Tag Archives: metal

W!

W!
“W!” — Colorful painting and graffiti on metal door, New York City

Continuing my current pattern of wild back-and-forth swings among subjects, today I retreat from the foggy California wetlands and head back to New York City for some wild color. There’s nothing in the photograph to let you know this, but it was a bitterly cold winter day when I made the photograph. Almost nothing stops me from walking with my camera when I visit New York, though the 20 degree (and colder!) temperatures and biting winds did their best on this day. We started walking in Lower Manhattan, near the Staten Island Ferry Terminal (a very windy place!) and headed uptown on a somewhat random path. The route took us through some places you might not bother to visit on a tourist trip to the city, but it did turn up subjects like this intense example of street art painted on the roll-up door of a small business. If memory serves, this was the day that we finally made it to Veselka, the Ukrainian restaurant. As we walked and got colder and colder, the thought of borscht and other goodies became more and more attractive. Veselka did not disappoint.

About this photograph and its dissonance with other work I post, such as wilderness landscapes, seascapes, and migratory birds. I know that some photographers prefer to focus on a particular range of subjects. (There are fine reasons for making that choice, in fact.) But I have at least a couple of reasons for photographing a wider range of subjects. First, I come from a background in music, where the idea of performing only one style of music (say, Baroque trio sonatas) all the time seems incredibly constraining — so seeking out a wider range seems nature to me. Second, I like to think that these different subjects are still united by whatever it is that constitutes my way of seeing… and that there might be a bit of the landscape photographer in the city and a bit of the street photographer in the landscape work.

TWO


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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A Shadow

A Shadow
A shadow falls across a Seattle sidewalk and roll-up door

A Shadow. Seattle, Washington. September 8, ,2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A shadow falls across a Seattle sidewalk and roll-up door

In early September I had the opportunity to spend several days in the Seattle area. I was actually there on a sort of business — not photography related — but I did have enough spare time that I could do some photography, too. It turned out that I had two opportunities. On nearly the last time of the trip I managed the long drive to the North Cascades, where I photographed in the Mount Shuksan and Artist Point area for an afternoon. Before that I managed to head to downtown Seattle for a bout of street photography. This photograph comes from that visit.

When I do street photography I work in ways that are both related to my landscape photography and also different. In both cases I tend to only select general subjects ahead of time, preferring to head out and explore and see what I can find. In both cases I am looking not just for “depictions” of the subjects, but also for bits of visually interesting material that might stand on their own outside of the specific location context. Of course, I use different equipment — for street I leave the tripod behind and I work with a small camera, typically using one or two small prime lenses. As I walk, often slowly, I am attentive to what is around me. I am discrete with the camera, only lifting it in front of me when I make a photograph. I often spot something, make the photograph, and move on quickly. (Not always, though. Some subjects demand more patience or are worth a careful exploration.) I may photograph people, architecture, or fragments of the scene. This is one of those fragments, an odd shadow falling across the slightly warped geometry of the metal roll-up door, and offset by the tilting sidewalk below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Metal Wall

Metal Wall
A metal wall leads away toward a person standing in a doorway

Metal Wall. San Jose, California. June 21, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A metal wall leads away toward a person standing in a doorway

This certainly qualifies as an opportunistic photograph. We had heard that a local brewery was going to host a Fujifilm “drink and click” demo this evening. We’ve been wanting to try the place out, and the added attraction of being able to play with a whole bunch of Fujifilm cameras and lenses clinched the deal. A local camera store collaborated with Fujifilm to show up with a bunch of their x-trans camera bodies and good cross-section of their lenses. Since I already have the Fujifilm XPro2 camera, I was mostly interested in trying out lenses and the X100f rangefinder camera.

So I had the X100f for about 15 minutes, mostly inside the brewery but also just outside. I figured out the camera pretty quickly and then just made a bunch of handheld photographs, trying a range of techniques and settings to get a feel for the camera. For this image I was interested in seeing how the fixed 23mm f/2 would do with a narrow focus plane (at f/2) and what the resulting bokeh would look like. I think the camera passed the test pretty well.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

This Is Jess

This Is Jess
Door with graffiti and stickers

This Is Jess. New York City. July 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Door with graffiti and stickers

I truly don’t remember this photograph at all! Sometimes when doing street photograph (in this case at the start of five weeks or what was largely street photography) I photograph quickly and then almost forget quite a few of the photographs as I move on to the next thing, trusting that my ideas about the subject will come back when I see the photograph again as I do my post processing. In this case, no such luck!

I don’t usually photograph graffiti — in fact I used to make it my policy to almost never post graffiti or to disfigure tags that the photographs might contain. But in this case there may be enough in the scene to convince me to let it go. The layers of time and culture in this photograph are easy to overlook, but when you stop to think about it they are quite amazing. I’m sure that this wall and old door have stood for a long time, likely created by and for people who would have little concept of how the surroundings have evolved. The “stuff” on the door includes its own kinds of diversity, ranging from informal scrawls to bits of paper that were created with the intention of affixing them to place like this. And on the left we have the bright colors of  the edge of a sign in (I presume) a Chinese language, itself visually contrasting with yet connecting to the newer writings on the green door.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.