Tag Archives: light

Columns, Whitney Museum

Columns, Whitney Musuem
Repeating forms of cylindrical columns

Columns, Whitney Museum. Manhattan, New York City. December 27, 2015. © Copyright 20165G Dan Mitchell – all rights reserved.

Repeating forms of cylindrical columns

I admit it — photographing at the new Whitney Museum in Manhattan almost felt like play. The building is interesting in and off itself, but especially interesting on the high and open outdoor terraces that thrust out from the building toward the city. Although there are no people in this photograph — in fact, I had to take some care to ensure that was the case — the location was also a prime place to photograph people.

These columns occupy a corner, up against a wall, on one of the upper floor outdoor terraces. Their positions allow light to shine on them from multiple directions and on this very cloudy day the light was soft and luminous. Although this is the sort of thing that I might prefer to shoot from the tripod, I was working in street photographer mode and therefore had to shoot handheld, carefully lining up the verticals, trying to obscure a few places where the background shone through between the columns, and then waiting for people to pass by and not be in the shot.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Klamath Basin Dawn

Klamath Basin Dawn
Klamath Basin dawn light and clouds reflected in wetlands ponds.

Klamath Basin Dawn. Lower Klamath NWR, California. February 12, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Klamath Basin dawn light and clouds reflected in wetlands ponds.

Getting up early enough to drive to a location and photograph before dawn is no fun. It is not uncommon for me to have to wake up two, three, or more hours before dawn, and this is always a struggle. The alarm goes off, and I force myself out of bed quickly — otherwise there is a very real danger that my eyes will close and I’ll fall asleep before I know what happened. (I’ve done this, only to awaken so much later that my trip had to be abandoned!) In the darkness I dress for the cold, grab gear and some food, and off I go, sometimes to drive for an hour or two.

This morning’s drive was nearly but not quite an hour, but my destination was a place I had never visited before, so I was a bit concerned about finding my way around in the darkness. Arriving in the general vicinity, I soon figured out the rough lay of the land in darkness and headed off in an interesting direction as the first light appeared. And what light it was! A weather front passing to the west had scattered high clouds above the mountains to my east. The clouds turned brilliant colors well before sunrise, and the reflections of the warm tones of the sky mingled with the cool blue tones of water in the shallow ponds as I pulled up and began my wait for migratory birds. On a morning like this, standing in the cool air under a sky like this as I hear the early calls of geese and swans, I have no doubts at all about the wisdom of getting up in the darkness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Through the Train Window

Through the Train Window
A moment at a passing Manhattan subway station

Through the Train Window. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A moment at a passing Manhattan subway station

I was in the train when I made this photograph. I had started by making a few photographs of the reflections inside the car of people standing the aisle, juxtaposing them with the shape of the window and the lights moving past outside. Frankly, that idea didn’t work this time. But as the train moved into the station and stopped, I saw a moving tableau of passengers getting off and coming onto the train. As so often happens, they seem — to me, at least — to constantly arrange themselves by accident into interesting patterns, of shape and form and of activity.

it is hard to clearly explain what I see in a scene like this — I know what it is, though it is hard to articulate. There are three, maybe four main “characters” in the scene, and they all act without any apparent awareness of the others, in true Manhattan style. The woman in the dark coat holding the bag at the left side is facing the train and holding up both hands to make a cell phone picture. Behind her another woman in black is facing the opposite direction, seemingly busy with something she is holding. To the right a man, whose features are hidden by light blurred by the train window, is busy starting to take a camera out of his bag as he leaves the station. In the middle a woman is walking through the exit gate. The light is strange because I’m shooting through dirty train windows and directly toward the source.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

In Flight, Dusk

In Flight, Dusk
Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

In Flight, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

This was a beautiful mid-winter day in the San Joaquin Valley. It began with a two-hour pre-dawn drive from home, starting earlier than a month ago now that the days are beginning to lengthen again. I drove in clear weather and it remained so as the sky began to brighten as I entered the valley, but as I got closer to my destination I was pleased to encounter for — thin at first but within minutes so think that I had to slow and turn on fog lights. I arrived at my destination a half hour before sunrise, and began photographing, working all morning before finally taking a break for lunch.

My friends Claudia and Michael had dropped a hint in an email that they might be out that way later in the day, and I was pleased to find them there when I came back from my break. We greeted one another, took a quick trip around the area to scout the birds for evening photography, and then ended right back were we started. Big groups of sandhill cranes and geese (mostly Ross’s but with a few other interlopers mixed in) were active in newly turned fields nearby, so we found a good vantage point and watched as the evening light came on. Eventually the light became so dim that it was no longer really possible to make sharp stop-motion photographs of birds in flight. This is, in a way, one of my favorite times of day, when I switch over from a more typical kind of bird photography and begin to go with the darkness, using slow shutter speeds and panning along with the motion of flocks, and making photographs that work with the motion blur of low light and slower shutter speeds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.