Tag Archives: meadow

Strait of Juan de Fuca, Evening

Strait of Juan de Fuca, Evening
Strait of Juan de Fuca, Evening

Strait of Juan de Fuca, Evening. Olympic Peninsula, Washington. August 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening light near Hurricane Ridge and over the Strait of Juan de Fuca

After shooting in the lowland rainforest earlier in the day, we planned to head up to Hurricane Ridge in Olympic National Park in the evening, hoping for some interesting late day light. I’ve been “skunked” (frustrated by poor conditions!) on more than one occasion here, including one notable visit when the clouds reduced visibility to a distance that might have been measured in yards. An earlier web cam check and what we could now see from down below encouraged us to think that we might get something better this time, so into the park and up the road we went.

When we arrived the conditions were not quite stupendous, but they held the promise of becoming better, so we stuck around and photographed. Although it was mostly somewhat hazy and cloudy, every so often the sun would come through an opening in the clouds to the west, and the beams of light would move across the rugged landscape of the Olympic Mountains spread out in front of us – and on one occasion this light crossed through rain showers and produced a momentary rainbow. As things wound down – without there ever having been a real climactic moment of light – I decided to walk over to a low ridge from which there was a view to the north and the Strait of Juan De Fuca, with Canadian territory beyond. Again, the atmosphere was murky, though there were potentially interesting clouds about. I made this photograph near the very end of the day when a bit of filtered though direct light swept across the foreground ridge.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Yosemite Autumn Foliage 2013

I have had a few final photographs of this season’s autumn color in Yosemite Valley sitting on my computer for several weeks now, waiting their place in the queue of photographs for the blog. That queue had become quite long, what with the overlap of remaining photographs from last summer, lots of other autumn color photographs, and now the onset of winter subjects such as migratory birds and so forth. Since these photos have been bumped to the back of the line too many times already, I have decided to simply share them as a group today.

Autumn Meadow and Cottonwood Trees
Autumn Meadow and Cottonwood Trees

Autumn Meadow and Cottonwood Trees. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved. – Afternoon light on cottonwood trees with fall foliage in a Yosemite Valley meadow, backed by the lower face of Cathedral Rocks.

Autumn Maple Leaves, Forest
Autumn Maple Leaves, Forest

Autumn Maple Leaves, Forest. Yosemite Valley, California. October 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved. – A final burst of autumn big leaf maple color in a Yosemite Valley forest

Autumn Thicket
Autumn Thicket

Autumn Thicket. Yosemite Valley, California. October 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved. – A nearly bare riverside thicket, Yosemite Valley

Riverbank Cottonwood Trees, Autumn
Riverbank Cottonwood Trees, Autumn

Riverbank Cottonwood Trees, Autumn. Yosemite Valley, California. October 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved. – Trees with golden autumn leaves grow among evergreens along the bank of the Merced River

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest and Cliffs, Autumn

Forest and Cliffs, Autumn
Forest and Cliffs, Autumn

Forest and Cliffs, Autumn. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Soft autumn light on Yosemite Valley forests and granite cliffs.

A typical day of shooting in normal weather in a place like Yosemite Valley starts early – though perhaps not as early as in some other locations, since the first light is somewhat muted by the tall cliffs and taller peaks to the east. I select subjects largely based on what the light is like and where I think it will be interesting, often focusing on places where I can get nice backlight, soft light in shadows, or perhaps atmospheric conditions such as fog. I may move around the Valley, shooting in one spot for a while and then moving on to another place where I suspect that conditions might be interesting. Depending upon the conditions and the season, this can go on for hours in the morning until eventually the light becomes “midday blah” and I’m exhausted and hungry! Time for a (very late) breakfast break and a pause in the photography on most days. After coffee and food I’ll usually take care of some business, for example breaking camp if it my final day there, and I’ll often wander around to visit familiar places – perhaps a gallery or a museum – and then it is probably time for a short nap. (Keep in mind that I’ve been up since well before dawn, and will likely shoot until dark and then possibly drive for four hours or more!)

At some point in the mid to early afternoon it feels like time to photograph some more – the angle of the light becomes less and backlight opportunities increase, afternoon haze may be increasing the sense of depth in the landscape, and I need to begin figuring where I’ll want to be at various times during the evolution of the light that will continue until after sunset. On this afternoon I went back into photography mode at about 2:30 or so, and this photograph was made at the “early” hour of around 3:00. But because it was fall, the sun angle was already low enough to backlight and highlight the cottonwood trees at the edge of the meadow and the textures and shapes of the granite cliffs rising above the Valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Hiker, Black Oaks, and Meadow

Hiker, Black Oaks, and Meadow
Hiker, Black Oaks, and Meadow

Hiker, Black Oaks, and Meadow. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A hiker crosses a Yosemite Valley meadow beyond black oak trees with autumn foliage

Yes, yet another photograph of autumn oak trees and Yosemite Valley meadows! It is (or was) the season in late October and I’m still sorting through the photographs. When I first arrived here my plan was to photograph the black oaks as a “natural” landscape without people. So I found a composition that I thought would work and settled in to wait for the folks who were (as is inevitable in the Valley) wandering around in the meadow to finish and move out of the frame. It seemed that every time the view was about to be clear yet another person would arrive and walk into the frame. I finally decided that I might have to make two or more photographs and blend the “person-less” sections to create one image without hikers, so I made a few exposures as two or three people walked across. (I also timed some of the shots so that the people would be hidden behind the oak trees.)

As luck would have it, after I decided on this approach there was a point at which no human figures appeared in the scene, so I do have my natural landscape version of this scene. However, after thinking about it a bit more, I actually like the version with a person in it better! While most of my landscapes are “people-free,” every so often I do one that includes the figures in the frame. I’ve learned a few things about this. First, having a person in the frame isn’t always a bad thing. (Yes, file that in the “duh!” file.) The presence of a human figure can both crystallize the composition and it causes us to relate to the scene very differently – perhaps imaging ourselves being there or perhaps considering what the person in the photograph might be thinking and experiencing. Second, the figure can often be quite small and still change the effect of the image in ways that are much bigger than the small figure might suggest. As an exercise, try to just barely cover the person with your finger. Notice how the greatly the effect of this scene changes?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.