Tag Archives: mnwr

Levee Road, Tree, and Fog

This unassuming photograph of a rural levee road, tree, and fog in California’s Central Valley encapsulates the feeling of winter in this place for me. If you know the area or one like it, perhaps you can fill in the sound of bird calls, feel the cool and damp air, remember the unhurried feeling of moving along such a road early in the morning. I go here to photograph birds, but always end up focusing on the landscape, too.

As lovely as this light is, it can be challenging to photograph. A motto for me when I work on prints is, “more light!” However, here I have to suppress that urge a bit since the fog diminishes the brightness. (Though the high clouds are so bright they are hard to look at.) Color can also be challenging, with a tricky balance between the inherent blue of the foggy light and the warmer colors of plants and (sometimes) the sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetlands, Dawn Fog

Have I mentioned how much I like photographing fog? Why, yes, I have! Fog can make almost any subject mysterious and moody. Even a banal urban or natural scene can become magical under its influence. This is especially true in places like this, an agricultural landscape that otherwise includes utilitarian elements — cattle barns, power lines, buildings with lights, roads. But fog mutes those distractions and leaves us with just atmosphere, light, color, and bits of solid reality. The landscape becomes less literal, and we fill in our own stories.

It was initially too foggy (and too dark!) to photograph here, so I just headed out to potential locations and watched to see what would happen. Tule fog is often shallow, and I could see high clouds as the sunrise colors suffused the fog as it began to thin. The density of fog adds up across distance, and here makes it impossible to tell where the land and water end and the sky begins.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two Cranes, Reflection

Sandhill cranes have the remarkable ability to look both comically clumsy (watch them land!) and remarkably graceful. This pair managed to produce the latter impression as they crossed paths in a shallow wetland pond. It helped that they were between me and the sun, placing their reflection in the water in front of them.

Sandhill cranes are remarkable birds and have become my favorites among the migratory birds I photograph . They are here between autumn and late winter in large numbers. Their characteristic cry is one of the defining features of my winter photography experience. One of the best moments comes when they return at dusk. I hear their cries before I see them, but soon hundreds arrive and land for the night.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Levee Road and Tree

My plan was to photograph birds migratory birds on this foggy Central Valley morning. But the fog was so thick when I arrived that I couldn’t even seen the birds. And then, as the fog began to thin, the light was so beautiful — and the birds still so scarce — that I ended up mostly making landscape photographs. I made this one when the shallow fog had cleared enough to reveal the early morning sky, even though the fog bank still covered the landscape beyond the levee road and tree.

I visit this place often at this time of year — a rather nondescript part of the Central Valley. It isn’t just that it’s not the sort of place you would notice as you drove past — it is so far off the beaten track that the odds are you would never even go there. But after years of poking around here I have come to love the landscape, especially on foggy winter mornings like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.