Tag Archives: landscape

Marsh Pond and Trees

Marsh Pond and Trees
Marsh Pond and Trees

Marsh Pond and Trees. San Joaquin Valley, California. November 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Reflected fall colors of trees and grasses at a flooded California Central Valley marsh.

One more photograph from my late-November “wild goose chase” to California’s Central Valley. My main goal was probably to photograph migratory birds, including geese, but that never keeps me from also photographing the landscape. Although the skies were completely clear when I left home well before dark for the two-hour drive to this place, when I arrived there a thick fog was developing in this seasonal marshland… which is just what I had hoped for! The final 15 minutes of my drive were in mostly thick fog, and when I actually arrived the early morning light was almost completely muted by fog.

A bit later this morning, after my first circuit of the place, as I began a second lap around the ponds and marshes, the thick fog had given way to a soft atmospheric haze that allowed some sun to penetrate but which also muted the intensity of the autumn colors of grasses and cottonwood trees and other plants. For a few minutes I took off my wildlife photographer hat and put on my well-worn landscape photographer hat (you didn’t know I carried multiple hats, did you?!) and photographed the isolated trees along the levees between the marshes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Riverbank, Cottonwood Trees

Riverbank, Cottonwood Trees
Riverbank, Cottonwood Trees

Riverbank, Cottonwood Trees. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cottonwood trees with fall foliage reflected in the calm surface of the Merced River in late afternoon light

It is barely a month after I made this photograph, and the feeling is now more that of winter than of autumn. (Though where I live some autumn leaves are still falling for a few more days.) But back at the end of October I spent two days photographing fall color in Yosemite Valley. Sierra weather can be almost anything at this time of year, but aside from some leftover snow high up along the Valley’s walls, down below it was sunny and bright with the warm autumn light that can characterize the season in these mountains.

The main leaf color in the Valley comes from black oak, big leaf maple, cottonwoods, and dogwood, each providing its own variations of color and timing. When I was there the maples were a bit past their peak, and at least some of the dogwoods were still becoming more colorful. It seemed like cottonwoods were very close to their most colorful and the black oaks were also quite good. On the first afternoon I spent some time wandering along a section of the Merced River, photographing the cottonwood trees with the Valley’s cliffs as a backdrop and occasionally with the autumn-smooth waters of the Merced reflecting their colors.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

River Bank and Cottonwood Trees

River Bank and Cottonwood Trees
River Bank and Cottonwood Trees

River Bank and Cottonwood Trees. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A thicket of small cottonwood trees leans toward the Merced River, Yosemite National Park

When I first encountered this riverside thicket of small trees, I half-regarded them as a nuisance, believe it or not. My attention was focused on cottonwood trees on the opposite bank of the river and a bit downstream, and I was looking for a good vantage point where I could set up my tripod to photograph them. While I was intrigued by these closely-spaced trees and their beautiful autumn foliage, my initial orientation to them was affected by how difficult they made it to find a good spot for my tripod with a clear view of the other trees! (Yes, I did eventually find a small spot down by the edge of the water from which I could make that other photograph.)

After passing them I looked back and saw the way that the trees varied from almost perfectly vertical in the middle of the thicket to banding almost horizontally over the river closer to the bank in an attempt, I suppose, to find unobstructed sunlight. I knew there was a photograph in this scene but it was a bit tricky. Framing it the way I wanted required the use of a longer lens, but that introduced depth of field challenges. Initially I saw it as a color photograph, especially since the leaves on these cottonwoods were at their peak of intense autumn gold. However, working on the photograph later, it seemed to me that the color wasn’t the main story in this scene, and that a black and white rendition might do a better job of highlighting the varied yet related forms of those tree trunks, and still capture the beautiful side-light coming from across the river and down the Valley at this very late afternoon hour.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh Grasses and Fog, Dawn

Marsh Grasses and Fog, Dawn
“Marsh Grasses and Fog, Dawn” — Golden dawn light illuminates autumn fog drifting above marshland grasses in California’s Central Valley.

I went to this place to photograph birds – at least that was my excuse. In the past few years I have become passionate about photographing migratory birds in the Great Central Valley of California between late fall and early spring – geese, cranes, herons, ibises, and more. Once you hear the cries of these birds as thousands of them flock together on the ground or in water or, better yet, as they fly overhead, you can become obsessed. In the fall I anticipate their return and watch for early signs. A few weeks ago we managed to find cranes further up the valley, and I knew that the geese wouldn’t be far behind – so this trip was, literally, a “wild goose chase.”

But the truth is a bit more involved. As much as I love the birds, I think that I’m at least as attracted to landscapes where they are found, and to the weather conditions of this season. You might think that a bird photographer would want clear skies and bright light, but I look forward more to fog, clouds, and mist and other kinds of interesting atmosphere. It occurs to me that the birds may partially be my excuse for visiting this landscape. I was expected that it might be clear on this morning, so I was happy (strange photographer!) when I drove into thick fog a few miles from my destination. I arrived just before dawn as the sky was somewhere in that color range between blue and purple and pink, but just barely visible though the murk. I made a few true sunrise photographs that included a barely visible sun behind fog and clouds, then moved on along a gravel road to try to locate the cranes that I could hear. As I came to a right angle turn, the fog stretched beyond the nearby grasses and straight toward the low sun in front of me, thick enough that all details in the distance disappeared (with the exception of a few barely visible birds) into a luminous glow that was almost painfully intense


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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