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Point Reyes and Drakes Bay

Point Reyes and Drakes Bay
Point Reyes and Drakes Bay

Point Reyes and Drakes Bay. Point Reyes National Seashore, California. February, 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Drakes Bay and the Point Reyes Peninsula, viewed from near Mount Vision on Inverness Ridge

After photographing very early in the morning along the shores of Tomales Bay near the town of Inverness, I continued along the road to Point Reyes and soon entered the national seashore. There was a possibility that I might try to meet up with a group of people who planned to photograph the herds of tule elk a bit later in the morning, but at this point I had some time to kill before that might occur. I wasn’t quite sure where I was going to shoot, so I was sort of “following my nose” and the light, atmosphere, and other conditions and waiting to see where I might end up. I had a general idea that it might be interesting to go all the way out to the point itself, where the morning light might illuminate some of the cliffs along Drakes Bay that don’t get that sort of light later in the day.

However, long before I got close to that area I passed a turn-off that I had often noticed and wondered about, a road labelled Mount Vision. With one option looking just about as good as any other option, I decided to head up that road to see what I could see. The road climbs quickly, more or less switchbacking up a steep include and up a few valleys before more or less leveling off high up on Inverness Ridge, actually ascending to the top of the ridge in a few spots and providing panoramic views both towards the ocean and back towards Tomales Bay. Although it wasn’t exactly foggy – at least not in the form that is common here much of the year – the atmosphere was obscured and out at the far end of the peninsula the curving end of Point Reyes was a bit hard to see, and there was a distinct blue quality to the haze that didn’t seem like it was going to work especially well for a color photograph. So I started thinking that this scene might work better in black and white. Soon I saw this steep foreground ridge with its tall trees and dark shaded elements and it seemed like its angle and darker tones might set off the lighter and less contrasty elements of the landscape in the distance, from the tree-filled valley in the middle of the frame to the barely visible peninsula near the horizon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Sky, Point Reyes

Winter Sky, Point Reyes
Winter Sky, Point Reyes

Winter Sky, Point Reyes. Point Reyes National Seashore, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Mist and spray from high surf along Point Reyes Beach beneath winter sky

I made this simply, even minimalist, photograph on the same day that I made the Tomales Bay photographs that I recently posted. After shooting at dawn along Tomales Bay I continued on into the Seashore. Since I didn’t have any particular goal in mind – sometimes it is great to shoot that way! – I first headed up a side road that I had not investigate before, and followed it to its end high on a ridgeline. From there I descended and headed out to the area of the park that is essentially a refuge for a large population of tule elk. There were tons of them and, oddly, the large number of them made photographing them less interesting than I expected.

Many of the elk were grazing along a high bluff overlook the ocean, and as I photographed the animals I kept looking out along the long beach toward the Point, barely visible through the morning mist and sea spray along the edge of the water. I intentionally excluded anything that was not blue from the photograph – even the curving strand of beach at lower left is blue from the haze. A clear day like this is somewhat unusual at Point Reyes, a place that is often fogged in, and the brilliant light filling the immense sky was a sight that I don’t recall seeing here before.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Raven on Fence Post

Raven on Fence Post
Raven on Fence Post

Raven on Fence Post. Point Reyes National Seashore, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A raven perches on a fence post above cattle ranch pasture, Point Reyes National Seashore

I had not gone to Point Reyes to photograph ravens. In fact, the thought of photographing these birds, which are not exactly high on my list of birds I love to photograph, had not even crossed my mind. I had a half day to do some shooting, so got up three hours before dawn and drove north through San Francisco, over the Golden Gate Bridge, into Marin County and then over to the coast, hoping to make it all the way out to the tip of Point Reyes to photograph Drakes Bay at sunrise. I didn’t make it quite in time, and instead ended up photographing Tomales Bay as the sun came up. After that I headed out on the road toward the point, but on a whim decided to finally drive up the Mount Vision Road, which I have always passed by on my way to other places. This was in interesting diversion, but after a while I remembered that a group of folks from the Bay Area was going to meet up to photograph the Point Reyes tule elk at around 9:00 a.m.

I figured I might try to join them, even though I haven’t really had that much luck photographing the elk in the area at the north end of the park where they are most easily found. (My best “elk experience” in the park was in a different area where I didn’t even expect to see them.) So I drove back a bit and then out on the road toward where the elk are found – in the area beyond Abbott Lagoon and near Pierce Ranch and McClure Beach. As I started out that road I saw a lot of birds of various sorts, so I stopped and grabbed my camera with the big lens from the trunk and put it on the seat next to me. (Smarter photographers than I probably normally keep such a setup handy while driving!) Sure enough, before long I started passing lots of birds along the road including this cooperative raven, who despite looking a bit nervous when I stopped close enough to make a photograph, stuck around long enough for me to get one shot… before other cars drove up and passed me and scared the bird away.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Launch For Hire Building

Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.