Tag Archives: light

Evening Clouds, Tuolumne Meadows

Evening Clouds, Tuolumne Meadows

Evening Clouds, Tuolumne Meadows. Yosemite National Park, California. May 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Early season evening clouds above Tuolumne Meadows and snow-capped peaks, Yosemite National Park

Another orbit around the sun; another cycle of summer, autumn, winter, and spring; another Sierra Nevada high country summer season begins to come into view. This year’s seems to come early and leaves me with an uneasy feeling—it never really did feel like we had a winter, aside from a few stray storms here and there. But every season is different and who knows what this one will bring. Regardless, Tioga Pass Road through the Yosemite high country opened this past weekend and the high country once again became accessible, as did the eastern slopes of the Sierra. Every year when that happens, the mountains call and I must go. Sometimes, especially when the pass opens later in the season, I may have a few days and I can stay up there and explore a bit more. Other years, like the one, I have to squeeze in a quick visit between other responsibilities. But I virtually always go during the first weekend when the pass opens, and this event marks the beginning of another season that will likely stretch at least into October, when the snows fall again and the aspens change color.

The pass opened on Friday, but I had other plans and responsibilities. I had other things to do on Saturday, too, so that left Sunday. One of those Saturday activities had me returning home at about midnight, and I managed to get to bed at about 12:30… leaving just enough time for three hours of sleep before my 3:30 alarm went off. I was up, stumbling around the house in the dark to dress and make coffee, and in a half hour or so I was on the road to the Sierra. The sun rose as I entered the foothills, where I stopped to photograph some spring oak trees and green grasses, and while it was probably 7:30 or earlier when I reached the park entrance it already seemed like the day was quite far along. I turned east onto the very familiar highway 120, and eagerly watched for special places I know, looking to see how they were developing this year. Was there water in that pond? Early signs of corn lilies? Water flowing in that creek? The Sierra certainly does look dry, but this was masked a bit by the remains of a snow storm from past week, which covered the ridges with white. Eventually I made it across the range and dropped down to Mono Lake and then drove up a quiet east side canyon to sit and listen to the wind for a while before starting back. I made this photograph during the last hour of daylight in Tuolumne Meadows, as the color of the light changed and the clouds of a passing weather front assembled above the crest.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting
Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Numerous sources of artificial light illuminate an industrial building from outside and inside

I like night photography for a number of reasons. I enjoy the very slow work, finding subjects and compositions in near darkness and then waiting patiently for long exposures to complete. “Normal” photography can be a slow and meditative process, but night photography must be. Given so much time to stand and wait, I cannot help but notice the stillness and quiet of the night, and to feel the cool and damp air. In fact, as a person who does night photography, these things are almost as much part of the experience as the visual elements.

In the visual context, there are a few things about the appeal of night photography that might not occur to a person who has not done it. When photographing in very low light, what we photograph is often very different from what we actually see. Often the subject is quite dark, even when lit by the moon or nearby lights, but the camera doesn’t care—a long enough exposure can collect more light that our eyes can, and a dim and drab subject can become bright. Also, the illusion that the camera stops time is not quite so strong when photographing at night. Over the course of a many minutes long exposure stars move, lights of cars appear and pass, clouds blur into soft streaks, and the edges of shadows from moonlight blur. In industrial areas such as this one, the lighting is a mixture of things glowing from within and lit from without, and the diversity of lighting—tungsten, fluorescent, sodium vapor, LED, mercury vapor, moonlight—paints the nightscape with wild colors. This building is an excellent example. The upper windows emanate a glow from yellow interior light. Relatively colorless light hits the upper walls, but the light takes on an odd blue/pink tone on the lower building, and the shadows head toward blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Green Shop Doors

Green Shop Doors
Green Shop Doors

Green Shop Doors. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Green doors to an immense industrial shop building, Mare Island Naval Ship Yard

I’m intrigued by doorways, especially doorways painted in interesting colors, or which suggest a size different from their reality, or which hint at something beyond the doors. These doors, both the obvious small door at the left, and the larger three section doors to its right that you’ll see if you look a bit more closely, are along the front of a gigantic shop building at Mare Island. Many years ago they were, no doubt, devoted to work related to the ship construction that went on here for many decades. That work ended decades ago, the facility was decommissioned, and much of it was left vacant for a long time.

More recently things have begun to move again on the island. While some areas still lie dormant and others have succumbed to weather and vandals, many others still stand and quite a few of them are now used by small operations. Looking through the windows on this night, portions of the interior were dimly lit and it appeared that a few workers were busy inside. Incongruously, it looked like at least one computer screen glowed on a desk near a window.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Morning, Light and Shadow

Desert Morning, Light and Shadow
Desert Morning, Light and Shadow

Desert Morning, Light and Shadow. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Morning light and shadows play across the immense landscape of southern Death Valley as storm clouds build.

This photograph reminds me of the immense scale of the Death Valley landscape. Photographed from high in the Panamint Range very early on a morning when a storm was building—it would later snow in our location—the contrast between the cloud-shadowed foreground and the early morning light in the distant valley emphasizes the vast distances in the scene. The light began closing down essentially right at dawn as the clouds of a Pacific weather front came in from the west behind us. (As I made this photograph light snow was falling on the ridge above and behind my position.) The dark clouds building over our position along the crest of the Panamint Range were beginning to extend out over the Valley and build over each of the ranges extending into the distance.

As I made this photograph the main portion of Death Valley, below us to the left and extending into the lower part of the frame here, had fallen into shadow, along with the range of mountains running along its eastern edge. The clouds had not yet worked their way to the south, and where the Valley turns toward the east there was early morning sunlight still spilling into the lower section of the Valley and lighting distant mountains and arid salt flats and atmospheric haze. Even further in the distance some thickening clouds are visible above a single very distant peak.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.