Tag Archives: meadows

Blue Hour: Lake and Fog

Blue Hour: Lake and Fog
“Blue Hour: Lake and Fog” — Dusk fog rises from the surface of a subalpine lake reflecting a Sierra crest peak.

I had thought that I was done photographing for the evening when I passed this little lake and saw the fog rising in dusk light. The light was fading fast, so I quickly got out my tripod and set up for some relatively long exposures — this one was 15 seconds. The conditions arose after an afternoon and evening of rain ended and the skies began to clear, allowing fog to appear here and at every other similar body of water.

Photographs in these conditions — essentially twilight — test our understanding of what it means for a photograph to be “realistic.” The truth is that our eyes don’t see like this in extremely low light — so what you get here is a sort of “what the camera saw” image. (The eyes also do not interpolate drifting fog over a 15 second period!)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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After the Storm — Mt Dana and Mt. Gibbs

After the Storm: Mt Dana and Mt. Gibbs
“After the Storm: Mt Dana and Mt. Gibbs” — Mounts Dana and Gibbs in sunset light as a summer storm dissipates.

The best light often comes during or after photographically-challenging conditions. This view was no exception. It had rained for half of the day, hard at times, and I had been more or less pinned down, unable to do much photography. I watched and waited, ready to go, but it wasn’t until perhaps an hour before sunset that the rain finally stopped and it began to clear a bit.

I was camped just outside Yosemite’s eastern boundary, near Tioga Pass, so I quickly loaded up and went into the park. As I arrived in the Tuolumne Meadows area the clouds to the west were thinning and late-day light was staring to illuminate peaks, forest, and meadows, while the remaining clouds in the east made for a dramatic sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Cones and Needles

Cones and Needles
“Cones and Needles” — Cones and needles litter the ground beneath old Sierra Nevada lodgepole pines.

I made this photograph at that time of day when the shadows were long and most areas beneath trees were in the soft light. That seems to work better for this sort of photograph, which would have way too much contrast in full sunlight. Photographs of largely random subjects always end up being trickier than I think they will be. Once I see the subject framed in the viewfinder, it turns out to be a challenge to find a composition that works.

This area beneath large lodgepole piles was completely covered with a layer of fallen cones, intermixed with some pine needs and a few branches. The number of cones was actually remarkable, and it reflects the impressive fertility of these trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Mountains, Meadow, and Morning Mist

Mountains, Meadow, and Morning Mist
“Mountains, Meadow, and Morning Mist” — Ridges leading to Sierra Crest peaks tower above a meadow with rising morning mist.

Tuolumne Meadows runs roughly on an east-west axis along Tioga Pass Road. Consequently, sunrise and sunset light shine along its length. Standing at the west end in the morning the sun rises just left of Mount Dana in the summer. It takes a while for the sun to rise high enough to clear the peaks, but when it does the light is intense.

I made this photograph on such a morning. After photographing a different pre-dawn subject, I headed here with a vague plan to photograph meadow subjects. From this vantage point, the sun’s backlight across the great distances produces striking atmospheric recession on the layers of mountains and ridges between the Meadows and the Sierra Crest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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