For many years I have, in a sense, neglected the far northwestern corner of California where the Redwood National and State Parks are located. While I have photographed coast redwoods closer to the San Francisco Bay area, my experience in this true heart of the great redwood country has been quite limited — I’ve driven through a few times, but I have done very little photography there. This past week I had my first real opportunity to begin the process of rectifying this omission, and during this visit I managed to photograph in four of the main park components of the area. I’ll have additional photographs beyond this one, and I’ll expand on my thoughts about the area as I share them here.
This late May and early June period seems like it just might be prime time for this area, at least from a photographic perspective. Things are still very wet in this temperate rain forest, and new spring vegetation is everywhere along with plenty of wildflowers. This lushness produces scenes that are both attractive and a challenge to photography. As differentiated from, say, the Sierra Nevada, here there are few singular iconic sights. Instead there is the rich complexity of the redwood forest. (Also, of course, there is the nearby coastline.) The redwoods themselves lend an almost obsessive verticality to these scenes, but those large forms contrast with the dense details of other plant life. This was one of the first redwood forests within which I photographed on this visit, and I enjoyed the challenge of finding compositional form within this complexity.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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