Tag Archives: man

Organic Landscape

Organic Landscape, Death Valley
“Organic Landscape” — Erosion patterns in a desert landscape, Death Valley.

Believe it or not, I am getting to the end of the photographs I made on this year’s winter visit to Death Valley National Park. I go every year during the cool months, sometimes more than once. When I returned at the end ofFebruary I wasn’t sure if I had gotten many keepers, but since then I have managed to find more than a few. This is a typical situation — I often don’t immediately see the potential in image files, and it takes a while to get to know them.

This photograph includes a small section with details of a portion of Death Valley “badlands” terrain. I photographed it in the early morning, before the direct sunlight arrived. The soft light and the curving shapes remind me of forms we see in living things, hence the “organic” title.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Cobbled Street

Cobbled Street, Montpellier, France
“Cobbled Street” — A man walks up the slope of a steep cobbled street, Montpellier.

After visiting Monpellier’s Arc de Triomphe and nearby Christmas Market, we headed back down the Rue Foch toward the old center of the city, but soon took a detour to the north. It eventually took us to the St. Pierre Cathedral and then the nearby Jardin des Plantes. To get there, we first traveled through some quieter, winding back streets, including this one where I photographed a man ascending a steep section.

The light in this location and others like it reminds me a lot of the light in slot canyons in the American Southwest. Because this “canyon” is also narrow and lined by tall “walls,” direct light rarely makes it to the street level. As a result, the light is often quite “cool,” or blue, since most of it is coming from the sky itself. But in places where the sunlight hits the walls, it reflects back and forth and sends a bit of warmer toned light into the “canyon,” as on the wall at the end of this street.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Weathered Street Art

Weathered Street Art
“Weathered Street Art” — The weathered and worn figure of a man, on a wall in Montpellier, France.

There is a fine line when photographing things like this between appropriation of someone else’s creative work and making the image because the placement and weathering themselves provide independent visual interest. In short, I’m not big on simply photographing what other people create, but I do seek out and photograph things like this bit of weathered street art found on a wall in Montpelllier, France.

I suspect that it has or had some meaning or message that isn’t apparent to me — either because I lack the cultural context to see it or because it has been weathered to the point where it is no longer apparent. For me, that weathering itself is part of the attraction. In this case, the bits that remain suggest something like a genie emerging from a bottle.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Big Pletzel

Big Pletzel, Paris
“Big Pletzel” — A mosaic tile covered Paris bakery with a sign featuring “Big Pletzel.”

First, the title “Big Pletzl” comes from the sandwich board sign on the sidewalk in front of this Paris delicatessen. We were out for a long walk this past winter, and I grabbed the photograph as we passed the business. A few things caught my eye, including that sign. (Yes, I had to look up what a pletzel is.) It also has the generic outdoor tables – and there were people seated there even on this cold December day. But the main thing was the tile on the front walls.

Today we are accustomed to generic, corporate signs on businesses. Chain stores and fast food “restaurants” may be the most common offenders, but even individual businesses now try to copy that appearance. But I love places whose appearance is at least a bit novel and individual. Here it is the remarkable mosaic tile work on the outside walls, including both text and imagery.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)