Tag Archives: market

New Louie’s Inc, Evening

New Louie's Inc, Evening
Evening scene as markets close in San Francisco

New Louie’s Inc, Evening. San Francisco, California. July 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening scene as markets close in San Francisco

This photograph comes from another evening spent doing street photography in the late afternoon and on into the night in downtown San Francisco. The plan was to meet up with a small group of like-minded photographers who like urban subjects and the magic of the city at night. The other arrived before I did, and we finally caught up with one another on a street in a non-tourist area of the Chinatown district of San Francisco.

This street has fascinated me for a long time. Most often I’ve passed through in the morning, when produce trucks line the streets, and the sidewalks are crowded with people doing their shopping. At those times I often feel like a bit of an outsider, interjecting myself into a community that is not my own, but I’m attracted to many things about it and I return frequently. On this evening visit the neighborhood had a very different feeling. There were far fewer people out and about, and the shops that are so busy in the morning were now closing down one by one. Tables of merchandise were cleared and put away, sidewalks swept, shutters rolled down, and one by one the shops closed. Now, without the crowd of people, a different visual quality appeared, with the primary elements being the colors of the shops, signs and awnings, and the shapes of and relationships among the scattered tables, bins, and shelves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Market Street

Market Street
A scene along San Francisco’s Market Street

Market Street. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A scene along San Francisco’s Market Street

Here is another San Francisco street photography image, this one from the “act quick and grab before it is gone” school of photography. When I’m lucky I may spot a scene like this and find that the human (and other transitory) element is unusually static, and I can take a bit of time to compose and wait for other elements to appear in the scene. On the other hand, often it is a matter of making that photograph almost instantaneously before the person moves, the street is again filled with cars, or any of many other elements change.

In this case I was initially thinking about the figures on the far side of the street and the interesting beam of light reflected down onto the street from the windows of tall buildings. As I walked I turned to my left and saw the person in black leaning against the structure and I had just enough time to make one exposure before he moved. As to what such a photograph might tell us or might mean, I prefer to leave that to your imagination. What is the person actually doing? Why is he leaning on the wall? What, if any, compositional relationships to you see between him and the trash receptacle and the angled light?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Walking Man, Columns

Walking Man, Columns
Walking Man, Columns

Walking Man, Columns. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A man walks between architectural columns, San Francisco

This is what I think of as a “compose and wait” shot, something I often do when shooting street photography. I find an interesting composition — here the series of columns, with shadows falling across them, and the mottled foreground light reflected from the windows of nearby downtown buildings — and then I wait for a person to walk into the frame and provide a center of visual interest.

This approach provides an interesting combination of intentional and carefully composed elements (the selection of overall subject and its composition) with elements that are almost completely out of my control — I have no idea who will walk into the frame, exactly where they will be, or what they will be doing. Things tend to happen very quickly, too. Obviously, I could not really track this subject into the frame, as he was behind these large columns, so I have to react quickly. In truth, when I work this way I often end up making quite a few exposures that just don’t quite work… but if I’m lucky it may all fall together in a single frame.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Escalator and Stairs

Escalator and Stairs
Escalator and Stairs

Escalator and Stairs. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Escalator and stairs at a San Francisco BART station

These BART entrance stations are well-known to San Francisco Bay Area residents. (As are the many stories about them: the wisdom—or not—of outdoor escalators, the necessity of, uh, cleaning them frequently, and more.) They tend to feature a combination of escalators for those going up and stairs for those descending.

I think that they sometimes create a visual center of interest in the cluttered environment of the downtown city. They are ringed by a low metal fence, and this one at least is designed in an attractive curve. (Some other photographs of mine work with that subject.) Looking down from the railings of this fence and tightening the crop enough, I could create a composition of shapes and colors that excluded just about everything but the large vertical shapes broken up by the smaller horizontal shapes, and the contrasting blue and yellow tones. A person begins to enter the frame at the lower right.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.