Tag Archives: monochrome

Salzburg Castle, Bavarian Alps, Sky

Salzburg Castle, Bavarian Alps, Sky
Looking towards the Bavarian Alps from the Salzburg Castle

Salzburg Castle, Bavarian Alps, Sky. Salzburg, Austria. July 17, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Looking towards the Bavarian Alps from the Salzburg Castle

I’ll admit that this photograph has one of the more unusual compositions among my photographs. Late in the afternoon on a summer day, I made the photograph from within an upper courtyard of the Salzburg Castle during our visit to that part of the world a couple of years ago. We were actually staying in Bavaria, in the portion of the distant mountains that is in Germany, but we arrived by train in Salzburg, departed the same way, and managed to travel down to the flatlands and visit the city on a couple of other occasions.

The castle is a spectacular place, located on the high ground above the old town and a bend in the river and having a commanding view of the surrounding flatlands and all the way to the mountains. As impressive as it is to us today, it must have been far more impressive when it was built. From this vantage point I was just able to see over one of the upper walls toward the mountains, and the backlit, hazy sky glowed. I suppose that the photograph is all about shapes, mostly abundant rectangles, but also the triangular shapes of the roof of the white building. The mountains echo those shapes, but inverting the tones — where the white buildings are the lightest things in their part of the image, the mountains are the darkest things in the upper rectangle holding the distant landscape.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Bricks, Reflection

Bricks, Reflection
Bricks and water reflecting urban sky.

Bricks, Reflection. San Francisco, California. May 29, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Bricks and water reflecting urban sky.

Walking up Market Street in San Francisco I was watching out for anything that could be photographically interesting — architecture, people, vehicles, light — when I looked down and saw this little vignette of… not much at all really. Perhaps someone had been cleaning the street earlier, and now a puddle of water covered some sidewalk bricks and flowed over the gaps between others.

I stopped, more or less in the middle of the sidewalk, likely forcing a few people to take a path around me or perhaps just wonder what I was photographing with my camera pointed straight down. What I saw was, first, the water itself. Then I saw the narrow vertical band of lighter tones, where there was a break between reflected buildings. I only paused for a moment to make a couple of exposures, and then I continued on.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Man in Blue, One Way Corner

Man in Blue, One Way Corner
A man in blue walking past a barren San Francisco street corner

Man in Blue, One Way Corner. San Francisco, California. May 29, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A man in blue walking past a barren San Francisco street corner

This is a street photograph from one favorite corner in downtown San Francisco, where the buildings are tall enough that I can often photograph subjects in soft light. In addition, the buildings and the street are not very colorful, allowing whatever the subject bring to the scene to become more important.

Often when I make photographs like this I think a bit like a landscape photographer. I find a configuration of fixed subjects that interests me, I try to create some kind of composition out of it (usually working very quickly) and then I watch for a person or persons to walk into and through the scene. This time the two components happened almost simultaneously. as soon as I saw the one-way sign on the corner and realized I wanted to photograph it I also saw this man crossing the narrow street and heading toward it — and I had just enough time to lift the camera, frame the scene, and photograph him between the sign and the fire hydrant, and at the closest point on the sidewalk.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Photograph Exposed: “Shoreline Reflections, Trees and Rocks”

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

“Shoreline Reflections, Trees and Rocks” — Silhouetted trees and boulders and their reflections lining a flooded section of the shoreline of Tenaya Lake.

This photograph is a personal favorite for a bunch of reasons related to how the photograph came about, the experience of making the photograph, associations with the place, and a print that pleases me a great deal.

I maintain the no photographer’s work is wholly original. What comes closest to being truly original is the personal vision of the artist — that particular way of seeing that the photographer develops. That vision is actually unique, but it is built from experiences and exposure to a visual world that includes the ways of seeing of other photographers and painters and more. I acknowledge and am grateful to a wide range of photographers whose work informs my way of seeing the world.

Among them is Charlie Cramer, who I’m fortunate to count not only as a photographic influence, but also as a friend. Charlie’s way of seeing light appeals to me a great deal, and among the photographs of his that stick in my mind is one of some very similar trees at this exact lake. When I’m in a place where another photographer’s photograph immediately comes to mind I often feel cautious about making a photograph that might look too much like their work — and this one may be an example of “influenced by” but “not like.”

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