some basic equipment, and wandered out into a likely looking section of the terrain that would probably not seem all that special to those seeing the area for the first time. (That’s easy to understand, when the impressive and large sand dunes tower above everything else not far from here!) But I know there is a wealth of interesting things to be found even in what appears to be the plainest of the dunes – conjunctions of light and shadow, textures of sand, tracks of small creatures, plants poking through the sand, and more. When I arrived the low sunlight was just about to leave this area, so I worked quickly, trying to take advantage of fleeting moments of shadow and light. As I came to the top of a low dune I saw this complex terrain of dunes and shadows stretching in front of me.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning Sun on Rocky Peninsula

Morning Sun on Rocky Peninsula
Morning Sun on Rocky Peninsula

Morning Sun on Rocky Peninsula. Kings Canyon National Park, California. September 15, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Morning sun strikes a rocky peninsula in a subalpine Sierra Nevada lake, Kings Canyon National Park

This is another photograph from last September’s nine-day photography sojourn into the high Sierra backcountry of Kings Canyon National Park with three photographer friends. We traveled to a remote 11,000′ basin, where we set up camp and photographed for nearly a week, coming to intimately know the surrounding landscape of lakes, streams, granite, trees, and the changing conditions of atmosphere and light which varied with the weather and the time of day. By spending time in such a place you have the opportunity to look beyond the first impressions of towering granite peaks and immense vistas and to begin to seem more of the smaller details that form the fabric this high country world.

On one of my morning walks in the surrounding terrain I visited a nearby basin full of lakes ranging in size from tiny pools and tarns to quite large lakes filling the basins scooped out by ancient glaciers. This basin is almost surrounded by nearby tall peaks and ridges, though it is open to the north-east as well. Due to these high walls, the sun does not penetrate down to its lowest levels at sunrise, but instead shows up over an extended period as the sun tops nearby ridges and the sun-shadow line traverses the valley. This portion of the lake in the photograph lies against more or less the south side of the valley, where a large and rocky slope ascends toward a ridge that shades the area much later in the morning. At the moment I made this photograph, the sun had reached the thin peninsula of rock in the foreground but the more distant rocks are illuminated by light reflected from other faces nearby.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Light, Big Sur

Sunset Light, Big Sur
Sunset Light, Big Sur

Sunset Light, Big Sur. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter sunset light on the rugged Big Sur coastline

On the final day of January we took a long drive down and then back up the Pacific Coast Highway between the Monterey Peninsula and Piedras Blancas, where we knew we could see and photograph the elephant seals that gather here on the coast every winter. We took our time on the southward drive, taking nearly nine hours to reach our southern destination – and stopping frequently along the way to make photographs. (OK, for coffee and meals, too…) After photographing the elephant seals in the late afternoon, it was time to start our return trip.

There is so much to see along this coast that it is unusual to be left wondering what to photograph, so the general – and somewhat vague – plan was to take stock of where we found ourselves during the hour or so before sunset and to then find a suitable golden hour and dusk subject to photograph. Perhaps 45 or 50 minutes before sunset we came to an overlook where we had photographed much earlier in the day and decided that this would be the place. Here the coastline arcs south, with rugged mountains dropping right down to the shoreline with its sea stacks, rocky prominences, and hidden beaches. Our overlook was high enough to provide an expansive view of this scene, and it didn’t hurt that a couple of large rocky islands, one with a natural arch, were located right below. You never know how a sunset and evening will turn out in photographic terms and you must more or less take what you get. On the plus side, there were thin, high clouds to the west that wrapped around to the south, and these clouds can produce a lot of color if lit from below right at sunset and shortly after. There was also some haze to the west to soften the light. On the other hand, there also appeared to be a somewhat thicker band of clouds and for right near the horizon, and this can “turn the lights out” at just the wrong moment. I made this photograph as the golden hour light began to intensely color the shoreline. I quickly made a series of photographs in landscape and portrait orientation, moving a bit in between to change the juxtaposition of elements a bit. At one point I looked away for a moment… and when I looked back the color had almost gone as the sun passed behind those thicker clouds. Yes, it happens that quickly and imperceptibly sometimes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.