Tag Archives: light

Clearing Fog, From Hurricane Point

Clearing Fog, From Hurricane Point
Clearing Fog, From Hurricane Point

Clearing Fog, From Hurricane Point. Pacific Coast Highway, California. May 26, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Morning light begins to shine through clearing fog above Bixby Bridge, Big Sur coast

On Memorial Day this year I figured that I might be able to rise very early and beat the worst of the holiday crowds to the Big Sur area of the Pacific Coast Highway south of Monterey and Carmel. And I was right—when I arrived there very early in the morning it not busy at all. (But a few hours later, after breakfast I presume, the crowds swelled impressively, and my drive back home took about twice as long as the early morning drive to the coast.)

This was one of a string of slightly-out-of-character clear weather late spring days along this coast. As many have discovered to their surprise and perhaps dismay, all of those beautiful sun-soaked photographs of summer along the Big Sur coast are also a big lie! In reality, you are far more likely to encounter fog. (If you want a better chance at clear skies, dress warmly and come in the winter between storms.) But this day was forecast to be warm and sunny along the coast and, in fact, the weather I first encountered was boring and blue. But a bit further south a stubborn bit of fog clung to the ridges above Bixby Bridge and a few other high points further south along the road. Entering these areas the winds whipped up to near gale levels and the temperature dropped as much as 20 degrees. The fog was not pervasive and in many places, such as this one, the sunlight was straggling through in spots. Some of the most beautiful light is found when filtered sunlight makes its way through the thin areas at the edges of fog banks, intensifying colors and bringing soft light into the shadows. Here the sun was peaking through closer to my position at Hurricane Point, though the fog was nearly obscuring the view further north at the famous Bixby Bridge.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Light and Dark Sandstone

Light and Dark Sandstone
Light and Dark Sandstone

Light and Dark Sandstone. Point Lobos State Reserve, California. April 27, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A bit or remaining red sandstone sits on top of an underlying layer of lighter rock, Point Lobos State Reserve

Near the end of April I found time for a quick visit to Point Lobos State Reserve, south of Carmel in the Monterey Peninsula/Big Sur region. This is a place I have photographed for many years, so I know specific rocks and trees quite well. Photographing here often provides a sort of tension between continuing to refine how I see things that I have known for decades and trying to locate new subjects. In addition to the constantly changing patterns of the Pacific Ocean itself and the mostly stable elements of the rocky shoreline and forests, the weather always changes and the wildlife provides unending variations.

When I decided to go there on this morning I should have remembered that this is the weekend of the annual Big Sur Marathon, which mostly closes sections of the coast highway in the area for an hour or more at a time. But I didn’t remember… until I got to the Carmel Valley road block. I lined up for the periodic car caravans that were scheduled to leave every 90 minutes, picked up a cup of coffee and waited. Eventually we followed a highway patrol vehicle down the highway, and I soon turned off into an almost entirely deserted Point Lobos State Reserve. The solitude I found on this day when few others came to the park made up for the delay in getting there! Because the light was filtered through high clouds I decide to spend some time photographing these beautifully sea-sculpted sandstone formations along the rocky shoreline.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Clouds, Tuolumne Meadows

Evening Clouds, Tuolumne Meadows

Evening Clouds, Tuolumne Meadows. Yosemite National Park, California. May 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Early season evening clouds above Tuolumne Meadows and snow-capped peaks, Yosemite National Park

Another orbit around the sun; another cycle of summer, autumn, winter, and spring; another Sierra Nevada high country summer season begins to come into view. This year’s seems to come early and leaves me with an uneasy feeling—it never really did feel like we had a winter, aside from a few stray storms here and there. But every season is different and who knows what this one will bring. Regardless, Tioga Pass Road through the Yosemite high country opened this past weekend and the high country once again became accessible, as did the eastern slopes of the Sierra. Every year when that happens, the mountains call and I must go. Sometimes, especially when the pass opens later in the season, I may have a few days and I can stay up there and explore a bit more. Other years, like the one, I have to squeeze in a quick visit between other responsibilities. But I virtually always go during the first weekend when the pass opens, and this event marks the beginning of another season that will likely stretch at least into October, when the snows fall again and the aspens change color.

The pass opened on Friday, but I had other plans and responsibilities. I had other things to do on Saturday, too, so that left Sunday. One of those Saturday activities had me returning home at about midnight, and I managed to get to bed at about 12:30… leaving just enough time for three hours of sleep before my 3:30 alarm went off. I was up, stumbling around the house in the dark to dress and make coffee, and in a half hour or so I was on the road to the Sierra. The sun rose as I entered the foothills, where I stopped to photograph some spring oak trees and green grasses, and while it was probably 7:30 or earlier when I reached the park entrance it already seemed like the day was quite far along. I turned east onto the very familiar highway 120, and eagerly watched for special places I know, looking to see how they were developing this year. Was there water in that pond? Early signs of corn lilies? Water flowing in that creek? The Sierra certainly does look dry, but this was masked a bit by the remains of a snow storm from past week, which covered the ridges with white. Eventually I made it across the range and dropped down to Mono Lake and then drove up a quiet east side canyon to sit and listen to the wind for a while before starting back. I made this photograph during the last hour of daylight in Tuolumne Meadows, as the color of the light changed and the clouds of a passing weather front assembled above the crest.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting
Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Numerous sources of artificial light illuminate an industrial building from outside and inside

I like night photography for a number of reasons. I enjoy the very slow work, finding subjects and compositions in near darkness and then waiting patiently for long exposures to complete. “Normal” photography can be a slow and meditative process, but night photography must be. Given so much time to stand and wait, I cannot help but notice the stillness and quiet of the night, and to feel the cool and damp air. In fact, as a person who does night photography, these things are almost as much part of the experience as the visual elements.

In the visual context, there are a few things about the appeal of night photography that might not occur to a person who has not done it. When photographing in very low light, what we photograph is often very different from what we actually see. Often the subject is quite dark, even when lit by the moon or nearby lights, but the camera doesn’t care—a long enough exposure can collect more light that our eyes can, and a dim and drab subject can become bright. Also, the illusion that the camera stops time is not quite so strong when photographing at night. Over the course of a many minutes long exposure stars move, lights of cars appear and pass, clouds blur into soft streaks, and the edges of shadows from moonlight blur. In industrial areas such as this one, the lighting is a mixture of things glowing from within and lit from without, and the diversity of lighting—tungsten, fluorescent, sodium vapor, LED, mercury vapor, moonlight—paints the nightscape with wild colors. This building is an excellent example. The upper windows emanate a glow from yellow interior light. Relatively colorless light hits the upper walls, but the light takes on an odd blue/pink tone on the lower building, and the shadows head toward blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.