Tag Archives: monochrome

Winter Surf, Big Sur Coast

Winter Surf, Big Sur Coast
Winter Surf, Big Sur Coast

Winter Surf, Big Sur Coast. Along the Pacific Coast Highway, California. January 19, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Huge winter surf breaks over rocky coastal islands along California’ Big Sur Coastline.

In mid-January waves of stupendous size came ashore along the California coastline, as they do at times every winter. The surf was caused by storms, but not storms that were at all visible here in California, where this was an unusually warm and sunny weekend, with clear skies and temperatures (in January!) in the low seventy degree range. As I understand it, the source of the large waves was a big Pacific storm far to the north, in the region of the Aleutian Islands, which was sending huge swells thousands of miles toward our coastline.

The news reports were making a big deal of so-called “sneaker waves” – huge waves that seemingly appear unexpectedly and sometimes wash over areas that might seem safe. Sometimes the reports overdo this sort of thing, but the warnings are justified, and this was especially the case during this occurrence. We were even surprised a bit ourselves. When we finally made it to this area along the Big Sur coast that is open to the ocean, we expected to see huge surf, but when we pulled over and looked it didn’t seem like anything all that extraordinary was happening. Yes, there were waves, but nothing that seemed out of the ordinary. However, as we grabbed gear and tripods and walked to an overlook on a bluff above the water a series of truly huge waves began to come ashore. It turns out that this pattern alternates periods of smaller waves with periodic intervals of much larger waves, and we certainly saw abundant evidence as gigantic waves completely overwhelmed these rocky offshore islands before continuing on to hit the shoreline and wash far up the beaches.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh and Fog

Marsh and Fog
Marsh and Fog

Marsh and Fog. San Joaquin Valley, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Water plants disappear into the fog.

On this late-November day, I had initially gone to a Central Valley wildlife refuge in hopes of photographing migratory birds. When I arrived the fog was so thick that birds were just about impossible to see. I went ahead and made a slow circumnavigation of the refuge, stopping to try to photograph birds from time to time. The first that I found – by hearing rather than seeing – were a group of Ross’s geese that were just barely visible through the fog, but not really photographable in the ways that I had in mind. A bit further along the perimeter road, an egret stayed put long enough that I could point the lens out the car window and make a few photographs, and shortly after that I came upon a group of white-faced ibises. I photographed these, too, but in the thick fog the results were not very exciting. I continued on around the refuge, finding nothing.

At this point I was starting to think that I might simply have to wait for the fog to clear, but instead I decided to make one more circuit and see if there was any way to photograph the landscape in this fog. As I did this, and temporarily let the bird photography idea slip aside, I started to see some interesting subjects in the plants growing in the water and on small drier clumps surrounded by the marsh. This simple photograph was made shooting handheld from the car, with the camera pointed into the thick fog which caused the landscape to fade into gray no more than 100 yards away.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pier at China Camp

Pier at China Camp
Pier at China Camp

Pier at China Camp. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The old fishing pier at China Camp, California

This is another photograph from my first visit to the China Camp site along the northern San Francisco Bay, a place I had thought about visiting and photographing for several years. It was a Chinese immigrant settlement in the 1800s and apparently there was a thriving shrimp harvesting operation there. Today it is essentially ghost town, though one that has been stabilized and fixed up and which incorporates some “interpretive” facilities. I ended up there in conjunction with a “long-exposure photo walk” weekend that photographed a number of Bay Area locations over the course of three days. Though I did not participate in the entire event, I did join up with them on one morning to photograph dawn at the Golden Gate and then to travel up to China Camp.

This pier was the subject of several of my photographs on this day. It is an interesting and compelling subject in a bunch of ways. Its historical context of course makes it interesting, but there are several interesting visual aspects to it, too, and the overall feelings are of quiet and space and perhaps a bit of desolation. The pier itself is unlike most that I’ve seen. Power poles with utility lines run along its length. Ladders descend to the waterline for entry into small boats. Birds sit on top of high points along the pier. The water in the China Camp lagoon is almost completely still, and there is a great expanse of open water beyond with only low hills on the far horizon. (This quality reminded me just a bit of some views of Mono Lake.) For this photograph I used a 9-stop neutral density filter so that I could extend the exposure to last many seconds, further smoothing the surface of the water. I made about a half-dozen exposures, trying to get on in which the darned birds would hold relatively still for 5-10 seconds… and they finally cooperated on the last shot.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dogwood Flowers, Rain

Dogwood Flowers, Rain
Dogwood Flowers, Rain

Dogwood Flowers, Rain. Portland, Oregon. May 27, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late spring rain on dogwood flowers, Portland, Oregon

We made a brief visit to Portland, Oregon over the Memorial Day holiday, and – surprise! – it rained! This was actually a welcome development for those of us who live in parched California, where we are in the second year of drought conditions. We spent most of our Portland time in the downtown area, predominantly between the main downtown and the Pearl district – where there are lots of interesting things to see, good food to eat… and, of course, Powell’s books. On the final morning we ventured out a bit further to an area of north Portland where we visited the beautiful St. Johns Bridge over the Willamette River. We wandered down below the span and its gothic-looking support towers, where we found lots of vegetation including some very lush dogwood blooms.

There is also a bit of a technical story behind this photograph. I usually shoot with a full frame Canon system, using a variety of lenses and mostly working from the tripod. But that is a lot of gear to carry on a trip like this one that was not primarily about photography. (Though, to some extent, virtually all of my travels are at least partially about photography!) So I left behind the full-on system and instead carried my Fujifilm X-E1 Digital Camera, along with the Fujifilm 35mm f/1.4 XF R Lens and the Fujifilm XF 14mm f/2.8 R Ultra Wide-Angle Lens. The camera is a mirrorless “rangefinder style” body that brings to mind the classic rangefinder film cameras. This makes for a very small and light package – and this photograph was made handheld using the 35mm prime. While my main goals with this camera are more likely to involve street or travel photography, I’m quite pleased with how it performed in this nature shot.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.