Tag Archives: light

A Riquewihr Christmas Tree

A Riquewihr Christmas Tree
“A Riquewihr Christmas Tree” — A small Christmas display beneath a towering bare tree at dusk, Riquewihr.

Riquewihr, in the Alsace region of France, is one of those “too-cute-to-believe” villages, made extra so around Christmas, which is when we visited. Like many of the old villages here, it fits the expected profile of cute old villages, with an entrance through an old arch and many half-timbered old buildings lining a cobblestone street. Add holiday lights and it is almost a holiday sensory overload.

We stayed on the edge of the town for several days, so we could simply walk into the village. That’s what we did on this evening, when we took a stroll up and down the main street. I saw this walkway, with its great old bare tree and Christmas decorations beneath.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Sandstone, Light and Shadow

Sandstone, Light and Shadow
“Sandstone, Light and Shadow” — Early morning sunlight accentates the color of a Utah sandstone cliff.

The idea here was to get “up close and personal” with a small section of a monumental sandstone tower standing in the early morning sunlight. To make the photograph I turned away from the conventional scenic landscape I had been focusing on, using a long lens to focus on an area where features projecting from the wall were casting shadows back onto it.

Southwest sandstone is often impressive simply because of its color variation. I’ve commented before on how “my” California granite inevitably looks very… gray after I return from a visit to Utah. But in some places, such as here at Arches National Park, it isn’t just that the sandstone’s coloration is attractive, it is also that the strata of red rock are so thick and extensive.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Red Cliffs and Trees

Red Cliffs and Trees
“Red Cliffs and Trees” — Kolob Canyon red sandstone walls in morning light and shadow, Zion National Park.

There are plenty of people whose knowledge of the red rock sandstone formations of the Southwest exceeds mine. But I have observed tremendous variations in these rocks as I photographed in Utah. The rock generally comes in layers that vary significantly in color and texture. Sometimes they are thick, uniform, and massive. In other locations they are filled with textured sub-layers and contain curves and cracks.

The example in this photograph is one of those massive, solid layers. This cliff is in Zion National Park’s slightly-more-remote Kolob Canyon. It is in a location where you can get quite close to this impressive layer. I made the photograph on a morning with a bit of haze. The position of the sun in front and to the right of the camera produced rim light on the cliff’s edges.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Forest and Dome, Sunset

Forest and Dome, Sunset
“Forest and Dome, Sunset” — Evening light on lodgepole pines and a Yosemite high country dome.

This may (or may not!) be my final post of a summer 2025 photograph from the Yosemite high country. (As long time readers know, sometimes I do dig back into the archives and work up “left behind” photographs.) It is a modest little photograph, but it seems appropriate to conclude the coverage of the high country year with sunset light on forest and granite.

I made the photograph on an early July walk through parts of Tuolumne Meadows. I was up there, in part, to adapt to the elevation before an upcoming pack trip — but also, obviously and predictably — to do some photography. I was out wandering the meadows as the day came to an end, and I made the photograph as the last direct sunlight, soft and warm, illuminated the forest at the east end of the meadow and the line between light and shadow began to ascend the dome.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.