Tag Archives: mnwr

Photographs: Central California, Photographs: Nature

Wetlands, Winter Sunset Sky

Image January 2, 2021 G Dan Mitchell Leave a comment

Clouds from an approaching winter weather system above Central Valley wetlands at sunset.

Who can resist a winter sunset sky, a reflecting pond, a few bits of vegetation, and distant mountains? I know I cannot. Recently I have written about sunsets several times — once to describe one that surprised me at the end of a rather gray day and another that, well, stayed gray. On both of those occasions I had little idea about how the sunset would turn out, but I stuck around just to see what, if anything, might develop. This time the event was almost predictable. The front edges of a Pacific weather front was approaching, and the line of clouds had been visible for a couple of hours. I almost hate to admit it, but I showed up in this spot only above five minutes before sunset.

In addition to their colorful attractions, sunsets like this one speak to Californians in an additional way right now. It has been (again!) a very dry start to our wet season, and after too many recent drought years we are getting a bad feeling about this winter. So these clouds, signaling something other than more “perfect” blue sky weather, are exciting in their promise of the potential for rain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Sandhill Cranes and Tree, Tule Fog

Image December 31, 2020 G Dan Mitchell 6 Comments

Sometimes the way that photographs come into existence seems strange. We put a lot of effort into doing all the things that increase the chances of success — practice, learn technique, develop our ability to see, take care to have the appropriate equipment, go to the locations where photographs are possible, time things correctly, and more. All of these are efforts, I think, to diminish the role of chance. Or, perhaps giving ourselves a bit more credit, steps that increase the odds that we’ll be able to take advantage of good fortune when it comes to us.

The series of recent photographs of sandhill cranes in fog is an example of this dynamic. They certainly involved all of those controllable factors that I listed in the previous paragraph. But I can’t help but acknowledge what it means to create a series of photographs from, literally, not more than a few minutes (perhaps a half hour?) in one spot on one particular morning. Aside from the fact that I knew it was possible that I’d find a scene like this, it was not exactly predictable. The weather could easily have been different, the birds could have been elsewhere, I might have chosen a different day to be there. Yet, on this morning it came together and this series of photographs was the result.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Sandhill Cranes, Tule Fog

Image December 29, 2020 G Dan Mitchell Leave a comment

Unlike most winter drivers in California, I was thrilled when I ran into serious fog about an hour before arriving at my intended photography location. I chose this day to visit the Great Central Valley specifically because I hoped to photograph in such fog. As I continued to drive, dropping down into the valley from surrounding hills, the fog only got thicker. By the time I arrived at my destination is was so thick that the roadway was. barely visible in the pre-dawn darkness. I turned off the main road and spent some time looking for birds, finally finding a flock of cranes standing in a shallow pond.

To read about nature photography and photographers, you might occasionally get the mistaken idea that it involves non-stop action and compelling scenes. You would be wrong. Those tend to the exceptions, and they are often separated by long periods of stillness and quiet. I don’t regard that as a problem and, in fact, this is part of the appeal of these places. The fog amplifies this effect, muting sounds and restricting visibility to a small radius. I stopped and slowly and patiently watched these birds, barely visible at times in the fog, making occasional photographs as they assembled themselves in interesting compositions.

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Photographs: Nature

Winter Reeds

Image December 26, 2020 G Dan Mitchell Leave a comment

Early winter wetland reeds transition from green to yellow to brown.

These reed thickets grow in all sorts of wetland areas in my “neck of the woods” — in and around ponds, along creeks, and so forth — forming a sort of living landscape that changes continuously throughout the year from season to season. I photographed these during the first week of winter, when they were well other along in the transition to their dormant season but still with some green plants among them.

The reeds are a habitat for all kinds of wetland creatures, perhaps because they provide some shelter and protection from predators. When I think of these places, my main association has to do with the little redwing and tricolor blackbirds that are often found among them. At times flocks of them collect on the highest branches, producing a wild cacophony of bird song, and then retreat into the thicket when anyone or anything threatening approaches..