Tag Archives: light

Inside The Oculus

Inside The Oculus
Play of midday light and shadows on the walls of the Oculus, SFMOMA

Inside The Oculus. San Francisco Museum of Modern Art. July 13, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Play of midday light and shadows on the walls of the Oculus, SFMOMA

This week we made a visit to the San Francisco Museum of Modern Art (SFMOMA) to see and hear the Soundtracks exhibit, which presents objects and installations of sonic art of various sorts. To be honest, I wasn’t that hopeful about this exhibit — I’ve often found that many visual artist’s ideas about sound art can be naive and banal in too many cases. However, the exhibit was (is, and you should go) excellent, with a wide variety of work that is interesting in a range of ways.

In any case, virtually every visit to this museum is also an excuse to make at least a few photographs, often of the architecture of the place. The central “Oculus” structure (which housed one of the sonic art pieces, too) is interesting to me as much for the play of light and shadows on its curved walls as it is for its own architectural form. I have photographed it many times, but being so close to the summer solstice the shadows took on different qualities than I had seen before. Here shadows from the structure of the upper window fall across a curved wall that is perforated by a pattern of large holes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Shoreline, First Morning Light

Shoreline, First Morning Light
First morning light comes to the forested shoreline of a Sierra Nevada backcountry lake

Shoreline, First Morning Light. Yosemite National Park, California. September 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

First morning light comes to the forested shoreline of a Sierra Nevada backcountry lake

Near the end of the summer of 2014 I ventured into the Yosemite backcountry with a group of friends and photographers for a week of landscape photography work, first at a somewhat isolated lake and then near a more popular location. Although I’ve been a backpacker for years, accustomed to slogging along with a big backpack carrying all of my own gear, on this trip we were supported by pack train. In fact, we had stupendous support. All of our non-photographic gear was packed in to the first location. A few days later a pack train returned and moved our gear to the next location. (Meanwhile we hiked a cross-country route to get there, following a trajectory that stock could not use.) And finally at the end of the trip the packers came back again and schlepped our gear back out to civilization. I think I could get used to this — though I still very much enjoy the quiet and slow pace of self-contained backpacking.

We were at the lake for three or four days, long enough go venture beyond the obvious things that one sees when first arriving at a place. We had time to return to subjects and reconsider them a few days later, possibly in different light or at a different time of day. We were also able to push out boundaries outward a bit from the lake itself, climbing a few of the nearby promontories. And, always, we had the luxury of rolling out of sleeping bags before dawn, walking a few steps to the lakeshore, and beginning the day’s work. This photograph was made not more than five minutes from camp as the first light began to work down to lake level.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Southwest Sky

Southwest Sky
Morning clouds above the landscape of Capitol Reef National Park

Southwest Sky. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Morning clouds above the landscape of Capitol Reef National Park

On this October morning we were up early, but not quite early enough — though it turned out fine in the end. We awoke before sunrise, with a plan to head down along the east side of Capitol Reef National Park along the Waterpocket Fold. We hoped to be a good distance down this route when the sun rose, but we got up later than expected. We were far from our goal when the dawn arrived.

Our location was, in some ways, not the spectacular sort of place that we had envisioned for sunrise. However, there were absolutely beautiful clouds to our north, and the dawn light’s color could probably make any subject look good. So our immediate goal became quickly finding any place that looked like it might have photographic potential — and to find it NOW! Within a few minutes we found a short side road, drove a short distance to a hilltop, parked, and piled out of the vehicle, more or less already in the act of setting up tripods and cameras. We had only a few moments on special light on the clouds before it began to fade to daytime light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Eastside Dawn

Eastside Dawn
Dawn light on the eastern escarpment of the Sierra Nevada near Long Valley

Eastside Dawn. Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dawn light on the eastern escarpment of the Sierra Nevada near Long Valley

I regard myself as a bit of a sunrise connoisseur, having arisen well before dawn on many, many mornings — almost every morning, actually — and often gone out to observe and photograph at first light. Trust me, I do understand how hard it is to get out of a warm bed (or warm sleeping bag) in darkness, dress, and head out into the still-dark world. But if you can start to make it a habit there is a good chance that you’ll become addicted — and what better kind of addiction is there than to need to see the first light?

I photographed this on an autumn morning when I headed out into the valley to the east of the escarpment of the Sierra. It was, as it usually is in mid-October, very cold when we arrived. But it was also very quiet and still, and steam was rising from nearby springs and creeks as the sky began to listen and the first light touched the peaks of the Sierra. It worked its way down the face of the range, across fluted alpine faces, into deep mountain valleys, and eventually to the rounded, tree-covered hills at the foot of the range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.