Tag Archives: light

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cracked Mud, Canyon Light

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Photo of dried mud, Utah.
“Cracked Mud, Canyon Light” — Reflected red canyon light illuminates cracked mud in a Utah wash

I had thought of titling this photograph “More Mud,” given that it certainly was not the only photograph I made of this subject recently. The group of us — 6 landscape/nature photographers — had set off down into a beautiful canyon, but before we dropped into the deeper section we came across this patch of trying and curling mud… and ended up stopping for a half hour or more to photograph this seemingly mundane subject.

But actually, it turns out that desert mud is often anything but mundane. When it is found in a narrow canyon with red rock walls, the mud takes on the colors of the reflected light and even a bit of the blue color from overhead open sky. In many cases, you might miss this if you were not tuned in to the light and color… but if you do see it, soon such places provide a wild range of colors. A highlight comes from overhead light reflected down into the canyon as it bounces off the red rock and takes on a very warm and red coloration.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Evening, Near Fruita

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Evening, Near Fruita
“Evening, Near Fruita” — Evening light on the cliffs and hills of Capitol Reef National Park near Fruita

I had just arrived at Fruita (pronounced “Fruit-ah”) at Capital Reef National Park in the afternoon, after driving from near Kanab via a long gravel back road. After meeting a friend here and setting up camp it was late afternoon, and there was just time to head out and do some brief photography nearby before the day ended. We had an idea about heading into one of the west side canyons that are accessible by the popular (mostly) paved road, but we didn’t get nearly that far before we saw this beautiful evening light. Actually, we were probably not even a quarter-mile from the campground!

The light in this part of the park often poses a bit of a challenge late in the day. While one might look for late golden hour sun on these west-facing sandstone cliffs and peaks, the land rises from here toward the west, causing the sun to disappear from this area earlier than you might expect. But we got lucky, as broken clouds softened and warmed the light as the last sun touched these rocks just as we arrived at this spot. It is the kind of place I might usually drive past, as it is almost too obvious of a photographic location. However, I readily admit to stopping at iconic locations when the light is special, as it surely was on this evening.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Canyon Walls, Reflected Light

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Canyon Walls, Reflected Light
“Canyon Walls, Reflected Light” — Light reflected from blue sky and sunlight canyon walls illuminates the lower reaches of a Utah slot canyon

On this day I visited — though just barely — an area of slot canyons in southern Utah. I rarely do much advance research when I plan to photograph in a new area, generally preferring to discover the place for myself. This has both advantages and disadvantages. I certainly make my share of missteps and sometimes miss spectacular locations on my initial visits. On the other hand, when I come with few preconceptions I am free to make my own relationship with these places and perhaps I am forced to look a bit more carefully at what I see.

I had a vague plan to visit an area where there are some fairly well-known features, though I did not plan to visit the most popular of them, preferring to avoid the need to special permits and the attendance line-waiting. So I got a map (one without a lot of detail) and figured out where to find a gravel side road to a place with a name I had heard of, and I headed that direction. I parked at another place with a name that sounded familiar, loaded up and started walking down a valley with a good size wash. Soon the walls closed in on both sides and I entered an area of slot canyon. There is much to see and feel in these canyons, but my attention is often focused on the light, which does astonishing things when it bounces down between higher red rock canyon walls. As I came to this spot I was taken aback by the intensity of the brilliant blue tones when open sky reflected on the shiny surface of the rock, contrasting with the intense reddish tones of red rock illuminated by red reflected light, and creating almost sensuous forms in the rock walls.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Forest, Granite Bowl

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Forest, Granite Bowl
Forest, Granite Bowl

Forest, Granite Bowl. Yosemite National Park, California. September 8, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening light on forests and a glaciated granite bowl, Yosemite National Park

Large slabs of nearly unbroken granite, left behind in the wake of ancient glaciers, are a prominent and characteristic feature of the high country of Yosemite National Park. There is granite all of the Sierra, but this granite often seems to me to be more intact, and rather than encountering fields of broken rock it is common to come across these beautiful structures of exfoliating granite, often still with areas of smooth and reflective glacial polish. Scattered trees have taken hold in surprisingly thin cracks.

This bowl is in such a characteristic place, in the bottom of a great river canyon, just where it begins to become narrower and steeper. The area clearly shows the effects of glaciation, from the smooth rock in the canyon bottom to the sculpted domes and faces above. I have photographed in this bowl before on several occasions, and despite shooting there many times I continue to find new ways to see it every time I visit.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.