Tag Archives: license

Salt Flats and Waterways

Salt Flats and Waterways
Salt Flats and Waterways

Salt Flats and Waterways. Death Valley National Park, California. March 30, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Seasonal creeks twist though salt flats of Death Valley, Death Valley National Park, California

Since I have recently posted a few other photograph from this same location and with some of the same commentary that I might include here, I’ll try to keep this description a bit short. The photograph was made from the top of Dantes View, the Death Valley observation point that is about a mile above the lowest part of the Valley near Badwater. The panorama from Dantes View almost overwhelmingly expansive, so on this visit I though that rather than just trying to photograph that immensity, I would also use a long focal length lens to try to isolate and pick out some smaller portions of the overall scene.

This photograph shows a section of the salt flats, surrounded by browner areas that include more gravel. A darker foreground area that runs along the road is visible at the bottom of the photograph, and the upper corner includes the area where the West Side Drive runs between the flats and the lower slopes of the Panamint Range. The many waterways crossing the flats and then converging on the salt area are evidence of the role water plays in the creation of this barren terrain.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning Haze, Death Valley

Morning Haze, Death Valley
Morning Haze, Death Valley

Morning Haze, Death Valley. Death Valley National Park, California. March 30, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Distant snow-covered peaks are barely visible across the vast space of Death Valley in hazy morning light

This photograph was made from Dantes View, high in the mountains along the eastern border of Death Valley itself, and with a commanding, panoramic view of a huge portion of the surrounding terrain and especially down into Death Valley and the Badwater area almost right beneath the peak. The view here looks roughly north or northwest, past the location of Furnace Creek and beyond the Mesquite Dunes area to the far northern end of the Valley and then beyond to distant snow-covered peaks.

I have written before that Dantes View has been a difficult place for me to photograph. At first glance, the location has a lot going for it. At about a mile above the Valley floor below, the views encompass a huge area of interesting terrain, ranging from the lowest reaches of Death Valley itself to the 11,000+” Telescope in the Panamint Range to other features so distant that they often fade into the haze. But for me these same features make it very difficult to pick out anything that can draw the larger components of the scene together. There have been times when I have gone there with the intention of photographing, gotten out, looked around, been impressed by the location, and made no photographs at all. This time I mostly shot details of the Valley using a very long lens, but I thought that the shadows of the passing clouds brought enough relieve to the uniformity of the Valley to make this photograph, which I hope conveys some sense of the scale of the place.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Devil’s Cornfield

Devil's Cornfield
Devil’s Cornfield

Devil’s Cornfield. Death Valley National Park, California. March 31, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early morning light slants across the arrow weed plants of the Devil’s Cornfield area of Death Valley National Park

For the record, while I have no evidence either way regarding the role of the devil in creating this terrain, there is definitely no corn growing in this field! The plant is known as “arrowweed” (or arroweed or arrow weed), and the tall shapes are apparently formed as the sand erodes from around the roots.

This spot is one of several in Death Valley that have been hard for me to see as photographs. (Other “challenges” include the Devil’s Golf Course – which mostly looks like crusty, dried mud to me – and Salt Creek – which I’ve mostly visited at the times of day when the light hasn’t been idea.) I came close once before with a closer view of the plants that revealed their actual color a bit more and which placed them in front of a backdrop of more distant barren mountains. This photograph certainly doesn’t provide a strong center of visual interest, but I like the sense of the plants leading off into the distance, the angles of the blue shadows, and the contrasting warm colors of the plants in near golden-hour light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cactus, Escalante Canyon, Fall

Cactus, Escalante Canyon, Fall - Cactus plants grow in front of brilliant fall colors along the Excalante River, Grand Staircase-Escalante National Monument
Cactus plants grow in front of brilliant fall colors along the Escalante River, Grand Staircase-Escalante National Monument

Cactus, Escalante Canyon, Fall. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Cactus plants grow in front of brilliant fall colors along the Escalante River, Grand Staircase-Escalante National Monument

I saw and stopped to photograph this little cluster of cactus plants on our second, mostly wind free (!) visit to this area of the Escalante. I had just photographed the trees in the far distance of this shot, which grew right next to the river at a place where the trail crosses the stream. As I moved on, the trail rose a bit above the river bed and things seemed a bit less directly affected by the passage of the water in the river – and near here I found this group of cactus plants growing in a clump.

The light was special here. The area of the photograph was in shadow at this time of day, with the sun well behind the high cliff walls that towered overhead. But the light from the west was able to strike the upper walls of the canyon to the east, and this light, warmed in tone by the red sandstone rock, cast a glow down of warm light down into the canyon. It intensified the colors of the cottonwood trees, and cast some better light on the cactus plants.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.