Tag Archives: mist

Klamath Coastline

Klamath Coastline
Mist and fog along the rugged Northern California shoreline near the Klamath River

Klamath Coastline. © Copyright 2018 G Dan Mitchell – all rights reserved.

Mist and fog along the rugged Northern California shoreline near the Klamath River

On the final day of my recent photography trip to Redwood National and State Parks I spent the morning photographing at Prairie Creek Redwood State Park before packing up and starting my drive south. My plan was to split the long drive back to the San Francisco Bay Area into two parts. On this first day of the return trip I would head south through more redwood country, drop to the coast above Fort Bragg, and then spend the night there before heading home the next morning.

I left Prairie Creek – somewhat reluctantly, since it deserved more time — and heading south on highway one. If you have driven almost any part of this remarkable route you know that there are photographs everywhere, not just in the parks, so I planned to stop along the way to make photographs. The route often alternately rises to cross coastal bluffs and ridges and then drops right down to the shoreline. At or just below the high points I can often find panoramic views up and down the coast, and this was one of the first such views that I stopped for. The light was subdued — hence the decision to go with a monochrome rendition — but the atmosphere was remarkable, with the surf throwing up low mist clouds right along the shoreline and the remnants of fog muting the distant features.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Oak Trees, Spring Snow

Oak Trees, Spring Snow
Snow storm clouds obscure cliffs behind black oak trees

Oak Trees, Spring Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow storm clouds obscure cliffs behind black oak trees

I’ll continue by string of winter(-ish) photographs with another in what is getting close to the end of the new work I produced during my Yosemite Renaissance artist-in-residency this past winter and early spring. I always photograph in the park during these seasons, but this year’s residency provided me with far more opportunities — ranging from utterly freezing winter snow storm days to the sunny and warm early days of spring.

I made this photograph on a spring day, believe it or not — one of those early spring days during the transition from the cold season toward the coming warm season when winter reasserts itself. A small snow storm was passing though Yosemite Valley, and it dropped a thin layer of snow down to this low elevation. Although this snow did not last long, while it fell the Valley was briefly transformed back into a winter landscape. When I think of winter in the Sierra, conifer trees tend to come to mind, so this scene with oak trees under a thin layer of snow was special, with dark trunks and branches set against the snow and cloud-filled sky and a muted view of Valley cliffs.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clearing Clouds, Merced River Canyon

Clearing Clouds, Merced River Canyon
Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Clearing Clouds, Merced River Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on clearing clouds, Merced River Canyon and Lower Yosemite Valley

Yes, another photograph in the “Bierstadt morning” series, as I’ve come to think of it. (Albert Bierstadt was a renowned 19th-century landscape painter whose work in Yosemite is famous. His paintings, while true to the subjective experience of the place, relied on enhanced effects of color, light, perspective, and atmosphere.) As I have written, this morning started cloudy and gray but quickly transformed into a marvel of clouds, mists, and light that continued well into the mid-morning hours.

I began photographing in a location overlooking the main valley, but then decided to head up to this area, where I was thinking of several possible subjects. As I watched the play of light and atmosphere I decided to forego some of the intimate landscape opportunities and intend go for this large-scale scene looking up the valley of the Merced River. Working from one of the more obvious spots in the park, I set up and spent an hour or so watching the constant transformations of the scene as clouds opened, light appeared and moved across the scene, fog came and went, and more.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

El Capitan, Morning Light and Clouds

El Capitan, Morning Light and Clouds
Clouds and mist shroud El Capitan shortly after sunrise

El Capitan, Morning Light and Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds and mist shroud El Capitan shortly after sunrise

This morning was (yet another) lesson about not making assumptions too quickly, and about being ready to react quickly to changing conditions. I was up well before dawn and after coffee I quickly packed and headed out the door to my vehicle, ready to start the drive from Wawona to The Valley. There was enough light to get some idea of the conditions, and they did not warrant much optimism — the sky was completely covered by clouds, and as I drove they seemed to be getting thicker to the west, suggesting that they were increasing rather than thinning. As I continued to drive, crossing the road’s high point before descending toward Yosemite Valley, the light began to suggest the possibility of breaks in the clouds to the east. Sure enough, as I got my first long view of The Valley, there was open sky in that direction. What had promised to be dull and gray was starting to look more like their could be potential for special atmospheric conditions.

I made a few quick photographs at this first viewpoint and quickly moved on, driving through Wawona Tunnel and existing to the famous view of the Valley. Typically there are very few photographers here in the early morning — the opposite of the typical evening crowd — but the unfolding light show caused some of us to pull up short here and make some photographs. At this point I rarely do “the shot” of the full Valley scene in anything short of astounding conditions, preferring instead to focus on smaller components of the grand scene. As I photographed with a long lens, light appeared and disappeared, clouds drifted, beams struck isolated elements of the landscape, and there were bits of visual drama everywhere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.