Tag Archives: lush

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees in Flooded Meadow

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Trees in Flooded Meadow
Yosemite Valley trees stand in a meadow flooded with spring snow run-off.

Trees in Flooded Meadow. © Copyright 2023 G Dan Mitchell.

Yosemite Valley trees stand in a meadow flooded with spring snow run-off.

At first glance, this photograph might look like something from the Florida Everglades. But as the spring snow melt switches into high gear, many typically dry places in California are distinctly wet. During my pre-Memorial-Day visit to Yosemite Valley many meadows and even low forest areas were flooded by the rising Merced River. More than once as I hiked in the Vally my trails simply disappeared under water!

I know this spot well and have photographed here often in the past — when it was a dry forest along the banks of the Merced. But this week the water came almost to the roadway and flooded the trail in places. In fact, I had to set up on some rather spongy and unsteady ground in order to frame this scene!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: New England

New England Woods #6

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New England Woods #6
Lush undergrowth and ferns, with a tinge of late-season color, along a Vermont roadway.

New England Woods #6. © Copyright 2022 G Dan Mitchell.

Lush undergrowth and ferns, with a tinge of late-season color, along a Vermont roadway.

Most likely no one noticed, but I have jumped from #4 straight to #6. What happened to #5? It is coming, but I felt like sharing this one first! Like most of the “New England Woods” photographs from our August visit to (mostly) Vermont and (a little bit) Massachusetts, I made this one while walking along the edge of the woods. I recently remarked to an East Coast photographer (while recording for a B&H Explora podcast about photographing fall color) that I was challenged by the density of these woods. Somewhat to my relief, he sympathized and mentioned something that I was starting to discover — it isn’t always easy to find a camera position, and that walking into the forest or along its edge can be a good idea. I made this photograph while walking along a rural Vermont road.

In California it can be hard to find subjects with this much green by the time August arrives. Out here we usually don’t see much rain in the summer months, and our green season is winter. (I often tell people who visit from other places and are surprised by our dry summer landscape, “Come back in winter!”) About the only place here to find such a natural scene full of ferns is in the redwoods, though sometimes I can find small examples near sources of water elsewhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature, Photographs: New England

New England Woods #3

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New England Woods #3
Tall trees and lush undergrowth in Southwestern Vermont.

New England Woods #3. © Copyright 2022 G Dan Mitchell.

Tall trees and lush undergrowth in Southwestern Vermont.

This photograph continues the recent series (which isn’t finished just yet) of photographs documenting my “discovery” of New England woods. As I wrote earlier, I somehow managed to go this many years without visiting this lovely area. On our recent visit I mostly photographed in southwest Vermont, though I was briefly in Massachusetts with a camera, too. (We passed though portions of upstate New York… but we were too focused on getting from point A to point B to stop and make photographs.)

For a person brought up on California woods (which range from the widely-spaced oak trees at low elevation areas to the even more open forests of large trees in the mountains) the New England forests are a revelation. In some ways their moist greenness reminds me of parts of the Pacific Northwest, though the prevalence of deciduous trees sets them apart. Inside the woods, at least from what I saw, things are dense and quiet and overgrown with lush vegetation. I’m not yet quite sure how to photograph within these forests — though I think I can figure it out — and most of the recent photographs I’ll share are looking into the forest from its edge.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cottonwood Trees and Red Rock Cliffs

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Cottonwood Trees and Red Rock Cliffs
A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Cottonwood Trees and Red Rock Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Because Zion National Park is so popular, especially the main Zion Canyon along the Virgin River, the Park Service has instituted a shuttle system to carry visitors in and out and from place to place within the canyon. Like all such systems, it has it flaws — hard to get a seat going into the park early in the morning or late in the day leaving, hard to schlep camera equipment in and out — but on balance I think it is a good thing. I’ve been in Zion when the place was crawling with cars — cars on the roads, cars parked everywhere, cars waiting for parking spaces. The bus system improves on that, and I think the inconvenience is worth it for the most part.

We took a very early shuttle all the way up to the entrance to the narrows, the last stop on the route. My photographer instincts said, “Get there early!” These instincts are good, and there is a lot of interesting work to be done in the soft morning light. But photographing in these canyons isn’t the same as photographing, for example, in the open spaces of the Sierra or the desert. In red rock canyon country, the best light often comes later in the morning and well before sunset, when the sun is high enough to directly strike the red canyon walls and reflect that soft, warm light down into the lower reaches of the canyons. With this in mind, we took our time after photographing below the narrows, and rather than getting back on a shuttle we started walking down canyon, enjoying the variety of reflected light… and we repeated the process once again later in the day. I first saw this group of trees very early in the morning, and I made a point of coming back to them later in the day when I knew the reflected light would appear.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.